Who is Boss Rabbit? Don’t remember him? Well that’s not surprising considering he’s only in a single issue and episode. But even if you do, I doubt you know his full story.

In this article you’ll learn about Boss Rabbit’s origins in Dragon Ball as well as his roots in Japanese, Chinese and Indian legends as the white rabbit of the moon. Yes, it goes that far back!

Boss Rabbit’s depiction in Dragon Ball is simple and comical, but Akira Toriyama manages to connect him to an ancient source at the very end.

You may have been confused by this reference since it was intended for a Japanese audience. Today you’ll finally learn what it’s all about.

Follow me as we dive into the rabbit hole and see how far down it goes.

Carrot Changing Rabbit Magic!

We’ll begin this topic by talking about Boss Rabbit’s one and only appearance in Dragon Ball.

Boss Rabbit premiered in Chapter 17 of the Dragon Ball manga, titled “Boss Rabbit’s Special Technique,” and episode 9 of the Dragon Ball anime, titled “Usagi Oyabun no Tokui Waza, うさぎオヤブンの得意技; English: Boss Rabbit’s Magic Touch,” on April 23, 1986.

His original name in Japanese is “usagi ninjin-ka” (兎人参化). This literally translates to “Rabbit Man Carrot Change,” or more accurately translated as “Rabbit who turns people into carrots.”

Since this is a hard term to translate, his name has appeared in different ways. In the Viz published manga he’s called “To, The Carrotter,” while in the FUNimation anime dub he’s called “Monster Carrot.” Fan translations have called him “The Carrotizer,” “The Carrotizer Bunny,” or simply “Boss Rabbit,” which I find the easiest to understand, even though it is not the most telling of his magic ability.

He’s called Boss Rabbit because he is the leader of the Rabbit Gang (Japanese: usagi dan, ウサギ団), a group of mobster-like criminals who have controlled a village near the Diablo Desert with fear. But it’s primarily because he’s a giant white rabbit that talks!

Why are the villagers so afraid of him? Because Boss Rabbit has the ability to turn people into carrots with his touch! He’s like the Greek legend of King Midas who turned objects into gold, but in this case, it’s into vegetables.

Only in this case it’s much worse, because after they’ve become a carrot he proceeds to EAT them. He does this because he’s evil, and he’s a rabbit, and evil rabbits eat carrot-people. That’s just what they do.

He has two gang members who walk around the town like they own the place. Bulma, Goku and Oolong happen to be in town. The two thugs see Bulma dressed in a rabbit costume (for altogether different reasons) and proceed to give Goku and the others a hard time, so Goku defends himself the only way he knows how.

The gang members retreat in pain and summon their boss to the scene.

Boss Rabbit drives up in a rabbit car, and gets out of the car wearing sun glasses.

The talking rabbit is walking on two feet and is wearing sun glasses traditional Chinese clothing with chaaracter (兎) on it. This character in Japanese is pronounced “usagi” (うさぎ) and means “rabbit.”

Toriyama often applies symbols to the characters’ clothing in Dragon Ball, and in many cases they have deeper meanings, but in this case it just means rabbit.

Boss Rabbit offers his hand to Bulma as a feigned act of kindness. She slaps it away in refusal. He starts laughing, and a moment later Bulma is magically turned into a carrot.

Goku is shocked. He fights against Boss Rabbit and uses the Nyoi-bo to make sure he doesn’t get touched.

Boss Rabbit is losing the fight so he holds the Bulma carrot hostage and says that if Goku fights back, he’ll eat her.

Goku has no choice but to endure the painful blows of Boss Carrot’s gang.

Seeing that Goku needs help, Yamcha and Puar (who were following our hero’s) steal the carrot away from Boss Rabbit, who is then defeated by Goku.

Goku forces Boss Rabbit to transform Bulma back into a person.

What happens next is straight out of a Japanese legend.

Boss Rabbit goes to the Moon

Goku ties up Boss Carrot and his defeated gang members. He then decides to take the gang as far away from the village as possible.

How, exactly?

By taking Nyoi-bo out, sticking it in the ground, and telling it to grow!

The magical staff that Goku carries (the Nyoi-bo) is based on the As You Wish Staff of Sun Wukong from Journey to the West (Chinese: Ruyi Jingu Bang, 如意金箍棒), and it has the power to change shape according to the users mind intent. The staff can become as small as a needle, or “As tall as Heaven.”

Sun Wukong (Son Goku) and the white Moon Rabbit (Jade Rabbit)

In this case, Goku grabs onto the tied up villains and rises into the air along with the staff. Higher, higher, and ever higher, until he reaches the moon!

There, Boss Rabbit and his two gang members endure punishment for their crimes, as they are seen pounding mochi cakes using a hammer.

Huh? What’s going on?

Okay, a couple things.

First, oddly enough, they can all breath in space, including Goku who brought them up there. This is because Akira Toriyama was more of a gag manga author at this time of his career, coming on the heels of Dr. Slump. He preferred to write more humorous story lines, interspersed with both traditional and pop culture, so even though they can breathe in space and it doesn’t make any sense, it’s funny and tells a better story.

But why are they pounding mochi cakes?

Quickly, in case you don’t know, mochi (餅) is a sweet rice cake in Japan eaten for dessert. In Korean it’s called Tteok (떡), and they’re made from glutinous rice flour. It can be cooked in different ways, including by being pounded with mallets inside a big pot.

The reason Goku took them to the moon is because Toriyama wrote his comic for a Japanese audience, and he was referencing an ancient Japanese legend, called The Rabbit on the Moon.

In western countries the craters on the moon are described as “The Man in the Moon,” as they look like a face. But in Japan, the craters are described as a rabbit standing above a mortar or pot, pounding into the pot with a hammer or pestle to make sweet rice cakes known as mochi.

As depicted here:

But how did a rabbit get on the moon?

Now that is a far more interesting tale.

The Rabbit on the Moon Legend

Like many aspects of Japanese culture, the Rabbit on the Moon legend comes from China. But as you’ll see, the Chinese legend goes even further back to ancient India and Buddhism.

