DEREK: You stated that Dragon Ball Z is the greatest action anime of all time. Why do you feel that way?

MARCUS: Because, man! No fillers baby! They got straight to the point. The action!

They had one filler, and that was the Garlic Jr. Saga. Which wasn’t that bad! It was a nice little break, like 5 episodes, and then they got right back to Future Trunks and the Androids. They got right back on it.

And they had a little fun with Goku and Piccolo trying to learn how to drive, you know, that little bullshit, but for the most part Dragon Ball Z stayed the course, it always stayed focused on the action.

Fuck No you wouldn’t! Because Krillin and Yamcha are the fucking weakest ones, you don’t care about them. I mean, they’re great to be the gauge for the enemies strength, but if I had to watch The Adventures of Krillin and Yamcha, I really wouldn’t be watching it. I’m trying to skip that. It’s like that whole saga of Bleach, like, c’mon, really?

DEREK: Yeah, I haven’t watched the last 20 episodes of Naruto because it’s all been filler.

MARCUS: Right, right that’s what I’m saying! After Sasuke left, it was like 30 episodes of bullshit. There was like 5 episodes where something happened in the Sand Village where Gaara’s student got kidnapped. They should have just skipped all that shit and gone right to the kidnapping and then bam, go right into Naruto: Shippuden. It was just so much and I was getting tired of it.

And the other reason I was like, “Fuck Naruto,” is because I was buying these motherfuckers! I didn’t know about animefreak.tv and the torrent sites, I was buying them. I was like, “What the fuck?!” After all that. Spending $39.99 on this, and then all of a sudden, it’s like, “Okay, that was fucking pointless.” And that shit pisses me off. That’s money, dude.

DEREK: Yeah, the crappy filler episodes wasting your money.

MARCUS: See, that’s what I’m saying. You go right now and buy Dragon Ball Z Uncut Season 1 and you’ll be all, “Holy shit. I’ve got to buy Season 2. Holy shit. I’ve got to buy Season 3.” It doesn’t stop because it keeps you into it. It never loses your focus.

DEREK: Yeah, I absolutely agree. So as an expert martial artist, how would you describe the fighting styles in Dragon Ball Z?

MARCUS: Hmm. I would have to say it’s more traditional, but at the same time they utilize their own skill. Especially with Goku and Master Roshi. I didn’t have to do half the stuff Goku did because I didn’t start off with traditional martial arts. I started off in MMA and I focused a lot on boxing.

In boxing and MMA gyms you don’t have the whole respect culture that the traditional martial arts have. I felt I was adapting to it because I was partaking in Brazilian Jujitsu now, and to the Brazilians I was all like, “You won’t hit me once I figure out how to tie my fucking belt.” It took me like an hour, you know?

At the same time, while I didn’t like it, it taught me to respect the belt.

You know, in boxing there is no belt. You get better by beating this dudes ass. That’s how you get better at boxing. Same thing in MMA.

But traditional martial arts, they teach you how to respect the mat, how to respect the belt, respect your Gi.

DEREK: So there’s a different type of ethics to it, or a martial morality?

MARCUS: Yeah, like the Goku – Master Roshi experience, it’s more traditional. Even though he has surpassed his master, he still has a relationship with him. And Goku is so open minded, he’s like a mixed martial artist. After he learned what he could from Master Roshi, guess what, he went to King Kai after that.

DEREK: Actually, it was Karin, Mister Popo, Kami, and then King Kai.

MARCUS:

Like when he grabs Vegeta and then like, I just saw this on the Uncut, which pisses me off because Cartoon Network cut the Vegeta and Goku battle in half. They made it look like Vegeta barely lost to Goku. No, Vegeta got his ass whupped! If I had seen that in high school, it would have completely changed my whole perspective of Vegeta.

Haha. He utilized it because it was there, you know what I’m saying?

DEREK: Some fans I’ve spoken with have noticed a difference in the fighting styles of the original Dragon Ball and then Dragon Ball Z. It seems like the original one is very traditional Chinese, a little Japanese, fighting styles with deep stances, very Kung Fu.

MARCUS: Exactly. It changed though because of their ability to fly. Because you can’t do an iron horse stance in the air.

DEREK: How would you describe the changes in the characters fighting styles as the series continued?

MARCUS: They had to adapt because these are more powerful enemies. I mean, fuck, Freeza destroyed a planet with his finger. So of course he might not be as active as he should be. Especially with the aerial attacks, because in Dragon Ball Z they fought a lot in the air.

Like I said, you can’t do a traditional stance in the air. An iron horse stance, you’re drawing energy up from the ground, you plant yourself. Like when a boxer throws a punch, it’s all connected because he throws it from the hip. The power comes from the hip, which is drawn from his feet being turned when he pivots his foot on the ground.

Now when you’re fighting in the air, there’s no ground to touch. You have to use the forward momentum of your flight to make your punches harder.

DEREK: I never thought about that before. That’s a really good insight.

MARCUS: Yeah. You know I know my Dragon Ball Z!

I noticed it, the difference between the two. I liked every minute of the original, but it was different because they were fighting more on the ground, like humans.

But then in Z they’re fighting against aliens, and all these guys have flight abilities. It changes the whole scenario when a guy can fly.

Just like on Avatar, Nickelodeon’s Avatar. You remember how he defeated the blind girl, the earth bender? He flew. Then he wasn’t on the ground anymore and she didn’t know where that shit was coming from. That changes the game when you know how to fly.

DEREK: Absolutely. Good insight. So let me ask you, if you could have one of the supernormal abilities depicted in Dragon Ball, those really advanced techniques, which one would it be?

MARCUS: Which one would it be? You know what, mine wouldn’t be that advanced, because I would have the Saiyans ability to not age.

DEREK: Ohhhh.

MARCUS: Yeah, see, they maintain their youth as they fight. That’s just their race.

DEREK: Wow. Good wisdom. I did not expect that answer. I think it’s a great one.

Okay, I have a few questions that don’t really flow together, so I’ll just ask them.

Who do you think is the best fighter in Dragon Ball?

MARCUS: Are we talking hand to hand combat, ki blasts?

DEREK: I’m going to say over all, your subjective opinion of who’s the best.

MARCUS: It has to be Goku. Goku is constantly evolving. And guess what, [in GT] he got turned into a fucking kid. And now he has the knowledge of a 40 year old, in a 10 year old body. So guess what, when he grows up to be a 25 year old as a youth, he’ll have a completely different mentality. Could you imagine? Have you ever said, “Man, if I was 10 years younger and I had this mind, I’d do this!”

DEREK: You’re right. It would be a totally different perspective on life. A lot more experience and wisdom.

MARCUS: Exactly. And he was already constantly evolving as a fighter, as a grown man. Now that he has reverted back to a kid. I mean, at the beginning of GT, I’m just like Okay. But when he grows up again, he’s going to be even stronger. And at the end of GT the dragon balls absorb into him, so we don’t even know how powerful he is.

DEREK: Right. A lot of fans have wondered what that meant. And if they do another series, what that would be like.

MARCUS: Whatever happened to that Dragon Ball AF series? I was going crazy looking for it.

DEREK: Yeah, it’s actually not real. But there are fan made versions called Dragon Ball AF. There’s a really good comic by a guy named Toyble. It looks just like Akira Toriyama’s drawings, it’s really well done. That is essentially what happens after Dragon Ball GT. It’s good. I would recommend it. You can find it free online. But there is no new animated series.

Now there’s another rumor out there of a series called Dragon Ball Hoshi. And a lot of people are going frantic for that one. But that too isn’t real. It’s just like Dragon Ball AF.

So it’s like every 4 or 5 years another rumor starts, “Oh, another Dragon Ball series is coming out.” But there isn’t one. And unfortunately everybody wants it, but they don’t have it.

The only thing that is coming out, they got the new video games, and there’s another one coming out soon called Dragon Ball Online, which is like World of Warcraft meets Dragon Ball. You can make your own characters and play online. It’s a whole world.

MARCUS: Damn. Daaaaaaammn. I can’t play that. I would never train.

DEREK: I know. You can actually play it in Korean and Chinese right now. They don’t even have a Japanese or English version yet. That should be coming to the States within the next year or two, hopefully.

MARCUS: That’s going to change the game. The whole World of Warcraft, they don’t have a fucking chance after that.

DEREK: Haha. So, are you a fan of the English dub, or the Japanese sub?

MARCUS: I’m more of an English dub guy. But the thing is, with the English dub they cut out a lot of the dialogue. The only way you can get a true Dragon Ball experience is to watch the Japanese version. Because the uncut American version…

I’m more a fan of the English uncut versions, but the thing is, they take so fucking long to get out.

I’m starting to get over this, but I’m not going to lie, I hate the Japanese voice. [Does a high pitched scream]. Agghh! It ruins it for me! In the American version, we do a better job with the voices.

And the fucking music! I just remember the music when Gohan is doing the father-son Kamehameha against Cell and is walking forward. Dude, that music, it traps you into that moment. But when you hear the Japanese version, it’s like… cooky. It’s like, I don’t know, the song doesn’t fit that moment. The soundtrack that the American’s put into the English and the uncut, man it just really pulls you into that scene. It traps you.

DEREK: Yeah, still to this day there’s a huge debate between the American music and the Japanese music, and people are… It’s so divisive. There’s no middle ground! People take sides.

MARCUS: The music is so different. And I’ve got to admit, some things you can read, but it doesn’t get you as crunked as when you hear it.

For instance, when Imperfect Cell was fighting against Vegeta. You remember he was getting frustrated because Vegeta was beating his ass. “This is impossible. I’m Cell. I am the most powerful person in the world!” Vegeta’s like, “You are nothing.” Then he knocked him out.

DEREK: I would have to agree with you. Did you know that Blu-ray just came out? Dragon Ball Z on Blu-ray.

MARCUS: Yeah, man, but I’m going to stick with my DVD’s. I’m already at Season 3, and I’ll go ahead and buy 4 through 9, they’re uncut. And right now I’m getting my path on becoming a member of the UFC, so I don’t have money like that, for a fucking Blu-ray. So right now the DVD’s are tight.

And you know what, that goes to show you something. I love Dragon Ball so much I refuse to download off the internet. That is fucking love. Naruto? I’ll fucking download all them hoe’s. But Dragon Ball Z? No. No. I have to pay for them.

Also you know, when you go on porn sites, they have something where Dragon Ball characters are fucking Sailor Moon characters. I won’t even watch it. No. No. You’re messing up the integrity of Dragon Ball! I won’t even watch it.

DEREK: That’s an interesting segue. I want to ask you about some spirituality questions.

The Dao of Dragon Ball is a book that talks about Buddhism, Daoism and how it relates to the series. Dragon Ball is a Japanese creation and it’s related to Journey to the West and all these ancient cultures, the spiritual energy and all that stuff.

Do you feel, personally, that Dragon Ball has a spiritual aspect to it? And if you do, how would you describe it?

MARCUS: I never saw Dragon Ball as a spiritual outlet. I always believed in my God. I never really saw that in Dragon Ball.

And I saw that all that came from the inner workings of Goku, Vegeta and how Goku just wouldn’t stop. He had to. His love for his family was the reason he trained so hard. So he could protect them. I never saw the spiritual side of Dragon Ball.

