Piccolo Meditates

The Full Lotus position is a seated cross legged position employed in meditation practices throughout the world. In anime and manga it is often depicted incorrectly. But so far nobody on the internet has seemed to notice.

The Full Lotus position has a rich cultural background, many purposes and benefits, and is sometimes depicted in anime and manga… Though rarely in the traditional way. This is especially true in the Shonen (Young Boys) genre, such as in Dragon Ball.

In Dragon Ball there are martial artists and individual styles of martial arts based cultivation practices. Some of the practices involve meditation. For example, there are scenes where Piccolo meditates in a cross legged position as he levitates above the ground using his own internal energy. Meditation is the primary way in which Piccolo increases his power level. In this practice he strengthens and refines his supernormal abilities. While Yamcha, Tenshinhan and Chaozu engaged in North Kaio’s special training methods during the Saiyan Saga, Piccolo only sat in meditation. Yet in this simple process he became more powerful than all of them.

But the seated position that Piccolo maintains is not the proper Full Lotus. Instead it is a general cross legged position, with one ankle loosely crossed in front of the other. He supposedly sits like this for hours at a time.

However, it is nearly impossible to sit like this for extended periods of time. The body is too tense and a practitioner cannot enter into tranquility. The Full Lotus is a remedy to this problem.

What is the Full Lotus?

What exactly is the Full Lotus position and what makes it different from a regular cross legged sit?

The Full Lotus Position is a special way of sitting that is taught primarily in spiritual or meditative practices, and is historically attributed to practices in India. From India, the practice of Buddhism spread into China (and elsewhere), then Korea and finally Japan, where it took root and became distinctively Japanese.

There are different terms for this practice. In Indian Sanskrit the yogic practice of seated meditation is called Asana (to sit down), while in Chinese meditation it is called Da Zou (Big Sit), and in Japanese meditation it is called Zazen (seated wordless).

Full Lotus position brings both legs up in a cross so that the ankles of both legs are turned over and the soles of both feet are turned up. This allows for all “Five Centers to Face Heaven” (so that the soles of the feet, the palms of the hands, and the top of the head each face up).

Another traditional seated position for cultivation exercises in meditation is the Half Lotus.

Half Lotus involves bringing one leg up in a crossed position so that the sole of the foot faces up and rests in a straight line across the other leg. For males the left leg will be on top while for females the right leg will be on top, though this can vary among practices, and is sometimes performed in such a way in order to bring balance to the different amounts of yin and yang between the genders.

Why Full Lotus?

Falun Dafa's Fifth Exercise in Full Lotus

There are several benefits for and reasons behind the Full Lotus seated position.

The first is stability. Having both ankles above the lower legs causes the upper legs to make more surface contact with the ground. This prevents the practitioner from swaying back and forth in uncomfortable states that might be found in the general cross legged position. It also removes stress from the hip-flexors, pelvis and lower back, and allows the practitioner to fully relax their body, a state that is necessary to achieve in practices of both mind and body.

I’ve also heard it said that because of the increased stability of the Full Lotus, a monk who falls asleep during the practice will not tip over. While this may be true, it is also misleading as the true purpose is to allow the monks to enter into a trance or transcendental state of heightened awareness where they leave the body. The Full Lotus position ensures that the practitioner’s body will remain upright upon their return.

On another level, the Full Lotus position promotes the full rotation of energy through the practitioners’ energy channels, from the entire yin side of the body to the entire yang side of the body. This position is necessary for a practitioner to fully refine and transform their innate body in all dimensions.

So Then, Why Not Full Lotus?

Naruto's Shadow Clone training

With all of the cultural, physical and metaphysical rationale and meaning within the Full Lotus, why do Japanese comic books and cartoons almost always depict this practice inaccurately? Even in the case of deliberately spiritual or martial arts based characters, they still don’t perform Full Lotus.

I scoured the web for an answer and it seems nobody has talked about this (at least not in English.) Therefore, I have a few theories.

The first is that Full Lotus is a difficult position to enter into for those without special training or with a relatively inflexible body. It’s possible there was concern in the Japanese manga and anime sectors that young children would emulate their favorite hero’s and hurt themselves in the process. For this reason, such depictions were changed to the general cross legged position, with the same basic understanding implied that the person sitting down was spiritually inclined.

To get closer to the truth I asked an expert in anime and manga for their opinion – Jason Thompson, the once head editor at VIZ Media in charge of Dragon Ball’s North American comic release. On May 9^th, 2010 via email Jason said “I don’t know much about the subject, but I’ve never heard of any restriction or taboo’s about depicting the lotus position, either for religious reasons or bad for children reasons. Perhaps the cross legged position is just easier to draw.”