All of the following legends show that our ancestors, no matter where they lived on earth, all looked up to the stars and moon in an attempt to find meaning.

Meaning for our lives and our place in the universe.

Let’s begin the telling of this legend in India, thousands of years ago, and then chronologically and geographically work our way toward modern Japan.

The Jataka White Rabbit

India is the most likely source of origin for the rabbit on the moon legend.

The Jataka, otherwise known as the “Previous Life Stories,” tell the tales of Buddha Shakyamuni’s 34 previous lives before being reborn as a human as Siddhartha Gautama and attaining enlightenment.

In story number 6, he is reborn as a white rabbit. Even though he’s an animal, this rabbit is so virtuous, beautiful, and good that the other animals treat him as a king and admire his wisdom. The three animals that became his closest students were an otter, jackal, and monkey.

One night, the rabbit instructed them that on the following evening there would be a full moon, and was a holy day (the Uposatha day of fasting), and that any beggars who needed aid should immediately be given food.

The rabbit realized later on that while his companions had a variety of ways to feed a human being, he had none. Only the bitter grass clippings that he ate each day. He immediately decided that if the opportunity arose, he would offer his own body as meat.

Hearing this thought, the god Shakra (aka Sakka, or Indra), the Lord of All Gods, decided to descend to earth and test the rabbit’s conviction. He appeared as a hungry beggar.

The otter brought fish. The jackal brought a lizard and a stolen pot of milk. The monkey brought mangoes.

But the rabbit had nothing to offer. So with the help of the other animals and the man he built a fire. As soon as the fire was blazing he jumped on top of it.

Shakra was greatly moved. He quickly reached into the fire, pulled out the unscathed rabbit and held it above his head, displaying him before all the gods in his mighty glory.

To honor the rabbits selfless sacrifice, Shakra placed the image of the rabbit on the top of his palace, and most importantly to this story, carved the rabbits image onto the moon.

This is where the “rabbit on the moon” idea comes from. The rabbit was engraved on the moon so that people across the world would forever have a symbol of piety, righteousness and sacrifice to look up to.

The rabbit had nothing to offer but himself, and this was the greatest gift of all.

Chang’e and the White Rabbit

The Buddhism of India was exported into China where it took root and assimilated with the existing culture. Many of the Buddhist legends became interwoven with existing Chinese beliefs and folk tales, such as those from Daoism.

One such Daoist story is about a young woman named Chang’e (嫦娥). She is the Moon Goddess and the Chinese equivalent of “The Man in the Moon.”

The quick version of the story is that Chang’e and her husband were both immortals. Through an altercation with the Jade Emperor, Lord of Heaven, they were banished down to the earth to live as mortals.

In an attempt to seek their immortality once again, her husband Houyi sought the way back and was fortunate to meet the Queen Mother of the West, a Daoist deity. Seeing his pious nature, The Queen Mother gave Houyi a magic pill of immortality, but warned him that they each only need to eat one half of the pill.

Unfortunately Chang’e was too curious and swallowed the entire pill herself. She rose upward into the sky as her husband looked onward, unable to do anything but cry. She kept rising up, and up, until she landed back on the moon.

Luckily she wasn’t alone! A “Jade Rabbit” lived there as well, and he had the job of constantly making immortality elixirs in his pot.

Throughout Chinese history the “moon rabbit,” as inherited from the Indian legend of Buddha Shakyamuni’s sacrifice, had been called many names, such as Jade Rabbit (玉兎) or Gold Rabbit (金兎). The Jade Rabbit refers to Daoism and immortality, while I believe the Gold Rabbit most likely refers to Buddhism and enlightenment. Here you can see the interwoven cultures.

The white rabbit (aka Jade Rabbit) is connected to the Dao because he was making an immortality elixir. Long life and eventual immortality was one of the goals of Daoist practitioners, who regarded Jade as the highest material substance (as personified by the Jade Emperor). They were known for collecting herbs or special ingredients and mixing them together in a pot in an attempt to create immortality pills.

This image is of an 18^th century Qing Emperor’s robe. The white rabbit is on the Emperor’s Robe because it was considered a Daoist symbol of long life. The Dragon represents the Emperor and “The Will of Heaven.”

The Chang’e legend was part of traditional folklore that became very popular in the Tang Dynasty (609 – 907 AD). On each Mid-Autumn day, the full moon of the 8^th lunar month, people throughout China set up altars and put their pastries and cakes on the altar to be blessed by Chang’e. When they eat the pastries and cakes, they become beautiful.

This is called the Moon Festival, Mooncake Festival or Mid-Autumn Festival, and there is an accompanying parade at night where people carry lanterns with rabbits on them.

In literary culture Chang’e is also found in Journey to the West, the inspiration for Dragon Ball. Here, she is banished from Heaven by the Jade Emperor just like Sun Wukong and Zhu Bajie, but through the process of redemption is allowed to make her way back up to Heaven and eventually to the moon.

Likewise, the famous Tang Dynasty poet, Li Bai, wrote of this rabbit in his poem, “The Old Dust,” saying, “The rabbit in the moon pounds the medicine in vain.”

These Indian and Chinese legends became intermingled and were then passed on to Japan.

The Japanese White Rabbit

Japanese culture is a mix of imported Chinese, Korean and native beliefs with its own unique flavors and disciplines.

A version of the Jataka stories from India can be found in the Japanese anthology, Konjaku Monogatarishu (今昔物語集), a classic source of many Japanese legends and both Buddhist and Shinto culture, written between 794 and 1185, a time of great trade with China.

It is retold here as a children’s story.

http://www.youtube.com/watch?v=PN9Y_pZ8P0A

Many of the legends in the Konjaku Monogatarishu feature animals that can think and talk like humans. They sometimes appear bipedal and anthromorphic, with morality and feelings, just like the animal characters in Dragon Ball, such as Boss Rabbit, Oolong and Puar.

In the Japanese version of the Chang’e story, when she makes it to the moon and sees the white rabbit, the rabbit is pounding rice in a mortar, not an elixir in a pot. The rabbit’s name is Tsukiyomi (月読), the same name as the moon god in Shinto and Japanese mythology.