Personally, I have a tattoo on my chest that says, “I can do all things through Christ, Jesus, that strengthens me.” Yeah. And that’s honestly how I feel about my spirituality as a fighter. A lot of people told me you can’t do this, you can’t do that. I was like, you know what, if I believe in Jesus I will. And guess what? I’m on the show. I’m the first person from Alabama to be on The Ultimate Fighter.

I hate to say this, but some of it’s true. Alabama just got boxing commission. It’s been a world renowned sport for centuries but why are we just now getting boxing commission? Where I’m from had a lot of drawbacks, but it had some good things to, like I’m a leading child, so I have a strong commitment to family, to my religion, all that stuff, I grew up in the church.

DEREK: Really? That’s a very profound statement.

MARCUS: Hm-hmm.

DEREK: You mentioned on one of your video blogs, that while everybody else on the show was raiding the fridge and having a barbeque, you were off in the corner reading your Bible. You are a Protestant, correct?

MARCUS: Yeah, Protestant. I’m Baptist, but Protestant, for some reason not Catholic. That’s why I have to put time into the military. Haha.

DEREK: Would you consider yourself to be a spiritual man? And if so, how does your spirituality interact with your life as a fighter?

MARCUS: It keeps me motivated. You think about where you come from, how did you get this far. I was so scared to move. I was so unhappy in my home state of Alabama. One day. This is the weirdest shit ever. One day I was driving and I felt really bad. I pulled over and was fucking crying. Really bad, like somebody just shot my dog or something. I can’t describe it. I think that was the Lord telling me it was time to go. “You’re not happy here. Time to go.”

I just graduated from college. I was 25 years old. I was in the military and had a job, it honestly wasn’t that bad, but I had to go. People were telling me that I needed to go to succeed at MMA, and there were other hints.

DEREK: Because you are so… Christ is in you to such a degree, but you’re not familiar with Eastern cultures, like energy, spirituality and all that. How do you explain the supernormal martial arts of Dragon Ball?

MARCUS:

That’s all they needed to advance. You saw that the harder they trained the better they got. When they went into the Hyperbolic Time Chamber, that was the equivalent of a years’ worth of training in one day.

That’s how I understood that in order to be the best, you have to constantly train. And that’s what I saw in Dragon Ball, Goku was always training, Vegeta was always training. They were always training to be the best at all times. And training became an everyday regiment of their life.

That’s how I understood that I have to train, I have to push myself past that limit. I got to this point. Tomorrow I need to pass that point. I need to get to a new point. Everyday, life is about the regiment of training.

DEREK: Really? I agree. That reminds me of a saying, “How you live your days, is how you live your life.”

MARCUS: Hm-hmm.

DEREK: I think that is really true. And a person who is always training and improving is going to always be transcending their former self and rising upward. I think that’s a really great way to live your life, as long as you have balance.

So if training allows you to keep improving and rising up, the eventual endpoint of that might be some type of superhuman ability, it just goes beyond normal. Do you believe that human beings can fight like the characters in Dragon Ball, using those types of supernormal abilities?

MARCUS: To be honest with you, I don’t think humans will evolve to that point no time soon. But ain’t it a damn thing to try? To strive for that?

Just to strive to be that type of fighter, like Goku, it’s going to put you above everybody else. Goku is such a high standard, he’s such an elite athlete and fighter that you will surpass people as you try to catch him.

DEREK: Absolutely. That reminds me of another question. Another Dragon Ball fan in the community wanted me to ask this one. He wanted to know, how do you mentally prepare for a match?

MARCUS: Really, it’s a whole bunch of visualizations, like what am I going to do? A lot of that has to do with your corner. I’m getting my iPod, blasting rap music like Lil’Jon to get me amped, and then my coach in the background is saying,

You don’t understand how your corner gives you trust, love and respect and all these things. He believes in you, which fortifies your belief in yourself. That mental preparation is so important to me. Some people like to sit and meditate, but I need some amount of love, trust and somebody to tell me what I’m going to do to this man. That’s my mental stimulation.

“You going to throw a jab? What you gonna do? You gonna throw an uppercut, a cross, you gonna knee him, you gonna hit the ground, you gonna ground and pound, you gonna throw a triangle, you going to escape, you going to knee rise, then you gonna punch him in the face.” As he’s telling you this you’re visualizing it, and because he believes it, you believe it. You believe it even more because he said it.

DEREK: Yeah. Wow. It really gives me a feeling for what it must be like to be in that cage and to have somebody in front of you, it doesn’t matter who they are, you’re just going to go through them, and you are so confident and have that support. It’s a team and you’re doing it together. I think that’s really amazing.

It’s also very similar to the Dragon Ball spirit. It’s not like what Vegeta had going on. It’s not about being strong by yourself. You have to have other people that are with you and support you. That’s where strength comes from.

MARCUS: Yep. Exactly.

DEREK: What do you think of Vegeta when he let himself be possessed by Babidi to gain more power? And this is kind of a silly question, but would you ever let that happen to you, if it meant you could become the most successful fighter in MMA history?

MARCUS: Man, that is a tough question.

Vegeta sold his soul to the devil in order to get stronger than Goku. And that’s the thing about being lower than being the best. If you dangle that in front of somebody’s face for a long time, they’re going to cave. If you’re hungry and starving and I have this steak: “You want the steak? Well why don’t you just sign this contract and you can have as much as you want. And a glass of cold water.” It’s tempting. It depends on that person.

Now Goku never fought for himself, he always fought for his friends. Along with his friends, they’re like, “Nah we don’t need that.” But Vegeta always fought for himself, and to see somebody like Goku, who first of all, was supposed to be a low class Saiyan, surpass him. All of a sudden this elite Saiyan gets surpassed, works hard to get back up to Goku’s level, and then Goku surpasses him again.

And you have to remember, everything that Goku did, Vegeta did. Because Vegeta thought that if he had a family, he would be strong like Goku. But he had Trunks and Bulma, and nothing happened. “Why is he so much damn stronger than me?” It was pissing him off. And now he’s got this temptation: “You want to be stronger than him, sell me your soul.”

You don’t think [about the ramifications] like that, because you think that it’s all you want to be. “It’s all I want. I have one dream, to be the best and be better than him.” And someone offers you that… Would you take it? To be honest with you, we’re all human. We’re all human.

DEREK: Right. Do you see a corollary there between Vegeta’s choice… I see a corollary between Vegeta’s choice and the Temptation of Jesus in the desert, where it’s like, “I know you want this, here it is, I’ll give you whatever you want.” And Jesus says no, I didn’t come here for those things. And like Goku, he can’t be tempted because his heart is pure. But Vegeta can be tempted, and then he actually welcomes it. He tells Goku later, “I chose to let Babidi possess me to gain more power.” Do you see that as well?

MARCUS: Yeah, it’s just like that. And it shows just how strong God is, how strong Jesus was, because he was offered it and he said hell no.

DEREK: So that would never… we’re all human, like you said, but yeah, that’s a crazy scenario to be in where it’s like, there’s your dream, there’s your chance. That’s tough.

I have two more questions.

When you hear the title The Dao of Dragon Ball, what does this make you think the book will be about?

MARCUS: From what I read, it’s going to talk about everything. How Dragon Ball relates to real subjects, spiritualism, religions, training ethics, dreams, temptations. And how all of that that we go through in our daily lives is all reflected, the sentiments of that are in your Dragon Ball book.

And the way you just said how Vegeta was tempted, and how Jesus was tempted, that’s a great correlation. So I would like to see how if I read something about Dragon Ball, I can see how Goku was going through that, when this happened.

DEREK: So it’s really the relatable aspects of individual people and what makes them human, and how Dragon Ball helps you to see that and look within? Got it.

What made you excited to read this book when you found out about it? I tweeted you to let you know about it, and you wrote back saying that you wanted a copy. Why was that?

MARCUS: Because it’s Dragon Ball. I love anything Dragon Ball. I am so a fan. I love it. Anything that is Dragon Ball. I can’t describe it. Dragon Ball is the greatest. Hands down.

There’s a book that somebody is trying to relate our everyday lives and what we go through to a Dragon Ball saga? I’m like, “Okay I have to read this.” And then when you made that correlation, I’m like, wow, what the fuck else have you thought about?

DEREK: Haha. Yeah. I’ve been thinking about this… for a long time.

That was all my questions. Thank you! Is there anything else you’d like to express?

MARCUS: I just want to express my love for Dragon Ball. And I would also like to apologize to the Naruto fans out there. It’s not fuck Naruto. It’s fuck Naruto fillers! I just don’t like the fillers. Let’s get to the meat. Stay on focus with the task.

Naruto is actually a great action anime as well. But I just didn’t like the fillers, so just be to sure tell all your fans, I LOVE NARUTO, Naruto fans!

And Rock Lee is my favorite. I love Rock Lee. They don’t show him as much in Shipuuden. But Naruto is getting badder. And I can’t wait to see that final battle between him and Sasuke, because now he’s got the toad sage powers.

DEREK: Well okay. Do you have any questions for me?

MARCUS: Who is your favorite MMA fighter right now?

DEREK: MMA? I’ve been out of watching it for so long, honestly, I don’t even have one.

MARCUS: Well since you don’t have one, you can start with this person right here, Marcus Brimage! Get started with me. And you follow my career and I will follow your career. Hopefully we can make something happen. Maybe a real Dragon Ball movie. Although honestly I don’t think Dragon Ball should ever be made into a movie, because some things just can’t be done well.

DEREK: Yeah. Well if they ever do I hope that I get to be a part of it somehow, and make sure that it stays true to the series, because they just did not stay true to it at all, and that’s why it failed.

MARCUS: Exactly. I was like, why are people going to watch this? It looks fucking horrible. I boycotted that shit. I’m sorry. Please put that in your book, that I boycotted Dragon Ball Evolution.

DEREK: Haha. I will, I will. I might not name you specifically, but I will mention that.

Oh, I do actually have one last question. Do you have any inspiring words of wisdom for anybody like you who has seen Dragon Ball and has been so motivated that they want to become a fighter, but they don’t know how?

MARCUS: Tell those guys to believe in themselves and pray. Then go for it. That’s it.

DEREK: Very good advice. I guess it really is that simple too, if you can do that and make it.

This has been great. I really enjoyed this and you’ve given me so many great quotes, it’s going to be hard to choose. I feel like I’ve met a true fan of the series.

That’s one of the goals I had in writing this book. To meet other people… like me, really, so we can talk about it and enjoy one another’s company.

Dragon Ball is one of those things that brings people together no matter who they are, no matter how old they are, what race, financial background or anything, I think Dragon Ball can unite people. And I really enjoyed this. So thank you very much.

MARCUS: Thank you so much for thinking about me for the book. I greatly appreciate that.

DEREK: You’re welcome, and thank you for the interview!

Post from: The Dao of Dragonball Blog

Marcus Brimage – DBZ and MMA Part 2

These fights have awed and inspired fans across the world. And there are some fans who become so inspired that they decide to pursue martial arts and make it their career.

I had the privilege of interviewing one of those inspired fans recently: Marcus Brimage, a Mixed Martial Artist who can currently be seen on Season 14 of The Ultimate Fighter (TUF) on Spike TV.