The easier to draw theory might be the case, but I can’t help but think that the mangaka are well versed in human anatomy and clearly have no trouble depicting advanced martial arts techniques. Why would this position pose a problem?

In that same train of thought, the reason may be one of religious tolerance or concern for the actual forthright depictions of spiritual cultivators in meditation practice in a cartoon based medium. Jason suggested that perhaps Buddhists in Japan might find it offensive, though he followed the hypothetical with “But it seems unlikely, considering that manga and anime make fun of Buddhism as often as they make fun of Christianity, which is a lot.” I could not find examples of this type of humor in English to confirm if this is true, though I figure if modern jokes that deal with Buddhism were commonly approved by the producers and directors that green light a series, then a seated leg position would not be an issue as it is rather minor in comparison.

There could also be fears of fringe spiritual practices becoming popular in Japanese society at large, in recoil from such movements as Aum Shinrikyo and their 1995 sarin gas attacks on the Tokyo subways. This event changed the perception of any practice that involves Full Lotus meditation, though not as much in regards to the generally accepted religions of Japan, which includes Buddhism.

Naruto trains in sennin mode

This stigma still exists in Japan and may explain the post 1995 depictions of the seated position, as even today we see the general cross legged form in new episodes of anime.

In Naruto Shippudden episode 156 (Surpassing the Master, April 15^th 2010) we see Naruto endure his training in the sennin arts (aka hermit arts, or sage arts). In this episode he learns how to still his body and mind in order to draw in the nature chakra that surrounds all living beings. Naruto sits on top of a piece of stone tile which is carefully balanced on top of a large stone spire hundreds of feet in the air. Of course he does not sit in Full Lotus, even though this would provide him with the most balance and stability.

Likewise, in Naruto Shippudden episode 159 (Kakashi vs. Pain, May 5^th, 2010) we see Lady Tsunade in this same position as she uses her Katsuya summon to help heal the villagers inside Konoha and to protect them from further devastation.

In other series, even characters that are blatantly supposed to be Buddhist monks don’t sit in Full Lotus, such as Chichiri from Fushigi Yugi: The Mysterious Play (1995-1996).

However, this stigma would not explain the pre 1995 incidents, such as in Dragon Ball Z episode 208 (Welcome Back Goku! The Whole Z Team is Gathered!, November 24, 1993) where we see Goku train in deep meditation on top of a mountain in preparation for his oncoming fights in the Tenkaichi Budokai tournament.

Another possibility is that a decision maker at TOEI (TV), Shueisha (comics), or some other large publishing house made a decision to not depict Full Lotus in its traditional form (for whatever reason), and this is how it has been ever since.

Lady Tsunade sits cross legged

The final explanation, and the one that I believe is most likely, is that the mangaka simply don’t understand true cultivation practices of mind and body. They have a basic understanding of the principles or physical positions as well as the philosophy behind them, but not the actual reasons or rationale of how they work.

Maybe somebody in the creative community knew that people were supposed to sit in meditation in order to develop supernormal abilities or superhuman strength, but they didn’t actually know how it was done. Then the next artist came along and copied the first person.

There are exceptions of course, such as L, from Death Note.

In any case, this appears to still be the trend and has been for over 20 years.

A Rising Lotus

Goku Meditates atop a mountain

There are running gags and themes that surround the Full Lotus position in anime and manga and the physical posture is symbolic of a character’s personality.

In some cases you’ll see the character sitting there with legs slightly crossed and then they will levitate into the air. This is supposed to show that they are spiritually inclined characters or serve as a joke that they are holier than the other characters.

Though as mentioned, the general legs crossed position would be incredibly difficult to maintain, especially while suspended because all of the pressure would be on the hip-flexors. There would be no way to attain a meditative state.

So in conclusion I’m not really sure why the Full Lotus position isn’t depicted correctly, even when the situation calls for it or the character in question is a professional martial artist or spiritualist.

It’s also possible I’ve put way too much thought into this, as I tend to do. But why hasn’t anybody else out there noticed? Don’t you think it’s interesting?

If anyone in the anime or manga fan community has an idea of why this is or has a comment on the situation, then please let us know.

Resources

http://en.wikipedia.org/wiki/Lotus_position

http://japanese-religions.jp/publications/assets/JR31_2_a_Repp2.pdf

http://www.onemanga.com/Death_Note/4/03/

http://tvtropes.org/pmwiki/pmwiki.php/Main/LotusPosition

Post from: The Dao of Dragonball Blog

The Lotus Position in Anime And Manga

Hitler Heil's Hello in DBZ Movie 12

There are many unique aspects to the Dragon Ball series and several may contain socialist and communist elements.  In this article I will introduce 5 of them.