This is because Tsukiyomi is said to have killed Ukemochi, the rice goddess. Tsukiyomi pounds rice in a pestle and mortar because he harvested the grains of rice from the moon and is turning them into cakes. The “mochi” desserts come from Ukemochi.

The same idea of a rabbit making mochi (instead of elixir) is found in the Korean version of the story, but I don’t know which one came first.

Today, just like in China and Korea, people in Japan celebrate the first day of autumn by eating mochi. The first day of Autumn is an equinox, and therefore a perfect “moon viewing day” in Japan. People look up at the moon and see the rabbit. The rabbit on the moon makes the mochi. Then they eat the mochi. Makes sense, right?

This was common folklore and culture that Japanese citizens grew up with, just like Easter in America. It’s a national holiday that is celebrated throughout the country.

For example, the Rabbit Song, or “Usagi,” as it’s known, is a children’s song that mentions the rabbit on the moon and the festival. This song is as common in Japan as “Twinkle, Twinkle Little Star” is in the United States.

Here are the lyrics:

The song is sung by young children throughout Japan, including Dragon Ball’s target audience, and they’re all familiar with the legend.

Toriyama References Traditional Culture

Toriyama wrote his comic for young Japanese boys, and so he purposefully appealed to what they would be interested in during their youth. He took the legend of the rabbit on the moon and incorporated it into Dragon Ball.

This slice of Japanese culture is in the comic for seemingly no other reason than to be funny. And I’m not even sure why it takes up an entire episode and issue, as it isn’t integral to the story. It’s just something that happens along the way.

Japan only has a 2% Christian population, so there aren’t many people who celebrate Easter. The legend as depicted in Dragon Ball obviously has nothing to do with Easter, as I’ve thoroughly explained, but I thought it a fitting day to tell such a story to a primarily Western audience.

Toriyama fills in the blank of the Japanese version of the rabbit on the moon legend using Goku, Boss Rabbit and his Rabbit Gang. The rabbit made it up there because Goku took him up there!

He and his gang presumably would have stayed up there forever, but Master Roshi destroyed the moon with a Kamehameha while fighting against Goku during the 21^st Tenkaichi Budokai later in the series.

Oops.

Did they die, as would be logical?

No, because in the book “Dragon Ball: Adventure Special,” (published December 1, 1987), Akira Toriyama explained that “They’re drifting through space.”

Toriyama was probably trying to be nice by not killing them off. But to me, drifting through space for the rest of your life is even worse than death and going to the afterlife.

Oh well.

In conclusion, the point I’m trying to make is that the entire reference to all of this ancient culture is depicted in 1 panel, of 1 page, in 1 issue of a comic. Yet it speaks volumes if you know the full history of what is depicted.

And now you do.

So the next time you see Boss Rabbit you’ll remember all of the ancient culture and the thousands of years of history that made his creation possible.

Resources

White Rabbit on Emperor’s Robe

Japanese Wooden Rabbit Toy

Bunny Rabbit on the Moon

Jataka Stories

Moon Rabbit on Wikipedia

Chang’e on Wikipedia

Carrotizer Bunny on Dragon Ball Wikia

Japanese Children’s Story on YouTube

Jataka Stories 2

A French Article on Dragon Ball’s Moon

Li Bai’s Poetry

Prints of Japan – In Depth Article on Japanese Mythology

Chang-e Moon Goddess and White Rabbit

Post from: The Dao of Dragonball Blog

Dragon Ball’s White Rabbit of the Moon

That’s right, there is now a Dragon Ball religion. It is called Gokuism, also known as The Church of Goku.

Gokuism is the belief that the principles of Dragon Ball provide a moral compass for one’s life, and that Goku is an ideal role model and moralistic person. By some definitions, it implies that Goku provides personal, global, and universal salvation, and that his death and resurrections were for our sake.

With so many religions already existing, why create this one based on Dragon Ball?

In today’s blog post you’ll learn where Gokuism came from, what its practitioners believe, and explore some thought provoking questions about this new faith.

The Roots of Gokuism

For many fans, Dragon Ball has always held a special place in their hearts. It’s more than just a show. Some spiritually inclined fans find moral lessons that align with their own perspectives, or they are inspired by Goku’s actions to improve themselves. This can range from hitting the gym to trying to become more honest and pure.

In Western Europe and North America there are believers in Judeo-Christian tenets that feel their beliefs relate to the principles in Dragon Ball. They see Goku’s actions and are inspired to become closer to God. But such inspirations had always been restrained within the understandable confines of Dragon Ball being a fabricated series, not an actual paradigm of salvation. And they were individually personal, not promulgated to others.

In this college essay from 2009, “cmvitolo” wrote, “He was a role model of a father, a great guy, strong and above all, caring. This one character, named Goku, demonstrated this beautiful personality, and his positive attitude and pure heart affected me. … As a follower of Christ, I was further influenced by Goku’s ability to do exactly what Christ had suggested we do: “Love your enemy.””

Bringing it to others via Gokuism, Dragon Ball fans have taken a story and world that they know is fantastical to begin with, and made a belief system out of it.

This is not an official religion endorsed by the Japanese license holders, nor the creator of Dragon Ball, Akira Toriyama. It springs from the collective minds of fans.

There does not seem to be a single specific place that Gokuism originated. As a global phenomenon promulgated through the internet, Gokuism could have first appeared anywhere and then gained popularity. Although it has a somewhat larger following in Spain and Mexico.

At the moment, Gokuism seems to have just begun, with only a few sites and established groups existing on the internet. But the comparisons between Goku and Jesus Christ have been around for as long as the series has been popular, which I explore below.

Given more time, what might the future hold? Could Goku become a bigger religious icon or a larger symbol of faith?

Before you write off the possibility, consider for a moment that this exact thing has already occurred with another very well known series.

Gokuism and Jediism

Gokuism appears similar to the Jedi Religion born from Star Wars, known as Jediism, or The Jedi Church

Is Jediism for real? Yes, very much so. According to Wikipedia, Jediism is an actual recognized religion in Canada. And in the 2001 census for England and Wales, there were over 390,127 declared followers. That same year in New Zealand there were 53,000 declared Jedi followers, even eclipsing the amount of Buddhists. There are followers across the world, and you can see the resources below for more information.