Here is Marcus’ introduction interview on the show.

http://www.youtube.com/watch?v=WZ3Y-bdcjFc

This caught my attention and I decided to reach out to Marcus on Twitter. He agreed to the interview and the results were amazing.

We ended up talking for over an hour!

How and why did Dragon Ball inspire him? As an expert martial artist, what is his opinion on the fighting styles of Dragon Ball and Dragon Ball Z? How does spirituality play a role in his fighting? And did Dragon Ball influence his fighting style?

We also discussed his time growing up in Alabama and his desire for a greater life. His early experiences getting tough love from his MMA instructors. And the superiority of Dragon Ball over other action anime.

Not to mention another comment by Marcus for all of the Naruto fans out there!

*Warning that this interview contains occasional swear words.

*Warning that this interview contains violence and mixed martial arts content.

*Warning that this interview contains Dragon Ball spoilers because Marcus and I are super-fans and discuss the series in detail.

That’s right, kids!

So without further ado, here is The Dao of Dragon Ball’s interview with Marcus Brimage, a mixed martial artist and Dragon Ball fan!

Dragon Ball Z Inspires a Young Man

http://www.youtube.com/watch?v=4vpK0wlIP1I

DEREK: Dragon Ball Z really inspired you to join MMA.

On The Ultimate Fighter, you said, “Quinton Jackson and Dragon Ball Z are the reason why I do mixed martial arts today. Dragon Ball Z is the greatest action anime of all time. All time. All these little kids talking ‘bout Naruto. Man, fuck Naruto. Dragon Ball Z.”

You said that on national TV. That was your introduction to the series, people didn’t know who you are and you’re mentioning that Dragon Ball Z and Quinton Jackson, another MMA fighter, are what inspired you. How exactly did Dragon Ball Z motivate you to pursue martial arts and join the MMA?

MARCUS: Just because of the power that the Saiyans emit. It was crazy. Goku is such a super nice guy, but he’s super powerful. Vegeta is a badass, you expect him to be powerful. But I was always a nice guy and like making people laugh, and to see someone that was good hearted and kind, and all of a sudden he’s this powerful fighter, it really made me think that, “Man, I can do that.”

And that’s how I like to fight, because I push my conditioning so hard, I want to fight just like that, whup your ass from bell to bell.

It inspired me because in Alabama we don’t really have any martial arts, except Taekwondo. I just never liked Taekwondo. We have a few boxing gyms, but I wanted to learn how to kick and knee and all this other stuff.

I was in Alabama and I just basically had all these ambitions because of Dragon Ball Z. I mean, dude, c’mon, you’ve seen it, the fights are unreal. One of my favorite fights is when 17 fought against Piccolo, and the way Piccolo was using the body blows. He was hitting him so hard that the fucking fist was coming through the back of his shirt.

I was like, “Oh my God!” I knew I had to watch this cartoon. It was off the chain. It motivated me. I felt that I really wanted to learn how to do that. How to fight like that.

But at the same time, I don’t have to be a super badass guy like Vegeta. Vegeta has this attitude that everyone likes, but it’s not one that many people really have. More people are more like Goku than Vegeta. Happy go lucky: “I just want to eat food and fight!” So I thought that was pretty cool.

DEREK: How old were you when you saw Dragon Ball and you felt this way.

MARCUS: When I saw Dragon Ball I was actually in the 4^th grade. It came on WNEM-68, and I don’t know what made me watch that cartoon, because it was about this kid with a tail, and all of a sudden this hot chick with blue hair comes over to find his Dragon Ball that he thought was his granddad.

I remember I watched it before every football game, before I had to leave the house for little league football, I would watch an episode. I don’t know why, because Dragon Ball wasn’t that action packed, but the story gravitated to me, and then come to find out that Goku killed his granddad because he stepped on him. When he was younger he told him, “Don’t look at the moon because the evil monster will come out,” and all of a sudden he looked at the moon and turned into the ape. So it had a very cool story line, but even though it wasn’t action packed, I’m not sure why I was so drawn to it.

Now when Dragon Ball Z came out, I was in 6^th grade, and it used to only come on each Saturday, before Cartoon Network picked it up, and they used to show two episodes… and I lost it. The first fight with Goku versus Piccolo and Raditz, man… the thing is, with Dragon Ball, it stopped right after the first season, after they made the wish for supreme underwear.

It stopped after that, so I saw Dragon Ball Z and was able to put it together that, “Hey that’s the little boy, okay he’s strong now.” Not that it was hard to put together.

It was fast, it was ferocious, but somehow it was controlled. It wasn’t like, “Boom, Crash.” It was fast, ferocious, precise. Precision. Every blow was a precise movement. There was no unneeded movement at all. Everything was with precision, and so fast.

DEREK: Yes, it was very efficient. So you were in the 6^th grade, playing football, and you were into athletics, was there a particular moment when you were watching Dragon Ball Z and you said to yourself, “I want to be a fighter.”

MARCUS:

Because I didn’t know how to fight. And like I said, because I’m from Alabama, we’re a football state. We just got boxing commission in 2008, and in my opinion that’s fucking pathetic. We utilize the Victorian Era boxing rules in professional boxing today. The Victorian Era, do you know when that was?

DEREK: Well, yeah, centuries ago.

MARCUS: Exactly! A long ass time ago! Why the hell are we just now getting a boxing commission in 2008? And that’s what my situation was. It was football, or die. It was football, or just be a regular person. There was no other outlet.

DEREK: Oh, I see. Very limited options with what you could do.

MARCUS: Yeah, you go two hours to Atlanta, they had Jujitsu, they had Muay Thai, they had boxing, they had other styles that I would have gravitated to if I had that outlet by me. I just didn’t. When I saw Dragon Ball I immediately wanted to learn how to fight. But it wasn’t until I saw Quinton Jackson that I said, “I want to be a fighter.”

DEREK: Oh, I get it. Did you see that on TV, the clip of Quinton Jackson?

MARCUS: No, my brother actually downloaded his highlight reel. And he showed me it, him knocking out, what was his name, Marona, when he hit him with a power bomb, and they showed him slamming Shakarama in Prague.

It gave me that same feeling I got when I watched Dragon Ball Z. I got that when I saw Quinton “Rampage” fight. That’s when I said, “I want to fucking fight.” You know what I’m saying?

http://www.youtube.com/watch?v=wxyvdpk3WDU

DEREK: This is a really life changing decision, to become a fighter. So it must have had a really powerful influence on you, those two things, that feeling.

MARCUS: Oh yeah, it really did. To be honest with you, my whole life I kind of just did whatever my parents told me to. In Alabama, everyone is marrying, everyone has kids, around the age of 23. If you’re 25 and don’t have kids and are not married, it’s like, what’s wrong with you? Yeah. I even asked my mom, “Mom, is this all life is about? You graduate from high school, you go to college, meet a girl, graduate from college, marry the girl, have kids and have a family?” And my mother was like, “Yeah, son, that’s about it.”

I didn’t want that. “I’m 26 years old, I’m married, and I got a child” … Why? Why would I want to do that? But that’s the mindset in Alabama. You don’t know how many people have been trying to twist my wrist to marry my girlfriend of 3 years. I’ve known her since high school. “When ya’ll getting married? When ya’ll getting married?” That’s just their mindset.

But Dragon Ball Z and that Quinton Jackson clip made me think that there has to be something more than getting a 9 to 5 job, getting married and having kids. It really made me believe that there had to be something more.

DEREK: I see. So it broadened your perspective and showed you something greater, and made you want a different type of life.

MARCUS: Yeah.

DEREK: Dragon Ball obviously had a huge influence on you. What did you do to go and pursue that dream? Because there were no other places to train, except for Taekwondo in your neighborhood.

MARCUS: I was saving up money to move to Atlanta. Because Atlanta had some cool Muay Thai places, and I wanted to learn Muay Thai so I could fight like Sagat from Street Fighter, but at a Dragon Ball Z pace. My Sergeant in my guard unit told me that he knew this guy that could check out my moves before I left. I was like, “I don’t get it.”

So he took me to this place in Clay, Alabama, and I’m telling you I was the only black person for say, 30 miles. I know you’ve heard the stereotypes about Alabama, the part I was in, kinda true. So that was kind of awkward, being in that kind of place. But that guy who I was introduced to was not doing MMA anymore. So he introduced me to my coach back in Alabama, Chris Collins. Ever since then I’ve been with Chris [at American Top Team].

I wanted to show him I wasn’t a punk, so my first day I told him, “I want to be a fighter.” My first day, I said, “I want to fight” He said, “Yeah, how about you take some classes and then see how it goes.” “Nah, fuck that. I want to fight.” Haha. Yeah, I said it just like that.

So the first day, he dropped me, three times. Yeah, body’s. “Boosh, Boosh,” he dropped me, and I got back up. “Boosh, Boosh,” he dropped me, and I got back up. “Boosh, Boosh,” he dropped me, and I got back up! That repeated three times. Then at the end of practice I was like, “That was off the chain man, see ya’ll tomorrow!” He was looking at me like, “Yeah, you’re not going to be back.” But I was so excited I actually beat him back to the next training session. He turned on the gym lights and I was there ready for him. Yeah. I was a 19 year old kid, and I asked to fight him again. He dropped me again, for a week straight, over 2 times each session.

DEREK: How were you guys fighting at that time? Was it in a ring, did you have gloves, equipment and everything?

MARCUS: We had boxing gloves, shin guards, the whole nine. But the thing was, back then I was full of heart. You know that line I use in The Ultimate Fighter, “I’m nobody’s punching bag.” I got that from him.

He was like, “Look, I see that you’re excited. The reason I keep knocking you out is because you’re trying to kill me, and I’m nobody’s punching bag. So now that I see that you’re serious about this, how about we calm down and I’ll start showing you some shit.” I said, “Okay! Let’s see it!” Haha.

I started as part of the game, like, I think it was part of my initiation process. Truth be told, in boxing gyms that’s how it is. People who come in there, when you spar, they put you against advanced guys so you can get your ass whupped, and the guys who don’t come back, well fuck you, we don’t want you coming back.

The guys who do come back, okay, he’s a little hard headed, give him another ass whupping.

If you tell me that you want to be a fighter, but you get your ass whupped and then don’t show back up, well fuck you, get the fuck outta here and stop playing. If you get your ass whupped and show up the next day, then okay! That’s when we’re ready to work with him.

DEREK: Sounds like you had a lot of endurance and a really youthful, optimistic spirit, to keep going and push forward.

MARCUS: Yeah.

DEREK: Are there any characters in Dragon Ball that you relate to or connect with?

MARCUS: Truthfully, I hate that I… like I said before, I’m more like Goku. I’m happy all the time, I like making people smile. All around nice guy. But truthfully I wish I was more like Vegeta.

DEREK: Why do you wish that?

MARCUS: Because Vegeta got the fucking attitude. There’s something that draws you to that. I don’t know what it is, because he’s not as powerful as Goku. It’s just his persona, his aura, the way he presents himself: “I’m the prince of all Saiyans!” I gravitate to it. I can’t even describe it. The only thing I can describe it as, is impressive.

DEREK: Okay, that makes sense. Having watched Dragon Ball for so long, has it in any way affected your style of fighting?