They are the following:

1. Red Army
2. Stars
3. Hitler
4. Hooked Cross Z
5. One World Government

The elements on this list are the results of watching the Dragon Ball series and seeing what is already there.  I am not making any of these up.

This article is not only here to reveal what was in front of us all along, but to also help explain how and why.

Red Star Hammer and Sickle

Please keep in mind that Dragon Ball is above all else a fun and lighthearted show with a heavy dose of silliness and martial arts antics.  These socialist and communist elements do not detract from the Dragon Ball experience in any way.

It’s possible you may disagree with some of the inherent meaning behind these elements within the series, and a lot has been said about one of them in particular, but that does not take away from the fact that they are there to begin with and left for us to explore and understand.

If you have any thoughts on their meaning and why the creator’s put them in, then please state your thoughts in the comments below.

Now let’s begin our adventure.

Red Army

http://www.youtube.com/watch?v=WZs_mrR02MA

The Red Army is a term used to describe an army that gathers under the Red Flag, a militaristic symbol of a Communist force.

The term Red Army was first coined by its commander Leon Trotsky to refer to the newly created army of Soviet Russia after the Bolshevik Revolution of 1917.  The term continued to be used in Europe for the next several decades and became synonymous with violence, bloodshed and power.  Afterward, the term spread east when Mao Zedong created his own Red Army in China, which would later be known as the People’s Liberation Army.  Both of these army’s militarily dominated Asia for several decades, including several wars with the Japanese, the birthplace of Dragon Ball.

Commander Red

We find the Red Army in Dragon Ball in the form of the Red Ribbon Army, a spoof like representation of a unified military threat.  Most of the Red Ribbon Army and all of its leaders are “Foreigners,” i.e. Westerners (or talking bipedal animals).  They represent the stereotypical socialist or communist army trouncing across the country and taking whatever they want with their military might.

The Red Ribbon Army has a collection of foot soldiers, military experts, assassins, evil scientists, technicians, a mobile division (speeders, trucks and tanks), a flight division (planes, helicopters), a sea division (subs, boats), killer robots, androids and special operatives (scuba divers, flamethrower shock troops) and more.  Red Ribbon Army headquarters is a huge base surrounded by and filled with defensive weapons technology.

They appear to be depicted like the army of an evil villain in a James Bond film.  Though more accurately they are reminiscent of the Red Army of Soviet Russia, upon which many of the James Bond villains were based.

The main theme that accompanies the Red Ribbon Army contains the following lyrics (translated):

Dye a red ribbon in a sea of blood

Hands of demons creep through the wilderness

A screen which reflects the dark desires

The leader, Red, watches and laughs

Blue, Black, Silver, the sky is scorched

Yellow, White, Brown, a mechanical army

Only if we conquer everything in this world

will our supreme pride be fulfilled

Soldier Red Ribbon

We’ll drop the world into a deep terror

Soldier Red Ribbon

The demons that came from hell

Red Ribbon Army

All of the soldiers are dressed resembling World War II era troops with a minimum of personal equipment, consisting primarily of a jacket, baggy trousers, a rifle and high-top boots.  The Red Ribbon Army’s “RR” logo is placed on their chest and hat.  The elite soldiers wear colored “RR” logo armbands to denote their superior rank.

Red Ribbon Army's Red Flag

The “RR” logo stands for “Red Ribbon” and is usually seen as a symmetrical red ribbon with white text placed anywhere the logo could be applied, such as on a military uniform or tank.  But it is also seen on a Red Flag that is very similar to Stalinist and Nazi versions of the Red Flag.

Their leader is Commander Red, a short power obsessed man with a Napolean complex and a desire to gather all the dragonballs so he can make a wish to grow taller, and thereby (naturally) rule the world!  He also has bright red hair that is styled a lot like Leon Trotsky’s, the original commander of the Soviet Red Army.  It seems oddly similar, though this could just be a coincidence as Toriyama has never commented on his inspiration for the character.

General Blue

In addition, one of their leaders, General Blue, is based on the ideal disciplined soldier of Hitler’s eugenics program.  Blue is lean and strong with blond hair and blue eyes and it is implied that he is of German descent as he speaks German in one line of the English comic book, saying the phrase “Auf Wiedersehen” (Goodbye).  He is the strongest fighter of all the Red Ribbon Army soldiers and matches up against Goku for several episodes, employing super human strength and psychic abilities.  The funny thing is that in the anime Toriyama made him into a very effeminate (with implied homosexuality) character.  He loves his own appearance, stops to smell the roses and is disgusted by mice.  However in the comic book he is much more serious and clever.