Sociologically what I find most interesting is the cross cultural comparison between the two.

Both Gokuism and Jediism are fan based creations aligned with pseudo-religious spirituality and eastern principles.

Jediism was based on a western creation interwoven with eastern Daoist / Zen mysticism and Taiji theories ala the Force. While Gokuism was based off an eastern creation interwoven with Buddho-Daoist legends and American Hollywood influences, and then recently paralleled with Judeo-Christian beliefs of the west.

It’s as if each group of followers is looking outside their own culture for something else and then finding ways to connect it to their already accepted world view.

Numerous books about Star Wars and living the path of the Jedi have been written, where the authors detail the similarities between Jedi philosophy and western belief systems, so as to make the content relatable. Is Dragon Ball the next subject for this treatment?

On the Facebook page titled Evangelical Gokuism, the owner says he created the page “To spread the message of our personal savior Goku, as well as promote my forthcoming book, “Praying to Goku.””

As Dragon Ball is in many ways a similar phenomenon to Star Wars (with films, a global fan base, billion dollar licensing deals, etc.), could Gokuism become the next Jediism? It has the same qualifications, such as worldwide appeal, an in-world belief system, an afterlife, demons, deities, and martial arts based paths of personal development.

Star Wars fans find the Daoist / Zen Buddhist perspective attractive enough to make it their lifestyle, so it seems logical that Dragon Ball fans would as well, since it is based on Journey to the West. In addition, members of both fan bases share similar ‘nerdy’ traits, and it is common to admire both series.

But truth be told, on a larger scale it seems that Gokuism is still years away from reaching the level of the Jedi Church, if at all. That said, Dragon Ball is incredibly popular. Perhaps all Gokuism would need to grow is another televised Dragon Ball series or a successful series of Hollywood films, thus pushing it further into the minds of the populace.

The Beliefs of Gokuism

What are the beliefs of Gokuism?

At the bare minimum, practicing Gokuism implies that you are a huge fan of Goku, as can be seen on this Spanish Facebook page, called “Because he Died for Us and Rose Again to Save Us… WE LOVE YOU GOKU,” which has over 290,000 Likes.

On a more religious level there is unfortunately little material available on the actual beliefs or tenants. At the moment there are no texts or codified materials. There is this site in Spanish that lists the 10 Commandments of Goku, but it appears to be a joke.

From what is available online I gather that Goku is perceived as a super powerful figure who sacrificed his life, was reborn, and fought for the salvation of mankind. Goku is taken as the physical and moral ideal. A role model of innocence and purity who has unfathomable power yet only uses it to help others.

According to one Gokuism Facebook page, it states the following creed. “Do you believe that Goku is the all powerful son of Bardock? Do you believe that Goku has a power level Over 9,000? Do you believe that Goku died, trained with King Kai, and was resurrected? Do you believe that Goku defeated Freeza, and gave Son Gohan the motivation to defeat Cell? Do you believe that you would give Goku your energy if he ever did another Spirit Bomb?”

Elsewhere, this sacrament appears. “In the name of the Father, the Son, and the Saiyan Spirit.”

On a Spanish Facebook Gokuism page, it says, “Goku is above all things. Gohan is seated at the right of the father. Through the work of Vegeta he spoke through the prophets.”

Honestly I can’t tell if these are jokes or genuine beliefs. I contacted the owners of several sites to try and get answers to my questions, but did not hear back.

More importantly, what does a follower get if they believe these things? The ability to fire a Kamehameha, fly into the air, teleport, or punch through mountains? So far nobody has promised these abilities to converts, but if the movement became more serious, these temptations would be easy bait to swing in front of the eyes, just like Jedi Force powers.

It’s not that far-fetched, either. Consider that these same promises and belief systems were proselytized during the Boxer Revolution (1898 to 1901) in China, and among the White Lotus sects and secret religious martial arts clans for thousands of years. The result was millions of violent deaths.

In regards to physicality, if I had to conjecture, I would imagine that practitioners of Gokuism should also try and embody Goku’s exercise regimen and dietetic practices, such as avoiding alcohol and consuming healthy, natural foods, while training in the martial arts. This seems positive.

What is the ultimate goal of Gokuism? To simply live a better life in the model of Goku? Or does it encompass entering Heaven and fighting demons and other villains as well? Maybe the more spiritual aspects are perceived as allegory for internal conflicts and achievements within the practitioner.

Gokuism opens up a gigantic can of theological worms, so for my own sake I’ll stop with conjecturing here.

As it happens, Gokuism is just beginning, and the majority of inspiration for its existence seems to have sprung from followers of Christianity.

Son Goku and Jesus Christ

Ever since Dragon Ball has become popular in the mid to late 90’s, comparisons between Son Goku and Superman have often been made. Likewise, comparisons between Son Goku and Jesus Christ. There are reasons why.

Consider that in all three cases, the “only son” was sent from “heaven” down to earth, where he matured and harnessed supernormal or “divine” powers to fight against “great evil” and “save humanity.” The three stories are similar in many ways.

Followers of Gokuism (Gokuists?) often seem to believe in both Goku and Jesus Christ. Theologically speaking, can a person who practices Gokuism also practice another faith simultaneously? I would think that eventually they would have to decide which one is their true personal savior.

http://www.youtube.com/watch?v=AcGjbTXIuVM

In the above video, rumored to be from Spain, titled “Ten Reasons Why I Am a Gokuista and Not a Christian,” the creator, EspirituNoTanSanto, states why he believes Goku is superior to Jesus.

For example, Reason 1, “The Number of Times They Saved the World.” According to the video, Jesus saved the world once, against Satan, by removing original sin. Goku on the other hand, saved the world from Pilaf, the Red Ribbon Army, Piccolo, Raditz, Vegeta and Nappa, Freeza, Cell, Majin Buu, and the Evil Dragons.

Reason 2, “The Number of Times Resurrected.” Jesus was only resurrected once, but Goku was resurrected twice.