MARCUS: Yes, it has. Like I said before, the way they move is so action packed, so fast. If you go back and look at my fights on YouTube, you’ll see all my fights are action packed, I’m in their face the whole time, “Pow, Pow, Pow Pow!” I’m chasing them around the ring.

Dragon Ball Z is like, “Boom to the temple, Boom, Boom, Boom, Boom, Boom Boom Boom Boom!” You know what I’m saying? They’re everywhere. And that’s how I fight.

The thing is, right now I’ve got to learn how to be more controlled with it, but they’re just so in your face. And you know what, that’s what the crowd likes too. The crowd likes people slugging it out, going all out, balls to the wall, everywhere. That’s the shit that gets people standing up on their feet. So that’s how Dragon Ball Z is, and that’s why I always push my cardio.

DEREK: Do you train like the Dragon Ball warriors? Do you do that with a really high intensity, extreme difficulty and push yourself super hard?

MARCUS: Yes, I do that! And that’s another problem with me because I push myself too hard. I’m always thinking my opponent is training harder than me. “Last week, that shit was easy. Hey, how about I jump this 4 foot box and then make it even higher next time?”

DEREK: That’s very cool. So, regarding your comment about Naruto…

DEREK: Haha. Okay, so I guess there’s a little bit of an apology to the Naruto fans, maybe. You actually are a fan?

MARCUS: Yes. Just let them know that it wasn’t fuck Naruto, it was fuck fillers.

DEREK: Okay. Got it. Got it. So you were really inspired by Dragon Ball. Do you think that Dragon Ball has inspired other martial artists, and do you know of anybody else that has been inspired by it?

MARCUS: One of my friends from the show, his name was Prince Albert, he told me that he felt the same way I did, but he didn’t want anybody else to know that. But you can’t be like that. You’ve got to let the world know, like I did. Fucking Dragon Ball Z. You know?

He told me he understood what I was saying because he felt the same way, but he wasn’t as open with it as I was. Because man, Dragon Ball Z, I’ll tell you, it’s the greatest action anime of all time.

You can’t touch Dragon Ball Z. All them other animes, they fight for second place, because first place is already got.

Dragon Ball is #1

Learn from Marcus how mixed martial arts are different from traditional martial arts, in Part 2 of the DBZ and MMA interview »

Post from: The Dao of Dragonball Blog

Marcus Brimage – DBZ and MMA Part 1

In Japanese martial arts, the Kiai (気合) is commonly thought of as a loud yell that coincides with an attack. But it’s actually a method of breathing, and is so much more than a simple scream.

In Dragon Ball, the Kiai is taken to an extreme. While drawing upon ancient martial arts legends, Akira Toriyama gives a visual appearance to what used to be invisible. He also illustrates what the Kiai could be capable of when used by a supernormal martial artist.

Toriyama’s creation has inspired a lot of people to practice martial arts, and the Kiai is an integral aspect of eastern martial arts, so it’s important to understand.

From super powerful punches to shields of energy, let’s take a deeper look at the Kiai in Dragon Ball.

Understanding the Kiai

To have a better grasp of what the Kiai is in Dragon Ball, we first have to understand what a Kiai is in traditional eastern martial arts.

Different martial arts masters view the Kiai in different ways, and there are those that believe it is a simple exhalation of air, while others consider it a potent weapon in the martial artist’s arsenal.

Wendell E. Wilson of the Shuri-ryu dojo in Tucson, Arizona, wrote in his essay, ‘Kiai’, “The subject of the kiai is complex and profound, involving critical aspects of the body, the mind, and the spirit, having numerous uses and applications. In truth, no one masters or even understands a martial art without mastering the kiai. … ‘The yell’ is not a trivial, expendable, slightly silly bit of melodrama; rather, it is a core concept and an essential skill to be taken very seriously and to be practiced and refined at every opportunity.”

The character for Ki (気), known as Qi in Chinese, refers to the ‘breath,’ ‘air’ or ‘spiritual energy’ of life. The character for ai (合) is a combination of characters, the top part (亼) meaning “to gather or collect,” and the bottom part (口) meaning, “mouth.”

A literal translation of Kiai could be, “to gather Ki together in the mouth,” and with the given context of the martial arts, it could be translated as, “to gather Ki together and project through (or out of) the mouth.”

Despite this literal translation existing, Kiai is often stated as meaning “to harmonize,” in that you harmonize your energy with that of your opponent, whether to subdue them peacefully or manipulate and defeat them.

These characters are also found in the martial art Aikido (合気道), where the Ai and Ki are reversed in order. In Aikido, a Kiai is used to instill a peaceful harmony or subjugation of the opponent through a meeting of energies via movement. The compassionate philosophy of Aikido is actually a rarity in Japanese martial arts and a relatively new concept, so the traditional meaning is still relevant.

In a traditional sense, the uniting effect of the Kiai is found within the individual practitioner as he unites his mind and body with proper timing and execution.

At a higher level, a Kiai is a complete unification of time and space, spiritual energy and power, mental willpower and determination, compressed and directed at a single point. The body’s concentrated power is let out during the Kiai, which can precede, coincide, or follow the moment of impact, depending on the technique or style.

How the Kiai Works

Basic training for the Kiai involves breathing exercises, similar to the Pranayama practices of India. The practitioner breathes from the lower abdominal area, setting the Ki in motion.

The lower abdominal area of the body is referred to as the Hara (腹) in Japanese, and the Dan Tian (丹田) in Chinese martial arts. It is an important part of the human body, and the place where energy is developed and stored.

Practitioners also perform mind intent exercises to strengthen their will and direct their intent.

Once a sufficient amount of Ki had been built up in the practitioner’s body, they would then practice their yells in outdoor environments. Starting from the lower abdomen, below the belly button, the practitioner quickly expels their Ki and breath while directing it with their mind. An objective was to become louder than nearby oceans, or silence the animals of forests and mountains.

Others use silent Kiai’s during meditation as a concentrated expression of will. And the silent Kiai’s are considered the most difficult yet most powerful to use in battle.

That said, keep in mind there are different types of Kiai, and high volume is not a necessity. It is the proper application that is important. Remember that a Kiai is the unification of spirit and body through the mouth. The most important part is the unification. In battle, high level masters may only make a subtle noise, or none at all, yet the Kiai is still fully executed.

The Kiai can also be used defensively, to harden the body and protect internal organs. The sudden tension followed by immediate relaxation reduces the sensation of impact. Trained martial artists can survive falls from great heights, or otherwise deadly blows, by using such techniques with proper timing.

When performed, the sounds expressed can vary depending on whether it is an offensive or defensive technique. Sounds such as, “hah,” “ah,” “ey”, “ay-sah”, “hai”, “toh,” “yah”, “ohs”, “hup” and others can be heard. Both long and short exhalations exist, and can be done before a technique, during, or after. There is no actual meaning to the vocal expression.

Kiai Jutsu

http://www.youtube.com/watch?v=zIXZ4e8x9V0

Actually using and refining the Kiai as a weapon is known as Kiai Jutsu (気合術). Kiai Jutsu can be considered the art of attacking (or healing) through the voice.

This art was considered very esoteric and secretive, taught only to professional warriors or senior students. Through years of dedicated training a practitioner was said to be able to use their own voice as a weapon, like a lion’s roar.

In this form, Kiai-Jutsu was used to knock opponents unconscious or cause mortal harm, without touching the opponent physically. This was known as a “touchless weapon.” They could ring a bell from a distance, stop a punch or kick in mid-strike, knock people over, shock an opponent into paralysis, or even cause birds to fall from their perch. In Japanese, this technique was referred to as “Toate-no-Jutsu” (遠当ての術), meaning “the art of striking from a distance.”

The Kiai Jutsu practitioner would channel the energy from their lower abdomen, and from throughout their body, and out the mouth. The energy wave would be directed at a target via mind intent.

Today, Kiai Jutsu as a “touchless weapon” can be found in dojo’s, but is ridiculed as a scam martial art and highly criticized by skeptics as something promoted by charlatans. Practitioners of the techniques state in their defense that it is because the skeptics, when subject to the Kiai, are not sensitive to Ki, or that martial artists of other practices are not sensitive to the master’s particular energy. This means they do not respond like a normal martial artist would, such as collapsing unconscious, or being pushed and pulled around by the energy. Instead, they suffer long term harm to their organs on a subtle level.

Students who are sensitive to the master’s energy, or profess to be able to use the technique, describe it in various ways: A shockwave, a surge, a type of wind, intense heat, blurred vision and deafness, or an electric buzz. And Veteran martial artists in the United States, who practiced in the 50’s, 60’s and 70’s, have made claims to experiencing such things while in Japan.

But to the skeptics, the practice is debunked as nothing more than psychological manipulation of the master’s students. Or as Mister Satan from Dragon Ball Z would say, “Tricks.”

Therefore, whether or not Kiai Jutsu’s “touchless weapon” is real is subject to personal opinion or belief, hopefully based on experience, rather than conjecture.

There are no known surviving masters of the original art teaching publicly (if alive at all), and the complete style of techniques have been lost and become the source of legends. There are a few schools across the world that still teach Kiai Jutsu’s “touchless weapon,” but they are subject to ridicule by those who seek scientific evidence and proof.

Only the basic aspects of Kiai Jutsu remain in the eastern martial arts world as a whole, and are found in the majority of practices.

The Kiai is an integral part of proper training, and masters of an art have strong Kiai’s, but Kiai Jutsu as a “touchless weapon” is, generally speaking, no longer given credibility, except for those who profess to have experienced it.

There are however those who still teach Kiai Jutsu in tandem with the pressure point art known as Kyusho (急所). In this form it is for medical healing or reviving unconscious martial artists after pressure point manipulation and knockouts while training.

Kiai Jutsu in Dragon Ball

Here is where things get taken to the extreme. The Dragon Ball extreme!

The Kiai Jutsu technique is used by several characters in Dragon Ball, and it shows up in a lot of different ways, growing in magnitude and power as the series continues.

It’s never explicitly shown how the characters in Dragon Ball trained to use the Kiai as a supernormal projection of their Ki. Some of the characters have the ability while others either do not or never display it.

The characters use the Kiai’s in different ways, so let’s review some of them now.

For lack of specific terms, I provided generic terms for each of these technique categories.

Kiai Strike

The most common Kiai is that which accompanies a powerful strike. The proper timing of a Kiai strengthens their attack. This is a regular type of martial arts Kiai.

I can’t think of any of the warrior’s that don’t use this while fighting. One Kiai for just about every punch and kick.

Kiai Aura Blast

The Kiai Aura Blast is very similar to the “touchless weapon” technique. This is “the art of striking from a distance” exemplified.

Goku used the Kiai Aura Blast while fighting on Planet Namek against Jeice and Burter.

The two Ginyu Force members are attacking him simultaneously, one on his left, and the other on his right. Goku quickly enters a martial arts horse stance, crosses his arms, and then Kiai’s while extending both arms out to the side while looking forward.

The result is a gigantic invisible shockwave that sends both opponents flying away. Dust goes everywhere and Jeice and Burter try to recover in mid-air.

This appears to be an omnidirectional Kiai: A transparent aura blast that rapidly radiates outward. This is important to point out because other aura blasts in Dragon Ball have clearly observable Ki that emanates from the practitioner. The one Goku used did not.