The Red Ribbon Army is already well established by the time Goku comes along, and they have generated a healthy dose of fear and respect in the world community.

The Red Ribbon Army met its match time and time again at the hands of Goku, and he defeated them almost entirely by himself.  He had some slight assistance from a few companions he met along the way, but there were no other Z warriors or main characters of the series involved.  Just him against an entire communist inspired army.  And he won.

Stars

Red Star of Communism

Stars are another communist symbol, and they are frequently seen in the Dragon Ball series because each of the dragonballs contains stars.  Red five-pointed stars in particular carry the most symbolism.

The five-pointed Red Star is a symbol of communism and socialism movements in general.  There are different interpretations as to why this is, and the argument is often made that the five points represent the five fingers of the common worker’s hand, or the five major continents of the world that will one day be ruled under a communist government.  It could also be indicative of the five forces that would bring communism to power, namely the youth, the military, industrial laborers, peasants and intelligentsia.

The Red Star is a symbol used throughout all Communist nations, along with the Sickle and Hammer, and can be seen on national monuments and government buildings as well as flags and military uniforms.

Often times the Red Star will stand alone or be outlined in yellow on a red background.  Sometimes the stars will be completely yellow on a red background or feature multiple yellow stars arranged around one another, such as in the Chinese Communist Party flag.

Dragonball Collection

The seven dragonballs are a golden orange amber type color and the five-pointed stars inside them are all red.  The seven balls are named by the amount of stars that each ball contains, such as the 1-star ball, the 4-star ball and so on.  The dragonballs naturally play a major role in the series and so we see this imagery again and again.

But we also see stars elsewhere.

We spot a red five-pointed star time and again on Emperor Pilaf, another diminutive character with an out of control ego questing for more power, power that can only be granted by the dragonball’s.  Pilaf is a blue skinned impish character that repeatedly has his plans foiled by Goku’s presence.  Goku doesn’t even go out of his way to interfere with Pilaf’s schemes; they keep bumping into one another as if it were fated to be.

Pilaf wears a red and blue cap with a black band around the rim.  A red five-pointed star is placed on a yellow background front and center.

Emperor Pilaf

It’s possible that the star is there to represent his “Imperial Status” as stars have also been used throughout medieval history to denote royalty.  But once again Toriyama has left us with no explanation.

The shape-shifting pig Oolong also wears a Red Star on his hat in the beginning of the series.  He is a short and fat pig seen dressed in a green Chinese Communist style uniform similar to the one Mao Zedong would have worn.

It’s not known exactly why Toriyama decided to create him to look like a Chinese Communist soldier, but it’s possible that he was trying to take a jab at the CCP by dressing up a pig in their clothes and making him short, fat, obnoxious, loud and selfish.  What do you guys think?

Oolong in CCP Clothing

Goku and his traveling companion Bulma soon trick Oolong into traveling along with them on their quest for the dragonballs, and while Oolong never really improves his demeanor he does learn to tolerate his new friends, at least more so than he did initially.  He stays with them for the rest of the series.

In addition, we see the star in every episode of Dragon Ball Z and Dragon Ball GT, as they are featured in the logos.  Dragon Ball Z’s logo has a small orange 1-star ball standing in for the “O” in Dragon.  Dragon Ball GT’s star is placed inside the “O” of Dragon and is a red five-pointed star on a yellow background, like the one Pilaf wore before.  It can also be seen in logos of derivative works, such as the video game Dragon Ball Online where the red star inside a circle is used as the entire “O” of Dragon once again.

So why are there so many stars in Dragon Ball?

We are left to ponder.

Hitler

http://www.youtube.com/watch?v=nSd4E1U1kzY

The biggest and most frequently talked about reference to socialism in Dragon Ball is Hitler himself.  Hitler is in Dragon Ball Z Movie 12, Fusion Reborn (Japanese title:  The Rebirth of Fusion!  Goku and Vegeta!) as a guest villain who comes back from the dead after a demon takes control of the underworld and the laws of life and death.

Hitler comes back to life with his whole zombie army and rolls his tanks through the city, crushing cars and barking out orders like the dictator he is.

He is depicted as a diminutive man (once again) dressed in a purple Nazi uniform with a red “X” armband wrapped around his left arm.  The red “X” is also on the front of his hat.  This is because the Nazi double hooked cross (German: Hakenkreuz), which we often refer to as a Swastika, was replaced by the red “X” for censoring issues.  Aside from those changes he looks just like his namesake, mustache and all.