Reason 3, “Their Skills.” Jesus can heal the blind, raise the dead, remove sin, walk on water, and multiply fish. Goku has the Kamehameha, Kaioken, Taioken, Dragon Fist, Teleport and Genki Dama.

It goes on like that for 7 more slides, concluding in the argument that Goku lived his entire life for other people and would soundly defeat Jesus in a fight. Therefore, he is the “Undisputed Winner.”

Dragon Ball and Parallels to Christianity

To be fair, there are many genuine parallels that can be drawn between Judeo Christian beliefs and the world of Dragon Ball, with Goku in particular.

For example, in regards to the Holy Trinity, Goku is simultaneously the Father, the Son, and the Holy Spirit.

In one sense, he is the Son of Bardock, the Father of Gohan, and a Spiritual being that resides in both Heaven and Earth. He finishes Bardock’s fight against Freeza, closing the circle of “savior of the people” against “persecutory tyrant.” In a sense, he is like the child that was sent down in order to defeat Satan. He is also made in the same image as Bardock.

In another perspective, Goku is a Father to Gohan and Goten, the youngest and last pure blooded Son of the Saiyan people, and a Spiritual being that can manifest physically in two places at once. For example, after sacrificing his life and going to Heaven, he physically helped Gohan defeat Cell on Earth. Likewise, he rescued Gohan from the death grip of Bojack, appearing in physical form for a split second in order to punch Bojack in the face and free his son. Both acts could be considered the definition of a miracle.

Lastly, in Dragon Ball GT, Goku as an adult is the Father who shrinks down in size and becomes a child (aka the Son), while maintaining his mind and Spiritual powers. He is all three beings at once.

http://www.youtube.com/watch?v=jDfsF4zDdR0

Goku experienced many great tests. For example, at the end of the original Dragon Ball series Kami asks Goku to replace him as God and ascend the throne. But Goku refuses, choosing to remain on earth as a poor hermit so that he can continue improving and fighting stronger opponents.

There are also the demonic beings that Goku defeats, such as Broly. In Dragon Ball Z movie 8, Broly said the following. “Me, a monster? No, I am the Devil.” Christian fans of DBZ have grabbed onto this as an argument that Goku is defeating the devil. Similarly, Piccolo and several others also refer to themselves as demons. Goku defeats them all.

In terms of holy powers, in Dragon Ball Z movie 5, Cooler’s Revenge, Goku holds a dead bird in his hand and brings it back to life. And of course there is the ‘laying on of hands’ that Dende performs on others when healing them. Although from my perspective I believe this stems more from Daoist Qigong energy healing found in the eastern martial arts.

In any case, there are many other parallels to be drawn, and perhaps these are the reasons why people believe in the ideal of Goku and follow his way.

Practicing Ones Faith

http://www.youtube.com/watch?v=1SBMTHcAwXA

Fantastical or otherwise, in the mind of a believer, Goku represents an ideal that can be followed.

Having considered the emerging presence of Gokuism and its reasons for being, it may be easy to see why Goku is considered a god, or even a manifestation of God Himself. Goku’s ability to save others and defeat evil, while teleporting between dimensions and enduring the unendurable, all lend credence to the perspective that he is a holy being.

Naturally this brings up the question of religious tolerance, and whether or not Gokuism should be considered a valid religion.

In the above video’s description the creator says, “Do you realize something? The character of Jesus is as fictional and or fanciful as Goku. However, people consider it ridiculous to worship Goku and not Jesus.”

Should a religion based on a cartoon character be taken seriously? Is Goku real? Is Jesus real? Is it all in the mind of the believer?

Goku’s origins can be traced directly back to the mind of Akira Toriyama, a comic book creator in Japan influenced by eastern legends, Hong Kong martial arts, and Hollywood cinema. We know for a fact that Goku is a fabrication.

For Jesus’ origins we have the biblical texts and historical artifacts that point in His direction, but no definitive proof. Thus His existence is, arguably, dependent on faith.

And yet for a practitioner of Gokuism, who may seemingly also believe in Judeo-Christian beliefs, does it even matter? I don’t think so, because in the mind of a practitioner, gradual self improvement toward an ideal is all that matters, even if the source of motivation is fabricated.

In The Dao of Dragon Ball book I quote a young man who said that Goku helped him come closer to Jesus, and that he hopes that when he dies, that Goku is there waiting for him. He is not a declared follow of Gokuism, and I don’t think he had ever heard of the practice, but in either case, both belief systems are reflecting off one another and providing reciprocal motivation.

In the end, while it seems Gokuism has been around for years on an individual level, it is only now beginning to establish itself on the internet. This means Gokuism may fade away, or it may grow. Only time will tell.

Concluding Thoughts

Since there are so many unanswered questions, that means this post serves as a great conversation starter. I’d love to hear what you guys think.

Personally, if I got into the mind of a Gokuist, I would immediately ask myself the question, “What would Goku think of all this?”

I believe he’d scratch his head, let out a laugh, and then return to his training.

Resources

Definition of Gokuism

The Church of Goku

Goku and the Church of Latter Day Saiyans

Evangelical Gokuism

I am a Dragon Ball Gokuista

Gokuism Group

Gokuism Group 2

Gokuism Group – Resurrection

Religión Gokuista

Because he Died for Us and Rose Again to Save Us… WE LOVE YOU GOKU

Gokuism on Tripod [The Great Book of Shenron]

Goku and Jesus Comparisons

Comments and Jokes on Reddit about Gokuism

The 10 Commandments of Goku

Christianity and Goku

Essay on Goku and Christ

Morality and Jesus vs Goku

Goku is NOT God

Super Saiyan Jesus

The Return of Jesus as a Super Saiyan

An Internet Theory about Goku and World History

The Jedi Church

Jediism Census Info on Wikipedia

Temple of the Jedi Order

Post from: The Dao of Dragonball Blog

Gokuism – The Church of Goku

Vegetto Smashes Majin Buu with a Double Axe Handle

In this Dragon Ball explorative essay we’re going to focus on the martial arts technique known as the double axe handle. This iconic technique is found throughout the Dragon Ball series and has both a rich history and symbolism.