Uub also showed this technique at the end of Dragon Ball Z. He was able to do this technique without any training, when Goku made him so furious with rage that he screamed in Goku’s direction.

Kiai Shield

There are a couple examples where we see the Kiai Shield.

The first is when Tenshinhan is fighting his revenge match against Tao Pai Pai, the Crane Hermit’s little brother, at the 23^rd Tenkaichi Budokai.

Tao Pai Pai fires his Super Dodonpa energy beam at Tenshinhan, who defiantly stands in place. Tenshinhan is so angry and disgusted with Tao Pai Pai’s lack of warrior ethics that he chooses to take the beam head on in an action that also represents the moment he surpassed his former instructor.

But instead of Tenshinhan blocking it with his hands or using some other technique, he Kiai’s.

After the dust clears, Tenshinhan is left standing in the ring, completely untouched and unmoved. He then rushes toward Tao Pai Pai and knocks him unconscious with a single blow.

Another time we see the Kiai shield is when Goku is fighting against Nappa during the Saiyan arc. Goku has just arrived to the battlefield, and Nappa attempts to blow him away. Goku stands in place, puffs out his chest while raising his arms up in the air, and Kiai’s.

Nappa’s blast is completely negated before it even touches Goku’s body.

Goku uses this same technique while fighting against Burter and Jeice on Planet Namek, where they are throwing multiple energy balls at him. He Kiai’s and surrounds himself with an invisible shield that blocks all of the projectiles.

And like the Kiai Strike, the Kiai Shield can be used repeatedly during a fight, such as when absorbing blows or suffering a great fall or impact. Martial artists in the real world frequently use a defensive Kiai when taking hits, so it’s highly likely that the Dragon Ball warriors do the same thing.

Kiai Energy Beam

In Dragon Ball, unless a Kiai technique has its own special name, this type of Kiai is generically referred to as a Mouth Blast. In Japanese, this would be Kuchi Kara KiKoHa (口から気功波), which can be translated as “Ki Skill Mouth Wave.”

This is the type of energy technique from the mouth that most people think of when it comes to DBZ.

Many of the “evil” characters in the series have this ability, such as Piccolo Daimao, Piccolo Daimao Jr., Dodoria, Nappa, Recoome, Cell, Majin Buu, Janemba, and the Oozaru that each Saiyan can transform into.

This technique involves collecting the energy of the body into the mouth and projecting it outward as a beam. There are different colored beams for each character, depending on their individual characteristics.

Because the beam is made of high energy matter, it often explodes on impact or penetrates through defenses.

According to western physics, light exhibits characteristics of both particles (rays) and waves. Most of these types of Kiai’s resemble light rays, or beams, rather than waves.

There is the also the unique case where Majin Buu and Gotenks are trapped in the Room of Spirit and Time inside Kami’s Lookout. They both Kiai with such power that it rips a hole through time and space, allowing them to escape their dimensional prison.

Kiai Energy Wave

Similar to the Kiai Energy Beam, the Kiai Energy Wave is a collection of energy projected out of the mouth. But this time it comes out as a destructive wave, instead of a beam.

Theoretically, the Ki mixes with breath and is then projected forward as a high energy material substance.

For example, in the Majin Buu arc, Babidi orders Majin Buu to destroy a city, and he does so with a Kiai Energy Wave. He takes a really huge inhale, and gives a super elongated exhale of pink Ki waves that is so visibly powerful that it levels the entire city, like the shockwave from a nuclear blast.

Recoome also uses the breath variant technique on Planet Namek fighting against Gohan.

These techniques are in many ways similar to Superman’s super breath. The difference is that because these waves are made of high energy matter, rather than air alone, they are far more destructive.

Alternate Kiai’s

There’s also a different type of Kiai Energy Wave where the character breathes fire.

Dabura does this in the Majin Buu arc. He inhales air and then breathes fire at his opponent, as if he were drawing it up from within his body.

And in Dragon Ball GT, when Goku transforms into the towering Golden Oozaru, he shoots red hot fire out of his mouth in a projected stream. This stream of fire is different than the regular Oozaru Kiai Energy Beam.

Lastly, in Dragon Ball Z Movie 13: Wrath of the Dragon, the giant monster Hildegarn uses a similar technique to project a huge stream of flame from its mouth.

Because of their giant nature, in the case of the Oozaru, Golden Oozaru, and Hildegarn, these types of streams can be likened to Godzilla’s radioactive breath, rather than a traditional Kiai. Toriyama was a fan of Godzilla movies and giant monsters as a child, and so it’s easy to see these same characteristics in the monster’s deadly breath.

Ancient and Modern Kiai’s

Can you now see the string that connects the Kiai’s of traditional Japanese martial arts to the Kiai’s in Dragon Ball?

Dragon Ball’s fighting styles and techniques are rooted in eastern martial arts, which are themselves rooted in religions and spirituality.

Some of this may appear unbelievable or unscientific, but to the warriors of the past, such abilities seemed very real, or at least possible.

Even today there are still some martial artists that take the Kiai and its more supernormal aspects to be real because of their own experiential evidence.

Dragon Ball takes these concepts and the possibilities of such powers to an extreme, and then uses them to weave an interesting tale of mighty warriors.

Why don’t the martial artists of today have such abilities?

Maybe it’s impossible.

Or maybe they aren’t training hard enough!

Increase Your Kiai Power

If you are interested in learning more about the Kiai, please see the resources below or conduct your own research.

Better yet, start taking a martial art and find out for yourself whether or not the Kiai is real.

If you decide to walk the path of a warrior, then perhaps this advice will help.

Wendell E. Wilson ended his ‘Kiai’ essay with the following recommendation. “Don’t be shy with your Kiai… it is nothing less than your source of power and your route to victory.”

Further Resources

1. http://mineralogicalrecord.com/wilson/karate.asp
2. http://www.martialartsplanet.com/forums/showthread.php?t=19771
3. http://www.fightingarts.com/reading/article.php?id=158
4. http://rizsmartialartstraining.blogspot.com/2009/04/thoughts-on-ki.html
5. http://www.jigokudojo.org/toate.htm
6. http://www.shotokai.com/shotokaiforum/viewtopic.php?t=184
7. http://shotokai.com/ingles/gallery/tokitsu/itinerary2.html
8. http://www.youtube.com/watch?v=zIXZ4e8x9V0

Post from: The Dao of Dragonball Blog

The Kiai in Dragon Ball

The following article will reveal the origin, history and inner mechanics of the Kaio Ken martial arts technique.

What is the Kaio Ken?

The Kaio Ken is a heavenly martial arts technique taught to Goku by North Kaio.

It is one of Goku’s signature techniques used during the first few sagas of Dragon Ball Z.

The Kaio Ken amplifies Goku’s speed, power, mental acuity and physical prowess for short bursts of high intensity.

In the early episodes of Dragon Ball Z, Goku was killed by his brother Raditz, passed into the afterlife, ran 1,000,000 kilometers (10,000 miles in the English dub) across Snake Way, and then trained with North Kaio on his planet.

Not even North Kaio could fully perfect the Kaio Ken, as it is a very advanced mind-body technique.

Goku eventually surpassed his master.

Terminology of Kaio Ken

Kaio Ken (Japanese Kanji: 界王拳) is pronounced as “Kigh-oh-ken,” not “Kay-oh-ken” as it was pronounced in the original English dub. When spoken properly, the “Kai” in Kaio rhymes with “pie.”

Kaio (界王) can be translated as “Lord of the Worlds.”

Ken (拳) is Japanese for “Fist” or “Hand” and in the martial arts world Ken refers to a particular style or family of techniques.

Kaio Ken thus means “Lord of the Worlds Fist,” or alternatively “Fist of the World King,” and therefore serves as both the signature technique of North Kaio and the name of the Kaio martial arts style in general.

A Kaio is a deity of higher realms that presides over a specific dominion. Each Kaio is a master of their own realm, and beneath them are other lords who rule over their individual sectors or planets.

This system of lord above lord manifests itself from the highest realms to the lowest, like a series of concentric circles, each divided into quadrants.

North Kaio is the ruler of the North Quadrant of the Western Galaxy, and is the lord of Kami, appointed Guardian of the Earth, where Goku lives.

There are other Kaio’s, but it is not known whether they are also able to perform or teach the Kaio Ken.

When was the Kaio Ken Used?

The first time we see Goku use the Kaio Ken technique is in Dragon Ball Z episode 29, while fighting against the Saiyans; Nappa and Vegeta.

Nappa is flying toward Goku’s son Gohan and best friend Krillin to deliver a death blow. Goku is not flying fast enough to catch up to Nappa, so he is forced to use the Kaio Ken technique to intercept the strike.

Goku screams “Kaio Ken!” and is surrounded by a flaming red aura. He propels forward in the sky and punches Nappa with both fists in his spine, mid-flight. Nappa spins around as a result of the blow.

Continuing to surge forward, Goku lands on the ground underneath Nappa, and then catches him with one hand before he makes impact. Goku then tosses his now paralyzed opponent’s body to the ground.

The scene’s immediate aftermath is transcribed here, from the subtitled FUNimation Dragon Boxes:

Vegeta: “What was that just now?! For an instant, his speed and power suddenly increased!”

Krillin: “G-Goku how did you do that? Was that a technique you learned from that Kaio person?”

Goku: “Yeah. It’s called Kaio-ken. By controlling all of the energy [Ki] within your body, you can momentarily amplify it. If you do it right, your speed, power, destructive and defensive forces all increase many times over.”

Krillin: “That’s so awesome! Even after getting that much stronger, you can become many times stronger than that?”

Goku: “Yeah. [But] If I don’t restrain my Ki just right while I’m controlling it, I could kill myself. In short…”

[Flashback to his training on North Kaio’s Planet]

North Kaio: “You have done well to master the Kaio Ken technique, which even I could not handle, to this degree. However, I must stress again that you must not overuse Kaio Ken at your current level. If you mishandle your control, you will end up ruining your body. Do your best to limit yourself to a double multiplier. Remember, using Kaio Ken any higher than that will place too great a burden upon your body. In other words, your body won’t be able to keep up with the Kaio Ken, and it will bite back for what you’re doing to it.”

Goku: “Got it!”

The English version dubbed by FUNimation follows the same basic flow, but misses some important descriptive points, so the original Japanese was referenced here instead.

The Kaio Ken is used over a dozen times throughout the entire series.

How does the Kaio Ken Work?

This is where most Dragon Ball guides stop. They talk about the What and the When. They don’t talk about the How.

The reason most guides to Dragon Ball do not explain how the Kaio Ken works is most likely because the above dialogue is all they have available as reference. This dialogue is as far as the series goes in explaining the Kaio Ken.

But how does the Kaio Ken work, and what are the inner mechanics?

The exact training techniques employed by North Kaio are unknown. All we see is Goku busting through some bricks after he learned it, but not how he actually learned to use it in the first place.

Because of the lack of official explanation, the following explanation for the Kaio Ken represents my best attempt.

Training the Kaio Ken

Recognize that the Kaio Ken is an integrated mind-body technique.

A practice of both mind and body means simultaneously cultivating the mind and tempering the body.

If the body is not trained to a high degree, then even if the mind were capable, the body would falter.