Hitler starts to destroy the city and is challenged by Goku’s son Goten alongside Vegeta’s son Trunks.  Hitler orders his men to fire at the pre-teen boys and they dodge the hundreds of tank shells and bullets with ease.  The two pint-sized heroes make a mockery of his entire army while they punch and kick his tanks into tin cans.

Hitler screams to “Destroy the infidels!” and the pair turn into golden Super Saiya-jin fighters in response.  Their hair and eyes change color and they are surrounded by golden flames.  Hitler looks at them in confusion and replies, “Blonde hair, blue eyes, super strength, I should be recruiting them.”  Then he yells, “… Shoot them down, they are no match for us, they are inferior!”

In the Japanese version after a bit more fighting with Goten and Trunks he says, “What are they, bright youths outshining the gods?”

These comments are in reference to Hitler’s philosophy and world perspective, as he stands looking at that which he pursued in life, a master race of perfect warriors that are superior to anything created on earth and powerful enough to conquer heaven.  Slight downside is he’s not in control of them.

The line about “bright youths” is also a comment from Japanese parents on counter culture youth dying their hair blonde and other colors.  The joke is that Hitler thinks they are rebellious kids.

Goten and Trunks kill Hitler and destroy his zombie army, sending them back to where they came from.

Hitler’s presence in the movie and the “golden haired supermen” that defeat him have led many fans online toward a presumption that DBZ is racist or has racist connotations.  There are other pieces of supporting evidence to their arguments within the show, but this Hitler reference will almost invariably be used at some point in an argument on the topic.

This isn’t an issue that will be settled any time soon unless Toriyama decides to join the conversation.

Yet so far we have seen how Goku, who is believed to be natively Japanese by the Japanese people, has crushed a Western Red Army, repeatedly stopped an Emperor from ever gaining power, changed the wicked ways of a fat Chinese Communist pig, and now defeated Hitler himself through his superior genetic offspring of “supermen.”

What’s noteworthy is that this scene was cut from the German and French versions of the film due to strict prohibition of Nazi emblems and references.  Likewise it was removed from the Hebrew version of the film to avoid the sensitive nature of the scene in relation to Holocaust survivors.  It was also removed from the American televised version shown on Cartoon Network’s Toonami block.

Recognition of these separate yet relatable events that are already within Dragon Ball has caused some fans to question Toriyama’s motives.

Did Akira Toriyama have ulterior motives?  Unfortunately the definitive answer to the question is unknown.

Keep in mind it’s a parody scene and is humorous, but it’s still there nonetheless.  Quite an odd thing to include in a major theatrically released animated film, and it’s not something you would ever see in a Disney movie.

Hooked Cross Z

Dragon Ball Z Logo

The Z in the Dragon Ball Z logo is very unique and unlike a regular roman alphabet Z.

The logo is something which has yet to be talked about on the net, and this may in fact be the first time anyone has discussed the logo in greater detail, at least from what my research has discovered.  I guess it’s just taken at face value, like many other logos.

This is my attempt to explain why the Z is drawn the way it is, as it is displayed promptly in every single episode, movie, video game and piece of related merchandise.   It is an iconic and easily recognizable logo and I am surprised no one has ever looked beyond its superficial value.

Perhaps you never gave it a second thought but it has some noteworthy aspects.

DBZ Logo Z

This Z has two unique elements.  These are notably the hooked cross ends and the slanted cross in the middle.

The hooked cross ends of the Z in the logo are the ends that point both diagonally up and down, like the German hooked cross (German: Hakenkreuz).  A normal Z does not have these, and these two ends appear similar to a single hooked cross.

Please remember that the Swastika was two hooked crosses placed on top of one another and inverted.  I am not implying that the Z logo is a Swastika, rather I am saying that it resembles a single hooked cross.  If you placed another Z on top of the original than it would resemble a stylized swastika, but this is never seen in the series and a presupposition like that should not be made.  The Z just is what it is.

The second element is the slanted cross in the middle of the Z.  The cross is slanted from the top left to the bottom right in a form similar to a Russian cross.

Russian Cross

A Russian cross is a variant of the familiar Latin cross, and is a three tiered cross (a Latin cross is one tiered).  The Russian cross’s first tier is a horizontal line near the top that stretches across half the horizontal distance.  The second tier is placed just beneath it and stretches all of the horizontal distance.  The third tier is short and placed near the bottom, where Jesus’ feet would have hung while on the Cross.  It is slanted from the top left to the bottom right.

