The Kiai in Dragon Ball
In Japanese martial arts, the Kiai (気合) is commonly thought of as a loud yell that coincides with an attack. But it’s actually a method of breathing, and is so much more than a simple scream.
In Dragon Ball, the Kiai is taken to an extreme. While drawing upon ancient martial arts legends, Akira Toriyama gives a visual appearance to what used to be invisible. He also illustrates what the Kiai could be capable of when used by a supernormal martial artist.
Toriyama’s creation has inspired a lot of people to practice martial arts, and the Kiai is an integral aspect of eastern martial arts, so it’s important to understand.
From super powerful punches to shields of energy, let’s take a deeper look at the Kiai in Dragon Ball.
Hang in There, Japan!
Goku says, "Good Luck!!"
The recent earthquake in Japan has caused a lot of grief and heartache. Akira Toriyama wrote a message to the Japanese people wishing them good luck in their recovery. He said:
Hang in there~!!
To all the victims,
This is truly awful, but please don’t give up,
and hang in there no matter what!
- Toriyama Akira
(Translation by Hujio, from Kanzentai.com)
The Weekly Shonen Jump Editors also wrote a message below Toriyama’s illustration, wishing everyone a speedy recovery.
In Toriyama’s illustration, Goku and Arale-Chan from Dr. Slump ride aboard the Kinto-un while a golden Immortal Dragon flies behind them and the 7 dragon balls follow our hero upward into the sky.
Goku’s cheerful appearance and the overall symbolism imply an optimistic rebirth and a long life; an eternally youthful state of perseverance and rising ever higher.
Japan, perhaps now more than ever, needs the dragon balls and a hero like Goku to save the day.
Update! (Mar 28, 2011)
Shueisha and Toriyama have collaborated along with other manga artists in a relief effort.
Shueisha released a video that allows people to contribute their “genki” to the genki-dama (spirit bomb) and send it to Japan. By watching the video Shueisha will donate a small amount of money to the affected areas.
Toriyama also drew some new art along this same theme, found on the Japanese Shonen Jump site, where it can be downloaded as a wallpaper.
The art contains a drawing of Goku holding the genki-dama above his head, and Mister Satan is cheering the world on, saying “Thank you everyone!! The genki-dama is getting bigger and bigger!!”
Divine Combat – Zenkai Power
Super Saiyan Goku
In this excerpt from The Dao of Dragon Ball we will learn more about the martial arts as depicted in Dragon Ball.
There are many concepts that are disclosed in this chapter, such as Qi (Ki), Gong, Divine Powers, and how the popular conception of Qi in the martial arts were employed by Akira Toriyama and mixed with traditional Buddhist and Daoist spiritual views.
This particular section of the Divine Combat chapter explains the concept of Zenkai Power, and what it means both within Dragon Ball and traditional cultivation practices of East Asia.
Zenkai Power
Goku Fires the Kamehameha
Zenkai is a term used by fans to refer to the sudden power up that occurs to a Saiyan after they recover from a near death experience. Saiyans are the only ones with the genetic potential for Zenkai, but anyone with Saiyan cells in their body is able to experience a Zenkai.
The Dragon World is one in which fighting and martial arts are the primary form of cultivation recognized and supported by the gods.
The Saiyans are primed for development in the Closed Fist style of cultivation. They learn by fighting and mature through physical conflict. They do not study a set of teachings, nor do they specifically try to improve their character through looking inward and letting go of attachments. They increase their power as they train with intensity and fight against increasingly difficult external opponents. Yet they sometimes experience mortal blows; the type that would kill a normal man. Upon recovering from these grievous wounds the Saiyan is instilled with even more power, so that they can then defeat their opponent the next time they do battle. It is an accelerated form of evolutionary adaptation, and a large part of what makes them such formidable opponents.
Dragon Ball fans translated Zenkai as “Complete Recovery.” But this translation is incorrect, and there are further meanings to this term within Asian culture, Buddhism and the martial arts.
Side by Side – Krillin
Krillin Holds up the World
By reader request, here is an excerpt from The Dao of Dragon Ball that focuses on the character Krillin. This excerpt is from the Side by Side chapter in the Journey to the West section, where the characters from Dragon Ball are compared to those of Journey to the West.
Please note that the final version in the book may change.
Images seen in this blog post are not included in the book.
San Zuang / Krillin: A Warrior Monk
Young Krillin (created by "Rexobias")
Speaking of warriors, another character who represents San Zuang in a few noticeable ways is Krillin, a monk from Orin Temple (Japanese: ???, Orinji).
Krillin is comparable to San Zuang most evidently because they are both monks. San Zuang is a Buddhist monk of a Tang Dynasty China sect with Idealist origins, and Krillin is in the order of Orinji. His shaved head and outward appearance are testament to the discipline and strength of his character. These are traits cultivated in the temple environment and would aid him both in life as well as death (the afterlife). He is 13 when first introduced.