In the case of Goku, tempering of the body involves physical training with a focus on repetition and teaching the body how to react and become integrated with the mind.

Goku cultivated the mind when he worked on proper timing, mental endurance and a sharp focus.

From a metaphysical perspective, by undergoing intense and focused training Goku is able to fill his body on the molecular and sub-molecular levels with more and more energy. In Dragon Ball they call this energy Ki.

Through such training Ki becomes increasingly dense, to a point where it fills up all the cells in the body. The particles of energy are increasingly refined to become smaller and more powerful, even though they fill up the same amount of space.

So the more Goku trains, the more powerful he becomes.

Physical transformations occur at later points in the series, but not now.

Using the Kaio Ken

Analyzing the technique from a Daoist martial arts perspective may produce the following understanding.

The energy is drawn from the Dan Tian (energy field in the lower body, Chinese: 丹田), and sent out to the chest, back, head and four limbs.

The Ki travels underneath the skin and causes the muscles to bulge and the flesh to become thick around the bones.

As the Ki reaches the surface of the body in this dimension it manifests as heat, wind, and electricity.

When Goku employs the Kaio Ken he opens up all the cells in his body and taps into their energy on a molecular and sub-molecular level.

Goku’s cells, molecules, atoms, neutrons, quarks and all other sub atomic particles are opened up and tapped into for a very short amount of time.

The Kaio Ken increases the metabolism of the cells in the body. The cells exert an incredible amount of energy in a short amount of time and are then completely expended.

The cells die and need to be replaced. But this recovery process takes as much time as the normal functions of the body will dictate. So during a battle, the use of Kaio Ken must only be used in desperate times of need.

A correlative explanation to Tibetan “Monk’s Fire” may help.

In this practice monks will wrap a wet cloth around themselves and then sit in meditation in the freezing cold mountains. As they sit, the water in the cloth starts to steam, and eventually the towel becomes dry. Under thermal cameras it can be seen that the monks bodies are much hotter than normal.

The exact science of how the monks do this is still waiting to be discovered. Perhaps they heat up the body by using Ki or by increasing their cellular metabolism via a mental technique. Long distance cold environment runners have been found to use similar a technique.

In the second DBZ movie, The World’s Strongest, Goku uses the Kaio Ken to free himself from the frozen ice of Ebifurya’s attack. He heats up so much that the ice melts and breaks apart.

Having melted the ice and broken free, Goku defeats his opponent.

The Dangers of Kaio Ken

There are repercussions to using the Kaio Ken, because Goku’s Ki is at higher levels than his natural, base form is used to.

Each multiplier of the Kaio Ken increases the metabolic rate and expenditure of the cells. This is why North Kaio warned Goku during his training against the Saiyans to not go beyond Kaio Ken x 2. He said anything else would kill him.

But during the battle, Goku was forced to go to Kaio Ken x 3, and even Kaio Ken x 4 in order to win.

In the Viz English manga, Goku says:

“Oh well… Better to blow myself up than let him do it.”

During his battle with the Saiyans, Kame Seninn was on Kame Island and felt the energy being exerted by Goku. He said the following:

“It’s said that the flame of a candle burns intensely just before it goes out. It seems to me that Goku is tremendously overexerting himself.” Chi-Chi cries back, “Don’t say anything so ill-fated!”

Goku is fighting for his life against Vegeta and says to himself:

“Damn, he’s a tough one… If I don’t finish this quickly–”

And then part of Goku’s body goes into spasm:

“Damn—My body can’t–! My whole body is aching! Sure enough, it looks like performing a times three Kaio-Ken was asking too much… If I dally around, I’ll be the one who goes down first!”

The power of Goku’s Saiyan genetics and incredible inborn quality of endurance are what allowed him to persevere.

He gained victory and defended the earth, but his body was completely drained and crushed. Only the miraculous power of the Senzu beans allowed him to recover.

Kaio Ken Koncluded

The Kaio Ken was a useful technique but was phased out as the series continued.

By the time Goku becomes a Super Saiyan during the Freeza Saga he no longer employs short bursts of intense but personally crippling power.

The other technique Goku learned from North Kaio was the Genki Dama.

The Genki Dama works in the opposite fashion to the Kaio Ken. It absorbs energy from within a certain expanse of time and space, and channels it into the cells, filling them with righteous life energy that is aligned with the characteristic of the universe.

A person cannot even use this technique unless they have a pure heart. When using the Genki Dama, Goku’s face becomes very peaceful and meditative.

By contrast, when using the Kaio Ken, Goku’s face becomes angry and intently focused, as if he were expelling a great deal of energy.

The Genki Dama and Kaio Ken are corollary techniques within the same family of Kaio Ken martial art. Goku was the only student of North Kaio’s who learned both.

With these two techniques, one of absorbing and the other of expelling, Goku becomes a super powerful warrior.

Combine these with the Kamehameha energy wave and Goku is nearly unstoppable.

Post from: The Dao of Dragonball Blog

The Kaio Ken Explained

Derek Padula at the Shaolin Summit 2011

I attended the 1st Shaolin Summit as a reporter for The Epoch Times Newspaper and interviewed the Head Abbot of the Shaolin Temple, Shi Yongxin.

As a practitioner of Shaolin Gong Fu for over 12 years, and a student of East Asian studies, I thought it would be a lot of fun to go there, learn some new things and meet some good people.

The result was mixed.

The summit took place at the Los Angeles Convention Center on May 21. The day was a combination of Shaolin culture and business motives, indirectly fueled by the Chinese Communist Party’s religious affairs and tourism departments, as well as American martial artists and businessmen who admire Shaolin martial arts.

Aside from the standard Shaolin Gong Fu demo’s, there were also two panel discussions.

The first was called “Zen, the Power of the Mind and Martial Arts.”

The panel was moderated by Jonathan Blank and guests included Mark Dacascos (actor and host of Iron Chef), Lucia Rijker (world champion kick boxer), Shi Yanfan (a Caucasian Shaolin monk and head of the Shaolin Temple Los Angeles), Gene Ching (Associate Publisher of Kung Fu Tai Chi Magazine), and Dr. David Rapkin (Director of the Mind-Body Medicine Group at UCLA). They talked about the importance of proper breathing and mind-intent, and how they can heal the body or lead to different outcomes in life.

The second panel included the Head Abbot and 5 master Shaolin monks. The monks talked about traditional Chinese medicine, proper breathing techniques, Shaolin culture, and what it means to be enlightened and live properly.

These were the most interesting parts of the day for me, even though they were fairly shallow. However, it’s understandable, given that the casual guest to the summit might not be an expert in these fields. Still, it would have been nice to hear a discussion with more substance.

Underlying the entire event however, was business and finance.

You can read the details in my Epoch Times article on the CEO Monk, Shi Yongxin.

Culture or Commercialism?

Abbot Shi Yongxin - Photo by Deborah Yun (www.deborahyun.com)

In short, the Shaolin Temple has become a monetized external shell of its former self. The current abbot has commercialized the temple and transformed it into a den of tourism and profit seeking financiers.

I traveled to the Shaolin Temple in 2003 while studying abroad in China. I was heartbroken to see such a stark contrast between the Shaolin Temple I read about in books and the reality that lay before me. The true cultivators of that temple were gone.

Unfortunately it has only become worse with the passage of time. The head of the United Studios of Self Defense, the largest branch of martial arts schools in the country, told me so while at the summit. He visits the temple with his students on a semi-yearly basis.

It saddens me to say this, but the Shaolin Temple and the martial arts I loved have been corrupted at the source.

The Cultural Revolution of the 1960′s and 70′s caused irreparable damage to not only the temple walls, but more importantly, the Shaolin culture. The true monks fled the temple so that they would not be polluted by Communism and politics, and those who stayed were the younger monks that are now the older generation. The higher level teachings were lost.

The head abbot that replaced the former is so focused on profiting from the interest in Shaolin that he is blind to this important principle: No matter how much he rebuilds the walls or adds new gymnasiums to support the influx of fresh students, he can never buy back the true Shaolin spirit!

The traditional teachings and the current reality could not be any further apart then they are right now.

My hope is that the CCP affiliated abbot that they have installed at the head of the temple is replaced by a genuine cultivator that can restore the reputation of Shaolin. They need to return to the true teachings.

You can see here a powerful comparison between Shi Yongxin and the monk’s of the Dabei Temple. The Dabei monks are another Buddhist sect in China. But they have chosen to follow their traditional ways of life, while the Shaolin have become business oriented.

What do you think of this issue? It’s by no means simple, and I can understand the perspective of both sides. Without proliferation of the art, then perhaps less people would be aware of it or have a chance to practice. On the other hand, what exactly is it they are buying into? In the end, where it will lead them?

When it comes down to it I have to take sides with being genuine and true, because no amount of money can buy you the truth.

Post from: The Dao of Dragonball Blog

Shaolin Summit 2011

Vegetto Smashes Majin Buu with a Double Axe Handle

In this Dragon Ball explorative essay we’re going to focus on the martial arts technique known as the double axe handle. This iconic technique is found throughout the Dragon Ball series and has both a rich history and symbolism.

Dragon Ball is a comic book and anime filled with fighting and all kinds of different martial arts styles.  Yet many of them share similar techniques, and the double axe handle is one of the most identifiable.

These are the questions we will answer in this article:

• What is the double axe handle?
• What are its origins and history, and how does it relate to Dragon Ball?
• What are the histories of East Asian martial arts, Buddhism, and the Lightning Bolt Clasped Hands style of combat?
• How do eastern philosophies and this technique fit into the fights of DBZ?
• Why is the double axe handle used so often in Dragon Ball?
• Outside of Dragon Ball, where else can the double axe handle be seen?

Read on to find out!

What is the double axe handle?

Vegeta's Flying Double Axe Handle

The double axe handle is a martial arts technique that involves bringing both hands together in a clasped position so that they form a hard, dual fist.  The fingers are usually interlocked but it is not required.  To use this technique the practitioner swings their balled fist at an opponent as hard as they possibly can, as if they were swinging an axe and trying to cut through a log or tree.  They put all their weight behind the attack and deliver a full force blow into the opponent.  The move is very dramatic and stylish.

Are there reasons it is so commonly used in Dragon Ball?  I have yet to see another anime or series in any form (comic, animation, film, or game) that applies it so abundantly.  This technique is brought into play in every major fight in DBZ.

And this is particularly odd because the double axe handle is rarely used in the martial arts.  It is an impractical technique that endangers the practitioner who uses it.  Yet in Dragon Ball we see it all the time.

What are the origins and history of the double axe handle?  Where does the technique come from and how is all of this history related to DBZ?

The History of the Double Bladed Axe

Minoan Double Axe

To better understand the double axe handle technique used in DBZ we should take a moment to discuss the techniques’ history and meaning.  Bear with me for a few paragraphs because it will all make sense later.

The double axe handle technique receives its name from the cutting tool known as the axe. An axe is an ancient and still employed cutting tool used to chop and slice through objects.  It consists of a long handle and a sharp bladed head, usually made of metal.  The axe is a simple and effective machine as it focuses all of the weight and force of the wielder into the sharp cutting edge.

The double axe handle technique implies that the wielder is holding onto an imaginary axe with both hands as they swing.  When swinging an axe in real life it is not swung with both hands interlocked, rather it is swung with one hand placed above the other.