There are different interpretations as to what the slanted cross means in the Biblical sense, but I’ll leave those to the Biblical scholars.

What does it mean in Dragon Ball Z?  Nothing as far as I can tell.  There does not appear to be any correlation between the slanted cross and the contents of the Dragon Ball series.

But in researching Z’s and their overall meaning I found that the Z is often associated with the lightning bolt, and a Z with a horizontal cross in the middle of it was once used by Hitler to denote his Socialist party, as seen in the yellow on black flag (pictured).

Crossed Z Hanging from the Wall of a German Town

In addition, the Z and S in the German language are used interchangeably, as seen in the symbol for “SS,” two sharp S/Z lightning bolt shapes next to one another.

Furthermore, a single S or Z with a horizontal cross in the middle of it was the precursor to the use of a full double cross Swastika.  This is the single hooked cross.  At some point the single and the double hooked cross began to be used alongside one another.

Moreover, a study of Hitler’s signature shows that in the late 1930′s and early to mid 40′s he signed documents with an S/Z shaped lightning bolt shape, this time with a slanted cross like in the DBZ logo and third tier of the Russian cross.

Now all of that may sound very interesting, but there are no hard and fast correlations between Dragon Ball and the socialist party of Germany or the Nazi party and I don’t wish to make accusations or lead anyone to assumptions based on a small amount of conjectural evidence.  This is simply the best explanation I’ve come up with so far for the Z’s unique shape.

SS Logo

It’s entirely possible that Akira Toriyama merely thinks this particular Z looks nice and that it has no deeper meaning.  This would be in line with his usual explanations of doing what is easiest.  If he comes out and says something to that effect, then the mystery is solved.  But until he does we are left to our own devices to try and figure out why the Z is drawn like it is.

We are each free to our own interpretations.  I like to ask “Why?” and Toriyama likes to stay quiet.  So far this is the best explanation I can produce and I’m totally open to it being refuted with logical arguments to the contrary.  If you have a rational alternative explanation, then please let me know.

What do you think?  Does this theory make sense?

Whatever the case may be, we march onward…

One World Government

Dragon World

The goal of communism is to unite the world in a communist controlled utopia, ruled by the people.  The goal of socialism is state ownership and control of the fundamental means of production and distribution of wealth, to be achieved through restructuring existing capitalist or political systems.

The government in Dragon Ball doesn’t exactly fit the communist description, as it is ruled by a King, but the concept of a single united world government is still strong.

In Dragon Ball the entire planet is ruled by the King of the Earth, a talking bipedal dog named King Furry (Japanese name: King Koku) who resides in the World Capital.  There are several capitals, such as the Northern Capital, Central Capital, etc, similar to a Dynastic Chinese feudal organization system (Beijing, Nanjing, Xi’an, etc.).

King Furry seems to run things fairly peacefully and everyone appears to get along rather well.  Of course the world is not without its problems by any means and there is an army established to suppress any serious evils (such as aliens and super villains that attack the kingdom or planet) as well as city employed police forces and systems of law to handle domestic issues.  There are individual mayors within the 43 districts of the complete landmass, but they all pay homage to the king.

There are no other countries on this planet, and because there is only one large landmass in Dragon Ball it means that there is only one world government.  One government is in charge of everything, including (presumably) banks, schools, large farms and production facilities.  Private and smaller enterprises like local village farms and residential areas appear to be managed without supervision, such as Goku’s house in the mountains, but city life appears somewhat regulated, as almost every city across the world looks the same.

I noticed this same thing while traveling through China in 2003.  Were it not for the traditional ancient buildings, palaces and natural landscapes, all of the cities would look the same.  Everything created by the government had the same style.

King Furry

So how was this socialist utopia formed?  The country must have been broken up at some point and then unified and placed under the leadership of a king at another.  It’s not known when this happened, but no world of such diversity, race and culture could have been unified at the outset.  There must have been some type of social change which led to this grand unification.  But we’re given no evidence or hint as to what this could have been.  A large threat or looming crisis?  Military conquest?  A slow and gradual shift of power toward the few?  It’s unknown.

Now granted that it’s an immense landmass with great differences in environment and ethnic people, but it’s all ruled by the same talking dog.  Whatever that talking dog says, goes!

Conclusion

These were 5 communist and socialist elements in Dragon Ball.

Hopefully this article helped shed some light on a few of the more unique aspects of Dragon Ball and helped you think a little more about the series and its creator.

Perhaps Toriyama had more in mind when he created this show then is visible at first glance.  There are definitely some unique aspects.  Maybe he’s trying to tell us something and provide a message.  If so, what is it?  The unanswered questions are food for thought.