Dragon Ball is a comic book and anime filled with fighting and all kinds of different martial arts styles.  Yet many of them share similar techniques, and the double axe handle is one of the most identifiable.

These are the questions we will answer in this article:

• What is the double axe handle?
• What are its origins and history, and how does it relate to Dragon Ball?
• What are the histories of East Asian martial arts, Buddhism, and the Lightning Bolt Clasped Hands style of combat?
• How do eastern philosophies and this technique fit into the fights of DBZ?
• Why is the double axe handle used so often in Dragon Ball?
• Outside of Dragon Ball, where else can the double axe handle be seen?

Read on to find out!

What is the double axe handle?

Vegeta's Flying Double Axe Handle

The double axe handle is a martial arts technique that involves bringing both hands together in a clasped position so that they form a hard, dual fist.  The fingers are usually interlocked but it is not required.  To use this technique the practitioner swings their balled fist at an opponent as hard as they possibly can, as if they were swinging an axe and trying to cut through a log or tree.  They put all their weight behind the attack and deliver a full force blow into the opponent.  The move is very dramatic and stylish.

Are there reasons it is so commonly used in Dragon Ball?  I have yet to see another anime or series in any form (comic, animation, film, or game) that applies it so abundantly.  This technique is brought into play in every major fight in DBZ.

And this is particularly odd because the double axe handle is rarely used in the martial arts.  It is an impractical technique that endangers the practitioner who uses it.  Yet in Dragon Ball we see it all the time.

What are the origins and history of the double axe handle?  Where does the technique come from and how is all of this history related to DBZ?

The History of the Double Bladed Axe

Minoan Double Axe

To better understand the double axe handle technique used in DBZ we should take a moment to discuss the techniques’ history and meaning.  Bear with me for a few paragraphs because it will all make sense later.

The double axe handle technique receives its name from the cutting tool known as the axe. An axe is an ancient and still employed cutting tool used to chop and slice through objects.  It consists of a long handle and a sharp bladed head, usually made of metal.  The axe is a simple and effective machine as it focuses all of the weight and force of the wielder into the sharp cutting edge.

The double axe handle technique implies that the wielder is holding onto an imaginary axe with both hands as they swing.  When swinging an axe in real life it is not swung with both hands interlocked, rather it is swung with one hand placed above the other.

But the double axe handle is a move that focuses the power of the technique away from the strength of the fingers and knuckles.  It drives energy into the bottoms of the hands via the core of the body as it brings the arms downward (or sideways) as a result of a pulling motion from the center of the body.

It’s like you’re chopping an imaginary tree and trying to take it down with one blow.

What does the axe itself represent?  And is there a difference between single headed axes and double headed axes in terms of symbolism?

The earliest known form of the double headed axe is the “labrys,” a word from the Minoan civilization’s Bronze Age (2,700 B.C. to 1,450 B.C.).  The etymology of “axe” in the form of “labrys” is where we received the word “labyrinth,” the maze-like setting on Crete used to tell the tale of the Greek myth about Theseus.  The labyrinth is where Theseus was forced to slay the Minotaur, the part-man part-bull monster, the mixed species offspring of Queen Pasiphae and the bull (Taurus) of King Minos, the legendary king of Minoan history.

The double headed axe was considered the holiest of all religious symbols by the Minoans.  Long hafted double bladed axes were used by Minoan priests to sacrifice bulls in ceremonies to appease Zeus, and the double bladed axe represented one of three primary symbols of their culture, along with the pillar and the bull’s head with horns.

The bull’s symbolism was carried over into Thracian, Greek, and Byzantine culture.  In time it spread throughout much of Europe, albeit not always with directly observable links back to Minoa.  For example, in Roman civilization an upright double headed axe was considered a symbol of justice.

Vegeta Strikes Gohan with the Double Axe Handle

The double headed axe is related to the double headed hammer, as both would be used by a smith, one to work with wood and the other to work with metal.

Early axe blades were made of stone and would ignite sparks when used.  Native American, Chinese and Celtic peoples referred to the axe as “thunder stones,” a term denoting the axes power to both destroy and create, like lightning (fire) and rain that accompany a storm.

Altered forms of the double headed axe and hammer can be seen in various cultures, such as the Hammer of Thor via the mythology of the Norse nations.  Also from the vajra (i.e. thunderbolt mace) from the Vedic belief systems of India, wielded by Indra in particular.  In Greek culture Zeus was sometimes depicted as carrying a vajra like implement in his left hand and a double headed axe over his right shoulder.

Jade Axe Head from China with Dragon Inlay

In these forms the heavy bludgeoning device is essentially the weapon and attack of the gods.  Gods would use them to fight against other gods and truly smite (or “smith”) their foes.

In China the battle axe and double headed axe were used as sacrificial tools, and the stone axe in particular was associated with thunder.  The stone or precious rock on the end of the axe was perceived as a dragon’s tooth, capable of calling forth fire when struck properly.  The axe and the dragon were both symbols of the Emperor and signified his relationship as the “Son of Heaven.”  The man or god that carried a battle axe was seen as a wielder of lightning.

We can see a lot of correlations between this information and the characters and fights in Dragon Ball.  In the later parts of the series the now superhuman fights can be described as gods fighting against gods.

Dual Nature

Gohan in Great Ape form tries to smash Vegeta

In terms of spiritual and philosophical representation the dual sided nature of the axe symbolizes both creation and destruction, the place between life and death, old and new moons, and a void, like inside the mother’s womb before birth.  The double headed axe symbolizes a paradoxical state of simultaneous unity and division, like a serpent eating its own tail.

The axe is also a part of Sumerian culture and of primordial man in general, one that has been inherited by cultures across the world over thousands of years.  The axe is a sign of the Freemasons organization, as axes were a common tool in the shaping of wood, and their beliefs state that notable men of antiquity were said to have used axes in the creation of Noah’s Ark, Solomon’s Temple and the Ark of the Covenant.  The 22nd degree in the 33 degree system of Freemasonry is known as “Knight of the Royal Axe, Prince Libanus.”  It stands for among many other meanings, those who have a zeal for their work and a passion for the law.  Religious groups and even entire civilizations (such as Egyptian) have regarded deities wielding axes as “The Cleavers of the Way,” i.e. those who clear the path to be followed.