But the double axe handle is a move that focuses the power of the technique away from the strength of the fingers and knuckles.  It drives energy into the bottoms of the hands via the core of the body as it brings the arms downward (or sideways) as a result of a pulling motion from the center of the body.

It’s like you’re chopping an imaginary tree and trying to take it down with one blow.

What does the axe itself represent?  And is there a difference between single headed axes and double headed axes in terms of symbolism?

The earliest known form of the double headed axe is the “labrys,” a word from the Minoan civilization’s Bronze Age (2,700 B.C. to 1,450 B.C.).  The etymology of “axe” in the form of “labrys” is where we received the word “labyrinth,” the maze-like setting on Crete used to tell the tale of the Greek myth about Theseus.  The labyrinth is where Theseus was forced to slay the Minotaur, the part-man part-bull monster, the mixed species offspring of Queen Pasiphae and the bull (Taurus) of King Minos, the legendary king of Minoan history.

The double headed axe was considered the holiest of all religious symbols by the Minoans.  Long hafted double bladed axes were used by Minoan priests to sacrifice bulls in ceremonies to appease Zeus, and the double bladed axe represented one of three primary symbols of their culture, along with the pillar and the bull’s head with horns.

The bull’s symbolism was carried over into Thracian, Greek, and Byzantine culture.  In time it spread throughout much of Europe, albeit not always with directly observable links back to Minoa.  For example, in Roman civilization an upright double headed axe was considered a symbol of justice.

Vegeta Strikes Gohan with the Double Axe Handle

The double headed axe is related to the double headed hammer, as both would be used by a smith, one to work with wood and the other to work with metal.

Early axe blades were made of stone and would ignite sparks when used.  Native American, Chinese and Celtic peoples referred to the axe as “thunder stones,” a term denoting the axes power to both destroy and create, like lightning (fire) and rain that accompany a storm.

Altered forms of the double headed axe and hammer can be seen in various cultures, such as the Hammer of Thor via the mythology of the Norse nations.  Also from the vajra (i.e. thunderbolt mace) from the Vedic belief systems of India, wielded by Indra in particular.  In Greek culture Zeus was sometimes depicted as carrying a vajra like implement in his left hand and a double headed axe over his right shoulder.

Jade Axe Head from China with Dragon Inlay

In these forms the heavy bludgeoning device is essentially the weapon and attack of the gods.  Gods would use them to fight against other gods and truly smite (or “smith”) their foes.

In China the battle axe and double headed axe were used as sacrificial tools, and the stone axe in particular was associated with thunder.  The stone or precious rock on the end of the axe was perceived as a dragon’s tooth, capable of calling forth fire when struck properly.  The axe and the dragon were both symbols of the Emperor and signified his relationship as the “Son of Heaven.”  The man or god that carried a battle axe was seen as a wielder of lightning.

We can see a lot of correlations between this information and the characters and fights in Dragon Ball.  In the later parts of the series the now superhuman fights can be described as gods fighting against gods.

Dual Nature

Gohan in Great Ape form tries to smash Vegeta

In terms of spiritual and philosophical representation the dual sided nature of the axe symbolizes both creation and destruction, the place between life and death, old and new moons, and a void, like inside the mother’s womb before birth.  The double headed axe symbolizes a paradoxical state of simultaneous unity and division, like a serpent eating its own tail.

The axe is also a part of Sumerian culture and of primordial man in general, one that has been inherited by cultures across the world over thousands of years.  The axe is a sign of the Freemasons organization, as axes were a common tool in the shaping of wood, and their beliefs state that notable men of antiquity were said to have used axes in the creation of Noah’s Ark, Solomon’s Temple and the Ark of the Covenant.  The 22nd degree in the 33 degree system of Freemasonry is known as “Knight of the Royal Axe, Prince Libanus.”  It stands for among many other meanings, those who have a zeal for their work and a passion for the law.  Religious groups and even entire civilizations (such as Egyptian) have regarded deities wielding axes as “The Cleavers of the Way,” i.e. those who clear the path to be followed.

In ancient Egypt the hieroglyph for a god was a single bladed axe, while a double bladed axe represented a god with a dual nature.  The esoteric representation and symbolism of the double headed axe can be seen as a male / female duality, the dual and polar opposites of one single united force of energy.

The duality of life and of Yin and Yang in the native Chinese religion of Daoism is a key principle in the martial arts, which we will now explore.

Lightning Bolt Clasped Hands – Vajramukti, the Martial Art of the Gods

Martial Buddha Law Guardian Statues at LongMen Grottoes, China

The martial arts of Dragon Ball are primarily based on eastern martial arts systems, such as Gong Fu, Karate, and traditional martial arts and religious / cultural beliefs.

The practice from which the majority of eastern martial arts are originally derived is known as Vajramukti, the “Lightning Bolt Clasped Hands” system of martial arts.  Vajramukti is a complete and systemized ancient art form that was believed to have been handed down to the Indian people by Indra, the highest deity in the Vedic pantheon and the god of war, thunder and storms.

Vajramukti was a martial art designed to make the warriors that practiced it into supernormal beings with increased strength and defensive capabilities, and at the highest levels to ascend beyond the cycle of life and death, thus becoming immortal.  Those who inherited this system of practice were spiritual and
political elites.  The spiritual leaders of India’s caste based system were known as Brahman’s, and their highest level teachings were only made available to those of royal caste.

Siddhartha Gautama, also known as Buddha Shakyamuni, was a prince of a royal family and therefore educated in the Vajramukti style of martial arts.  Before he became an ascetic to find and overcome the true cause of life’s suffering he was a martial artist in the Lightning Bolt Clasped Hands style.  All royal elites were educated in this system of mind and body.

After Buddha Shakyamuni attained enlightenment and remembered who he was, he began to spread his teachings.  Buddhism quickly extended across Central and East Asia.  Vajramukti traveled along with it.  From ancient India the practice spread to the north east toward China and the south east toward Thailand, Vietnam and the Philippines.  Once in China it became known as “Chuan Fa,” or “Law of the Fist.”  The system reached its zenith via the Shaolin Monks of the Tang Dynasty (618 – 907 A.D.)  From there it spread to Korea and also Okinawa where it was known as “To-Te,” or “Tang Hand,” as it had become synonymous with Tang Dynasty China.  “To-Te” made its way over to Japan where it would eventually become known as “Kara-Te,” or simply Karate.

This was a brief synopsis of the history of eastern martial arts.  More information on the history of the martial arts in relationship to Dragon Ball can be found in the martial arts focused chapter of The Dao of Dragon Ball book entitled Spiritual Warrior.

How did Vajramukti Become Popular?

Pai Mei, a Legendary Martial Artist with Many Supernormal Abilities (Kill Bill pt. 2)

Vajramukti became popular for two main reasons.

The first was that it was effective and the perception of what it entailed and enabled was highly attractive.  The ability of a martial artist to “call forth lightning” through his hands was no doubt attractive as well as feared.

The second is its transformation to the populace.  The system and all its derivatives were originally taught exclusively to royalty, and most often accompanied with high level religious teachings.  But in hard economic times or dire circumstances the masters of these styles were placed in situations where they had no choice but to teach commoners for their very livelihood.  Once the teachings were taught to commoners in various regions of China, Korea, Japan and elsewhere the martial arts became a part of popular culture.

This isn’t to say that all martial arts originated this way, as East Asian martial arts existed for millennia before the introduction of Vajramukti, but the supernormal practices related to Vajramukti were made popular in this manner.

Spiritual groups such as the White Lotus and Yellow Turbans would evolve in China to believe in and promote supernormal powers brought forth by practicing the martial arts.  The ability to project light beams out of the hands, fingers, eyes and to become invincible in combat were all believed possible, as was self powered flight.

A martial artist that could fly, was nearly invincible and could shoot light beams out of their hands eventually became an accepted part of Chinese culture.  As China played its role of the Central Kingdom this culture continued to spread throughout East Asia.

Supernormal abilities, immortals and outlandish characters are even seen in classical works, such as Journey to the West, which was one of the “Four Great Classics” studied by all scholarly men, and a tale that helped inspire Akira Toriyama to create Dragon Ball.

Strike Like Lightning

SSJ3 Goku Powers Up his Double Axe Handle

The Lightning Bolt Clasped Hand style incorporates a large variety of hand symbols and techniques, but none is closer to the symbolism of the martial arts’ name than the double axe handle.  To see it incorporated in Dragon Ball so often requires some explanation.

The Lightning Bolt Clasped Hand style of martial arts is emblematic of two things, the first is lightning and the second is a principle of a celestial connection.

The lightning bolt is feared and respected by ancient cultures throughout the world, such as Norse, Roman, Greek, Native American, Chinese, Mongolian, and Japanese… pretty much everywhere.  It was believed that male gods (associated with the sky) or deific creations such as dragons would bring immediate retribution to evil, carry water to the earth or call forth winds to fertilize the land and bring reward.  The lightning bolt and the thunder, fire and rain that followed could bring both destruction and creation, similar to how a double headed axe could crush ones enemies or be used to cut down timber and create a home.

Every culture has a different understanding of where lightning comes from and what it means.  In Greek mythology the lightning bolt was said to be controlled by Zeus and he used it to smite those who disobeyed the gods or to exhume his anger upon humanity.  In Satanic practices the lightning bolt is a symbol of the “Destroyer,” and in Nazi controlled Germany the Nazi Party used the double lightning bolt (SS / ZZ) to represent their brutality and speed, the intensity and supposedly divine connections of Nazi power.  Perceptions can vary in specifics and application, but the intense nature of lightning is always present.

What is the perception of it in eastern martial arts?

In traditional eastern martial arts there is the principle of Yin and Yang, the duality of polar opposites that share an interwoven and cyclically inherent structure.  This belief system is primarily derived from Daoist teachings and philosophy.  Daoist philosophy generally teaches that “energy channels” run through all life forms, including our homes, the planet, stars and galaxies, the universe, and our own bodies.  Individual channels are associated with different amounts of Yin and Yang.  Seen from this perspective the left side of the body is Yang (male) while the right side of the body is Yin (female).

The energy of the body fluctuates from side to side and changes according to our own internal rhythms and mind intent.  It can either decrease or increase in energy based on the mind’s control, but when left alone will basically flow on its own.

SSJ3 Goku Repels Majin Buu's Energy Wave

One of the main energy points (acupuncture points) in the body is the Lao Gong point in the palm of the hand.  It’s believed that the Lao Gong point on each hand is connected to a large amount of energy stored in our body and in other dimensions.

When the two hands are brought together it allows the energy from both sides of our body to come together in one point.  By using the double axe handle technique correctly it is like putting your entire body into an attack with not only the energy from this physical body but also the energy from other dimensions.

In DBZ the energy from the attack travels instantaneously between dimensions and into the opponent, striking them like lightning, often accompanied by a flash of light.  The inertial energy that goes into the target often sends them careening downward into a mountainside followed by an enormous explosion of debris, spiritual energy and light.

And when the Saiyan characters like Goku, Gohan and Vegeta reach higher attainment levels of Super Saiyan 2 and 3 we can see lightning that surrounds their bodies.  It is as if lightning emanates directly from within their body and each of their attacks is coming straight from the heavens.