The neat thing is that you can still find all of these elements there today, so please feel free to watch the show and come up with your own interpretations.  I’d love to hear them.

Post from: The Dao of Dragonball Blog

5 Communist and Socialist Elements in Dragon Ball

Goku with Angel Wings and Halo

Have you noticed divine aspects in Dragon Ball, Dragon Ball Z or GT?  How about similarities between Goku and a certain spiritual teacher?  Or perhaps the way in which good always triumphs over evil?

If you did notice these it’s because they’re in there!  If you didn’t, then read this to learn more.

Here are 9 specific ways in which the divine shows up in Dragon Ball:

1.   Mythically Buddhist Origin’s

Loosely based on Journey to the West, a Chinese tale of pilgrims on a holy quest for the Buddhist sutra’s of India, Dragon Ball is rife with spiritual references of an East Asian perspective.  Sun Wukong (Japanese: Son Goku), The Handsome Monkey King, is the character that Goku is based on, and Sun Wukong himself is most likely based on Hanuman, the Indian deity and warrior.

King Enma, lord of the afterlife, is based on a Chinese and Japanese deity that weighs the amount of virtue and karma on a person’s soul to determine where they should be sent, Heaven or Hell, and we find that same character in Dragon Ball.

There are a multitude of other examples and references to the Buddhist stories that Japanese children like Akira Toriyama (the creator of Dragon Ball) would have been taught while growing up.

2.  Heaven and the Afterlife

Heaven plays a big part in Dragon Ball Z as Goku spends a lot of his time up there!

After sacrificing himself to save his son’s life (and the planet itself) Goku is sent to the afterlife where his soul is judged by King Enma.  The King determines that he is pure hearted enough to ascend up to Heaven, but Kami requests a special favor of the King and asks for Goku to be trained by North Kaio, Lord of the Northern Galaxy.  King Enma agrees and allows Goku to keep his physical body, now tricked out with a super spiffy halo.

3.  Pilgrimage

The Z Warriors, with Goku in particular, travel around the world (and even other star systems) in search of the dragonballs.  They embark on a pilgrimage to find holy relics that contain the power to alter the known world, reverse life and death, grant immortality, provide untold fortune, wealth, or fulfill almost any human desire.

While on this quest they meet many new people, face and overcome countless difficulties and improve themselves with every step.  But after they achieve their goal and summon the dragon, for the most part they do completely unselfish things with them.  The underlying message is that the quest is not about finding the relics… it’s about finding your true self.

4.  Shugyo and Spiritual Ascension

Shugyo is the Japanese word for ‘training,’ but its original usage refers to ‘spiritual training,’ most notably by monks or martial artists on a path of enlightenment.

The concept found in battle manga like Dragon Ball of fight-lose-train-fight-win is endemic to the spiritual path itself, with innumerable failures experienced before success.

The act of shugyo is to physically and spiritually train oneself to overcome an external or internal demon.  You’ve only completed the training when you’ve reached a high enough level to do so, and often times the true battle comes from within, in an ever constant attempt to defeat the self, revealing the true self deeper within.

5.  Good Vs. Evil

Good and evil play an important role in many Shonen battle manga, and Dragon Ball is a perfect example.  Demon’s and the warriors to fight them always seem to spring up out of nowhere, and the dichotomy of good and evil will invariably result with good as the victor; Perhaps not in the short term, but always in the long term.

But these are not absolute values, as previously demonic characters can learn to shed their wicked notions, attachments and behaviors to become a force of good, with plenty of gray area in-between.  Lessons such as right and wrong and that it is wiser to follow a path of righteousness are as clear as day.

6.  Redemption

Redemption is a key principle in Dragon Ball and Dragon Ball Z.  Goku’s opponents are sometimes (though not always) able to find the error of their ways, correct their behavior and go on to lead a better life.

Piccolo is an excellent example.  By interacting with Goku and his family across a period of decades his previously demonic heart becomes soft and compassionate.  The breadth of his compassion expands so far that he ends up saving the earth and is forgiven for his crimes and allowed to ascend into Heaven.

7.  Immortals

Immortals and the quest for immortality are seen a couple of different times in Dragon Ball.  Spiritually enhanced long life has often been a sign of divine beings on earth.

Goku’s first master, Muten Roshi, is an immortal who is already over 300 years old the first time we meet him.  His life force never diminishes even though he becomes outclassed by all of his students.  His spirit, like his love of the ladies, stays ever potent.