In ancient Egypt the hieroglyph for a god was a single bladed axe, while a double bladed axe represented a god with a dual nature.  The esoteric representation and symbolism of the double headed axe can be seen as a male / female duality, the dual and polar opposites of one single united force of energy.

The duality of life and of Yin and Yang in the native Chinese religion of Daoism is a key principle in the martial arts, which we will now explore.

Lightning Bolt Clasped Hands – Vajramukti, the Martial Art of the Gods

Martial Buddha Law Guardian Statues at LongMen Grottoes, China

The martial arts of Dragon Ball are primarily based on eastern martial arts systems, such as Gong Fu, Karate, and traditional martial arts and religious / cultural beliefs.

The practice from which the majority of eastern martial arts are originally derived is known as Vajramukti, the “Lightning Bolt Clasped Hands” system of martial arts.  Vajramukti is a complete and systemized ancient art form that was believed to have been handed down to the Indian people by Indra, the highest deity in the Vedic pantheon and the god of war, thunder and storms.

Vajramukti was a martial art designed to make the warriors that practiced it into supernormal beings with increased strength and defensive capabilities, and at the highest levels to ascend beyond the cycle of life and death, thus becoming immortal.  Those who inherited this system of practice were spiritual and
political elites.  The spiritual leaders of India’s caste based system were known as Brahman’s, and their highest level teachings were only made available to those of royal caste.

Siddhartha Gautama, also known as Buddha Shakyamuni, was a prince of a royal family and therefore educated in the Vajramukti style of martial arts.  Before he became an ascetic to find and overcome the true cause of life’s suffering he was a martial artist in the Lightning Bolt Clasped Hands style.  All royal elites were educated in this system of mind and body.

After Buddha Shakyamuni attained enlightenment and remembered who he was, he began to spread his teachings.  Buddhism quickly extended across Central and East Asia.  Vajramukti traveled along with it.  From ancient India the practice spread to the north east toward China and the south east toward Thailand, Vietnam and the Philippines.  Once in China it became known as “Chuan Fa,” or “Law of the Fist.”  The system reached its zenith via the Shaolin Monks of the Tang Dynasty (618 – 907 A.D.)  From there it spread to Korea and also Okinawa where it was known as “To-Te,” or “Tang Hand,” as it had become synonymous with Tang Dynasty China.  “To-Te” made its way over to Japan where it would eventually become known as “Kara-Te,” or simply Karate.

This was a brief synopsis of the history of eastern martial arts.  More information on the history of the martial arts in relationship to Dragon Ball can be found in the martial arts focused chapter of The Dao of Dragon Ball book entitled Spiritual Warrior.

How did Vajramukti Become Popular?

Pai Mei, a Legendary Martial Artist with Many Supernormal Abilities (Kill Bill pt. 2)

Vajramukti became popular for two main reasons.

The first was that it was effective and the perception of what it entailed and enabled was highly attractive.  The ability of a martial artist to “call forth lightning” through his hands was no doubt attractive as well as feared.

The second is its transformation to the populace.  The system and all its derivatives were originally taught exclusively to royalty, and most often accompanied with high level religious teachings.  But in hard economic times or dire circumstances the masters of these styles were placed in situations where they had no choice but to teach commoners for their very livelihood.  Once the teachings were taught to commoners in various regions of China, Korea, Japan and elsewhere the martial arts became a part of popular culture.

This isn’t to say that all martial arts originated this way, as East Asian martial arts existed for millennia before the introduction of Vajramukti, but the supernormal practices related to Vajramukti were made popular in this manner.

Spiritual groups such as the White Lotus and Yellow Turbans would evolve in China to believe in and promote supernormal powers brought forth by practicing the martial arts.  The ability to project light beams out of the hands, fingers, eyes and to become invincible in combat were all believed possible, as was self powered flight.

A martial artist that could fly, was nearly invincible and could shoot light beams out of their hands eventually became an accepted part of Chinese culture.  As China played its role of the Central Kingdom this culture continued to spread throughout East Asia.

Supernormal abilities, immortals and outlandish characters are even seen in classical works, such as Journey to the West, which was one of the “Four Great Classics” studied by all scholarly men, and a tale that helped inspire Akira Toriyama to create Dragon Ball.

Strike Like Lightning

SSJ3 Goku Powers Up his Double Axe Handle

The Lightning Bolt Clasped Hand style incorporates a large variety of hand symbols and techniques, but none is closer to the symbolism of the martial arts’ name than the double axe handle.  To see it incorporated in Dragon Ball so often requires some explanation.

The Lightning Bolt Clasped Hand style of martial arts is emblematic of two things, the first is lightning and the second is a principle of a celestial connection.

The lightning bolt is feared and respected by ancient cultures throughout the world, such as Norse, Roman, Greek, Native American, Chinese, Mongolian, and Japanese… pretty much everywhere.  It was believed that male gods (associated with the sky) or deific creations such as dragons would bring immediate retribution to evil, carry water to the earth or call forth winds to fertilize the land and bring reward.  The lightning bolt and the thunder, fire and rain that followed could bring both destruction and creation, similar to how a double headed axe could crush ones enemies or be used to cut down timber and create a home.

Every culture has a different understanding of where lightning comes from and what it means.  In Greek mythology the lightning bolt was said to be controlled by Zeus and he used it to smite those who disobeyed the gods or to exhume his anger upon humanity.  In Satanic practices the lightning bolt is a symbol of the “Destroyer,” and in Nazi controlled Germany the Nazi Party used the double lightning bolt (SS / ZZ) to represent their brutality and speed, the intensity and supposedly divine connections of Nazi power.  Perceptions can vary in specifics and application, but the intense nature of lightning is always present.

What is the perception of it in eastern martial arts?