Krillin’s Japanese name (????, Kuririn) alludes to his martial monk heritage: “Kuri” means chestnut (as a pun expressed in the funny shape of his bald head), and “rin” means tree. His name references the Shaolin Temple of China, as Shorin is the name given to the Shaolin School’s branch in Japan. The Shorin Temple is a Zen Buddhist school that uses martial arts as an aid to its spiritual cultivation method of Buddha Law cultivation.
His name has other humorous aspects as well. “Shorin” in Japanese is written as ??, which in English means “Few Trees” or “Young Forest.” “Orin” in Japanese is written as ??, which in English means “Many Trees” or (essentially) “Expansive Forest.” So his name is an inverse spoof on the Shorin. Orinji also sounds like the borrowed English word “orange,” which is another of the countless and clever food references created by Toriyama.
Potara, Potala, Potaraka
The Potara Earring in Dragon Ball Z
The Potara earrings are a device in Dragon Ball Z introduced near the end of the Majin Buu Saga. They allow one character to fuse together with another and increase their power level dramatically.
Everybody knows and loves them. But is there more to these simple earrings than meets the eye?
When all hope seems lost, Goku is given a Potara earring by Eldar Kai (Japanese: Rou Dai Kaioshin) that allows him to fuse with another person. They look like spherical ball earrings suspended by silver beads attached to a hoop that is placed in the earlobe.
Goku and Vegeta Fuse Together
Goku convinces Vegeta to wear one of the earrings while Goku wears the other. Immediately they are drawn to one another and their two bodies slam together, creating a new superhuman warrior.
The pair combined has the best of Vegeta’s pride and Goku’s rage, creating Vegetto, self-named after the combination of Vegeta and Kakarotto (Goku’s birth given Saiyan name).
According to Kanzentai.com, in The Super Exciting Guide: Story Volume, “On p.63 it describes the Potara fusion as being closer to multiplication rather than simple addition in the way it increases power. Supposedly, Vegetto’s battle power is equivalent to Goku’s battle power multiplied by Vegeta’s. Also according to the introduction of the Super Exciting Guide’s training section, all the information in it is based on data that was supervised by Toriyama, though we have no idea how extensive this supervision was.”
This makes Vegetto the strongest character in the entire manga.
But where did Akira Toriyama come up with the idea of Potara? What’s the story behind them?
Overthinking Dragon Ball
Goku Thinks Deep Thoughts
I prefer to write all of my own content and create original posts. That’s why sometimes it takes a little while for a new article to find its way to the blog. But I just discovered some gems of Dragon Ball related philosophy that had to be shared.
These beauty’s are from the Overthinking.com site:
- Why Overthink Dragon Ball?
- On Chosen Ones and Super Saiyans
- Metonymy and Metaphor
- Dragonball Abomination Z
All the articles are written by the same author, Fenzel, and they each explore a different aspect of the Dragon Ball series.
They are also poignant because sometimes I am accused of over thinking Dragon Ball. Now I know there is at least one other person out there willing to take the time to write articles like this. I’m not alone!
On their podcast he said there would be 48 posts, but so far there are only 4. Luckily they are well written and thought provoking.
Why Overthink Dragon Ball?: Fenzel discusses the inherent value of the Dragon Ball series and how it does so many things well that are often overlooked.
On Chosen Ones and Super Saiyans: The “Chosen One” story path and the concept of determinism are discussed in light of pop culture stories like Star Wars, The Matrix, and why Dragon Ball is a prime example of how to do it right.
Metonymy and Metaphor: An educational lesson on advanced literary techniques espoused through the lens of DBZ.
Dragonball Abomination Z: Here Fenzel analyzes the Dragonball: Evolution movie and talks about the ways he felt it failed.
All of them are worth reading for a deeper look at the series.
Unfortunately their comments are disabled on older posts. So, if you feel like sharing, then please do so in the comments below. There’s certainly a lot of fuel for the fire.
Dragon Ball Director Praises Shen Yun
James Wong at Shen Yun
The Shen Yun performing arts company finished its encore tour in Los Angeles on July 11. James Wong, the director of Dragonball: Evolution was in the audience with his family and praised the Shen Yun show.
An article was written for The Epoch Times newspaper to convey his feelings.
From the article:
James said, “I think it’s incredible. The dancers are amazing, the synchronicity of the dances, the tradition, the traditional dances, along with the costumes, is fantastic. I’m really impressed.”
“His most recent film, Dragonball: Evolution (20th Century Fox) is based on the hit comic book and animated series Dragon Ball that finds its roots in traditional Chinese and Japanese culture, notably from Journey to the West, a Chinese classic. The triumphant climax of the epic Journey to the West is retold in Shen Yun as the final performance of the show. The Buddhist Monk Xuanzang and his faithful guardian, The Monkey King, make a glorious return to Tang Dynasty China where they distribute the Buddhist teachings to future generations.”
As a contributor to The Epoch Times I was asked to write this article because of its relationship with Dragon Ball. Shen Yun’s display of authentic traditional culture incorporates The Monkey King legend that inspired Akira Toriyama to create Dragon Ball. And I was happy to help with this unique synchronicity.
The full article: Hollywood Director Recommends Shen Yun: ‘It’s Spectacular’
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