8.  Spiritual Warriors

Almost the entire warrior cast of Dragon Ball is a spiritual warrior.  As practitioners of the martial arts, the hero’s such as Goku, Krillin, and Gohan, as well as the villains such as Vegeta, Piccolo, and Frieza employ some type of higher power in achieving their goals.  Whether that’s virtue, karma, sin, or what have you, they use a force that goes beyond normal, and by combining their mind and body with their supernormal factors they become spiritual warriors.  How far they progress on this path is limited only by their own determination and spiritual potential.

9.   God / Kami

God is the guy’s name!  Kami (the Japanese word for God, or Divine) is the title of the guardian of earth, and he watches over the planet and makes sure things stay balanced.

Much like the clockmaker analogy of the Judeo-Christian God, he doesn’t really do too much active work, sort of just keeping an eye on things, but he is always willing to lend a celestial hand when necessary, or call out to higher powers when things escalate beyond his control.

Bonus!:  Supernormal Powers

Supernormal powers are so commonplace in DBZ that the term almost loses all meaning.  Flying through the air, shooting energy beams out of the body and having enough power to destroy entire planets… All par for the course when it comes to the DBZ universe.

The Spirit Bomb (Japanese: Genki Dama) is a great example that comes to mind, where Goku summons a bit of spiritual life force from all beings within his realm of influence and combines it into a gigantic ball of virtue.  He then throws the ball at his intended target and the pure white energy works its magic.

It’s only when the everyday people of society catch witness to these powers that we are reminded that they are anything but normal.

There are several more examples that come to mind.

Have you noticed any other divine aspects that weren’t listed here?  Leave a comment with your thoughts and suggestions!

Post from: The Dao of Dragonball Blog

9 Divine Aspects of Dragon Ball Z

Pojo's Unofficial Total Dragonball Z

At the time of its publication (2000) Pojo’s Unofficial Total Dragonball Z was the best DBZ book on the market. Even now, in 2007, it’s not so bad. It’s not quite a book so much as a glorified magazine, but it’s a worth a read if you need to read everything DBZ related. If not, I would recommend the newer version, Pojo’s Unofficial Absolute Dragonball Z, which came out three years later, simply because it’s the fresher fish in the market.

Aside from its own merits, this book serves as a walk down memory lane of the year 2000 in American anime and television based pop culture. It captures the influence that Dragonball had on the American telescape with its success on Cartoon Network’s Toonami and Adult Swim, the release of a Collectible Card Game, VHS and DVD obsessions, and video game imports all the rage.

It starts off with a basic synopsis of what DBZ is, along with the success found on Cartoon Network. In this section we find some actual interviews with CN staff, who agree quite proactively that DBZ is unstoppable and that they had no intention of taking it off the air at any point soon. Afterwards, quite inexplicably, they jump into a hypothetical ‘whom would play whom’ in movie casting, were a DBZ film to ever be developed in the Western world (aka Hollywood). This was par for the course on any self respecting DBZ website. At the time the runaway success of the series had prompted many rumors of a major motion picture, and I imagined it seemed quite fitting back then, or even now seven years later, as DBZ fans continue to wait for their beloved to reach the silver screen.

The rest of the book is quite literally titled ‘Dragonball 101’ and serves as such, consisting of episode listings, succinct summaries, an explanation of the GT series (unseen on TV at the time), some 3D randomness complete with 3D glasses, the basics of the card game and some typical strategies therein.

The main complaint to be found with this book is its lack of depth. It’s as if every page is standing knee deep in the shallow end of the pool and there just is no deep end. If you’re obsessed with DBZ then you’ll be providing your own depth by virtue of recollection to your yesteryears, but this book does not provide such on its own. As I said before, it’s basically a big magazine.

The one area it does excel is in the character bio section. There are 300 characters described in alphabetical order, and while the summaries are succinct they are also informative and trigger the great memories of each character that you had perhaps forgotten about (Bacterian, anybody?). Of course while the section is pretty big, it’s not something you can’t find elsewhere, such as Wikipedia.

Overall it’s a fairly decent book, and one of the better DBZ paperbacks in the American market. It’s nothing stupendous and certainly could be better in a lot of areas, but if you’re just looking to find out what this whole ‘DBZ Thing’ is all about, and prefer to read about it in book form rather than go straight to the source, than this might be right up your alley.

DBZ Book Information:

Editor in Chief – Bill Gill, AKA “Pojo”

Published by Triumph Entertainment (Triumph Books)

Price: $12.95

Pages: 128

ISBN: 1-57243-416-3

Amazon Link: Pojo’s Unofficial Total Dragonball Z

Post from: The Dao of Dragonball Blog

Dragonball Book Review – Pojo’s Unofficial Total Dragonball Z