Only modern man has created a weapon that can match the intensity of a lightning Superbolt, which can carry upward of a hundred times more energy than a normal flash of lightning and can be up to five times hotter than the Sun (the Sun is approximately 10,000 degrees).  Average nuclear weapons come close to this, but still fall short.  Only the most powerful nuclear weapons can match that amount of energy.  And that’s just on Earth, while Superbolt’s on other planets such as in storm clouds on Jupiter can be one thousand times more powerful than our own.  But all of these weapons are external technology.

Now imagine if a being held such power in their own body and could control it with their mind!

“Everybody was Kung Fu Fighting.  Those Cats Were Fast As Lightning.”

Lightning Strikes a Tree

Lightning is also incredibly fast, moving between 3,700 miles per second to just below 186,000 miles per second depending on air conditions.  Lightning itself is not light, but the light that radiates from it and that you see with your eyes definitely travels at the speed of light, which is 186,000 miles per second.

Speed is one of the most important aspects of the martial arts, and speed training is essential to the higher levels.  It’s believed that supernormal abilities move at extremely fast rates, much faster than can be detected by our eyes.

The fights in the first story arc of DBZ already move faster than untrained eyes can detect, and the fights only get faster as the story progresses.  It’s my understanding that every fight from that point onward is taking place at super human speeds.  But of course it wouldn’t be much of a show if the audience couldn’t see it, so everything is played out at a fairly normal rate.

Nevertheless, these fights would, in theory, be as fast as lightning and just as destructive, and those are exactly the results we see.

Modern Usage of the Double Axe Handle

http://www.youtube.com/watch?v=Xk8pdhmMJBs

In modern times the move is usually credited to Ivan Putski, a professional wrestler of the 70’s era wrestling circuit.  He gave the move the title of “Double Sledge” and it was sometimes referred to as the “Polish Hammer” because of Putski’s Polish background.  In later years it was transformed into “Double Axe Handle.”

This move was then copied by generations of wrestlers to come, including in foreign countries such as Japan where they had created their own professional wrestling circuit in the occupation years that followed World War II.

Developed in the wrestling ring, there is also what’s known as a “Flying Double Axe Handle Smash,” which is a double axe handle jump off of the top rope.  This is called an “Aerial Variation,” and is an easy one for DBZ characters to pull off as almost all of them can fly through the air… and without the use of a rope.

There is also the single axe handle version, which is the same technique but with only one hand.

The character that uses the double axe handle the most is Vegeta.  The axe is a symbol of royal power, and as a weapon and religious device it is considered one of divine power, so it makes sense in this perspective why Vegeta would prefer it, as he is the “Prince of All Saiyans.”  It could also be that Akira Toriyama just thought it looked cool and that it matched Vegeta’s personality.  He’s never commented on the subject.

There are other variations of this technique, including the axe kick, which is a leg technique that arcs straight up above the practitioners head and downward onto the opponents head or body, using the bottom of the foot or heel as the striking point.

“Meteor Moves” are an extension of this technique.  A “Meteor Move” earns its name from Dragon Ball Z Super Butouden for the Super Nintendo Entertainment System, where it was every character’s ultimate move.  A “Meteor Move” typically involves one of three scenarios.

1. Knock an opponent out of the sky and toward the ground (often using the double axe handle technique).
2. Catch the opponent in mid-air and then crash both the opponent and themselves into the ground (like a professional wrestling pile-driver from the highest top rope imaginable).
3. Knock an opponent out of the sky and then, before they can make impact, catch up to their falling body and strike it again.

There are many other variations, and DBZ seems to have invented most of them.

These types of attacks have been emulated by various comic books and cartoons, including Superman and other shônen manga such as Naruto.  Naruto is an ongoing drama about the life of pre-teen ninja’s as they struggle to overcome their limits, and is a spiritual successor to Dragon Ball.  The main character Naruto’s traitorous but lifelong friend Sasuke uses a move known as the “Lion Barrage,” a combination of the first and second scenarios followed by an axe kick finisher.  Sasuke’s move was a modification of their fellow ninja Rock Lee’s “Full Lotus Barrage.”  Both of these were then emulated by Naruto in his “Naruto Uzumaki Barrage” where he used his ninja techniques to create shadow body clones of himself to attack the opponent all at once.

A “Meteor Move” was also seen in The Matrix Revolutions, where Agent Smith grabbed Neo in mid air and pile-drove him into the street below.  This was the first time such a move had been displayed in western cinema.  Personally, I think the whole fight looked like it was ripped straight out of DBZ.  Piccolo did the exact same thing to Android 17 and Freeza on two separate occasions.

But as mentioned before, in real life the double axe handle is not a very practical martial arts technique.  This is because it’s completely offensive nature opens the practitioner up to their opponents’ attacks.  It looks great in comic books and films, but isn’t employed very often by real people.

Masutatsu Oyama Strikes a Bull

There are however some martial artists that have exhibited their superior techniques and abilities to great effect, and some which go far beyond normal, such as Masutatsu Oyama (1923–1994), founder of Kyokushin Karate.  Oyama is said to have killed 52 bulls with his bare hands and defeated over 300 opponents in Kumite competitions.  His nickname was “Godhand,” and the slogan of his school was “One punch, one kill.”

Martial arts masters of legend were also said to be able to crush the spine of a horse with a single strike using the Iron Palm technique, punch a boulder with their bare hands and move it over 10 meters, or knock someone down without touching them using an invisible “Empty Force.”  All of these stories, true or false, add fuel to the fire of our imaginations and interest in the supernormal.

Conclusion

That’s the end of our little adventure.

Through this article we have learned a great deal about the double axe handle technique.  We now know what it is, where its name comes from, how it’s performed, what it signifies and why it’s used so often in Dragon Ball.

If you have any further questions or ideas, then please leave them in the comments below.

And keep in mind that the book has several chapters devoted specifically to the martial arts and this article is a small sample and extrapolation of what those chapters contain.  If you are looking for more information or in-depth reports on the martial arts of Dragon Ball Z, then it can all be found in The Dao of Dragon Ball.

Post from: The Dao of Dragonball Blog

Hammer of the Gods – Dragon Ball Martial Arts and the Double Axe Handle

Goku uses the Rock and Scissor

The martial arts in Dragonball Z are essential to the cultivation of the main cast. Goku’s style of martial arts begins with the Kame-Sennin (Turtle School) style of martial arts, as taught by Grandpa Gohan and Master Roshi. The turtle school emphasizes protection of others and oneself, and focuses on compassion.

In the martial arts there are two basic forms; soft, and hard. This can also be described as open and closed. An open hand or a closed hand signifies a great deal, as it is an expression of the artist who uses it. Many martial arts even use the closed fist as the symbol of their school. This is primarily done in the hard schools, such as Karate.

What is the main difference between open and closed? A soft martial art typically emphasizes morality and the building of character, or ‘heart-nature’. This is taught either specifically, or as it may be in the case of DBZ, through the process of physical training and enduring of hardships.

Picture your grandmother, for example. When she goes to give you a big hug, does she do it with her hands wide open, or closed? Is she open and caring, or closed off? It’s impossible to give somebody a hug with your hands and arms in front of your chest. They have to be open. The position of the hands is a manifestation of the inner spirit.

Buddhist monks who practice physical cultivation, such as the Shaolin, study Buddha Law to cultivate their heart in tandem with their physical practice. Unfortunately in more recent years the schools have strayed from their original methods and now emphasize only the practice. As a result their compassion has decreased and their school has been turned into a factory, spitting out students who have more technique than character.

But of course this all depends on the master (teacher). If the master is compassionate then even an inherently uncompassionate school can improve one’s character. But this is not to say that similar practices can’t lead to improved character through forbearing hardship, because it certainly can. It’s just much slower.

Hard schools on the other hand focus on being closed. Their energy is typically not compassionate, but at the higher levels of practice it can still be expressed. They use fists and hard strikes to down their opponents, and emphasize proper technique. Being kind to the enemy is not a priority in these schools, nor when borrowing applied techniques from these schools. The emphasis is on downing the opponent quickly.

Rock and Scissor

What techniques are used in the Kame-Sennin style? Three primary techniques are employed. These are the rock (fist), paper (open hand), and scissors (mix of open and closed).

The rock is used when Goku or the others are trying to down their opponent or knock them out. The purpose is to end the fight. Hard techniques are also used for strength training and directing will power. Goku tends to prolong the fights for much longer than a practitioner of a hard school would allow, as he is always giving his opponent more chances to enlighten, but when push comes to shove, he brings out the fist.

Paper is employed primarily when blocking other attacks, chopping through weak points with the knife edge of the hand, or when using energy techniques. The openness of the hand allows more energy to flow from the central energy channels to his lao gong acu-point on the center of his hand. By doing this he can redirect the energy of his opponent, completely nullify the opponent’s attack, project energy into the bottom of his hand for cutting, or project it out completely as a straight line or sphere.

The scissors are used as a middle ground style of technique. He points his pointer and index fingers straight while closing the ring and pinky fingers. The thumb can either be open or closed. It is employed most often when trying to pierce the opponent’s defenses and strike at acu-points. It is not as commonly seen as the other two, but we see it a lot in the first series and the beginning DBZ movies. It can also be witnessed when Yamcha or other fighter’s direct hard energy with their minds after it has been projected.

There is a duality at play in all of this. The ebb and flow between soft and hard, open and closed, is in itself a method of opening and closing the energy channels. This is where physical cultivation can be employed in the martial arts. The repeated opening and closing can slowly open up and widen the energy channels, but it is an extremely slow process if done by its self. To quickly cultivate and open the energy channels it is necessary to cultivate the heart. The body will follow.

Through careful observation of our own energy we can see that each finger in the hand is connected to a particular energy channel. Opening our hands wide allows energy to flow completely, and closing our hands into a fist does not allow energy to flow much at all. A closed hand is rigid and hard, it does not circulate. Each finger of an open hand that is subsequently closed reduces the amount of energy that circulates through the body and ultimately through the hand.

A near endless combination of techniques can be developed and employed by manipulation of the hands. Hand techniques and their proper use are extremely important when dealing with an opponent.

There is a battle in school philosophies over which method is better. Better of course is a subjective term, and it all depends on expectations and goals. If your goal is spiritual cultivation and the raising of levels, then go with the open and soft. If your goal is effective techniques and expression of will power, go with the closed and hard.

In the end, if you truly master that school of cultivation, you will achieve an understanding of the other. When you’ve mastered the hard you will have the knowledge and wisdom not to use it, or to only use it when absolutely necessary. And when you have mastered the soft you’ll naturally be disinclined to use it, but if necessary you can apply what you know in an effective manner. Likewise you will be able to apply hard techniques with energy and soft techniques with effectiveness.

In his youth Goku was like many, matching rock with rock, but as he matured he also unlocked more of his divine powers. An example of mastering hard and soft is Goku’s Dragon Fist; a grand manifestation of a divine golden dragon that pours directly out of his spirit and is projected by his fist at the target.

Goku uses both methods with an emphasis on compassion and the soft. His Kamehameha wave technique is an open expression of hard energy, and he uses it to end many fights with the hope of saving others.

Post from: The Dao of Dragonball Blog

Rock, Paper, Scissor in DBZ’s Martial Arts