In traditional eastern martial arts there is the principle of Yin and Yang, the duality of polar opposites that share an interwoven and cyclically inherent structure.  This belief system is primarily derived from Daoist teachings and philosophy.  Daoist philosophy generally teaches that “energy channels” run through all life forms, including our homes, the planet, stars and galaxies, the universe, and our own bodies.  Individual channels are associated with different amounts of Yin and Yang.  Seen from this perspective the left side of the body is Yang (male) while the right side of the body is Yin (female).

The energy of the body fluctuates from side to side and changes according to our own internal rhythms and mind intent.  It can either decrease or increase in energy based on the mind’s control, but when left alone will basically flow on its own.

SSJ3 Goku Repels Majin Buu's Energy Wave

One of the main energy points (acupuncture points) in the body is the Lao Gong point in the palm of the hand.  It’s believed that the Lao Gong point on each hand is connected to a large amount of energy stored in our body and in other dimensions.

When the two hands are brought together it allows the energy from both sides of our body to come together in one point.  By using the double axe handle technique correctly it is like putting your entire body into an attack with not only the energy from this physical body but also the energy from other dimensions.

In DBZ the energy from the attack travels instantaneously between dimensions and into the opponent, striking them like lightning, often accompanied by a flash of light.  The inertial energy that goes into the target often sends them careening downward into a mountainside followed by an enormous explosion of debris, spiritual energy and light.

And when the Saiyan characters like Goku, Gohan and Vegeta reach higher attainment levels of Super Saiyan 2 and 3 we can see lightning that surrounds their bodies.  It is as if lightning emanates directly from within their body and each of their attacks is coming straight from the heavens.

Only modern man has created a weapon that can match the intensity of a lightning Superbolt, which can carry upward of a hundred times more energy than a normal flash of lightning and can be up to five times hotter than the Sun (the Sun is approximately 10,000 degrees).  Average nuclear weapons come close to this, but still fall short.  Only the most powerful nuclear weapons can match that amount of energy.  And that’s just on Earth, while Superbolt’s on other planets such as in storm clouds on Jupiter can be one thousand times more powerful than our own.  But all of these weapons are external technology.

Now imagine if a being held such power in their own body and could control it with their mind!

“Everybody was Kung Fu Fighting.  Those Cats Were Fast As Lightning.”

Lightning Strikes a Tree

Lightning is also incredibly fast, moving between 3,700 miles per second to just below 186,000 miles per second depending on air conditions.  Lightning itself is not light, but the light that radiates from it and that you see with your eyes definitely travels at the speed of light, which is 186,000 miles per second.

Speed is one of the most important aspects of the martial arts, and speed training is essential to the higher levels.  It’s believed that supernormal abilities move at extremely fast rates, much faster than can be detected by our eyes.

The fights in the first story arc of DBZ already move faster than untrained eyes can detect, and the fights only get faster as the story progresses.  It’s my understanding that every fight from that point onward is taking place at super human speeds.  But of course it wouldn’t be much of a show if the audience couldn’t see it, so everything is played out at a fairly normal rate.

Nevertheless, these fights would, in theory, be as fast as lightning and just as destructive, and those are exactly the results we see.

Modern Usage of the Double Axe Handle

http://www.youtube.com/watch?v=Xk8pdhmMJBs

In modern times the move is usually credited to Ivan Putski, a professional wrestler of the 70’s era wrestling circuit.  He gave the move the title of “Double Sledge” and it was sometimes referred to as the “Polish Hammer” because of Putski’s Polish background.  In later years it was transformed into “Double Axe Handle.”

This move was then copied by generations of wrestlers to come, including in foreign countries such as Japan where they had created their own professional wrestling circuit in the occupation years that followed World War II.

Developed in the wrestling ring, there is also what’s known as a “Flying Double Axe Handle Smash,” which is a double axe handle jump off of the top rope.  This is called an “Aerial Variation,” and is an easy one for DBZ characters to pull off as almost all of them can fly through the air… and without the use of a rope.

There is also the single axe handle version, which is the same technique but with only one hand.

The character that uses the double axe handle the most is Vegeta.  The axe is a symbol of royal power, and as a weapon and religious device it is considered one of divine power, so it makes sense in this perspective why Vegeta would prefer it, as he is the “Prince of All Saiyans.”  It could also be that Akira Toriyama just thought it looked cool and that it matched Vegeta’s personality.  He’s never commented on the subject.

There are other variations of this technique, including the axe kick, which is a leg technique that arcs straight up above the practitioners head and downward onto the opponents head or body, using the bottom of the foot or heel as the striking point.

“Meteor Moves” are an extension of this technique.  A “Meteor Move” earns its name from Dragon Ball Z Super Butouden for the Super Nintendo Entertainment System, where it was every character’s ultimate move.  A “Meteor Move” typically involves one of three scenarios.

1. Knock an opponent out of the sky and toward the ground (often using the double axe handle technique).
2. Catch the opponent in mid-air and then crash both the opponent and themselves into the ground (like a professional wrestling pile-driver from the highest top rope imaginable).
3. Knock an opponent out of the sky and then, before they can make impact, catch up to their falling body and strike it again.

There are many other variations, and DBZ seems to have invented most of them.

These types of attacks have been emulated by various comic books and cartoons, including Superman and other shônen manga such as Naruto.  Naruto is an ongoing drama about the life of pre-teen ninja’s as they struggle to overcome their limits, and is a spiritual successor to Dragon Ball.  The main character Naruto’s traitorous but lifelong friend Sasuke uses a move known as the “Lion Barrage,” a combination of the first and second scenarios followed by an axe kick finisher.  Sasuke’s move was a modification of their fellow ninja Rock Lee’s “Full Lotus Barrage.”  Both of these were then emulated by Naruto in his “Naruto Uzumaki Barrage” where he used his ninja techniques to create shadow body clones of himself to attack the opponent all at once.

A “Meteor Move” was also seen in The Matrix Revolutions, where Agent Smith grabbed Neo in mid air and pile-drove him into the street below.  This was the first time such a move had been displayed in western cinema.  Personally, I think the whole fight looked like it was ripped straight out of DBZ.  Piccolo did the exact same thing to Android 17 and Freeza on two separate occasions.

But as mentioned before, in real life the double axe handle is not a very practical martial arts technique.  This is because it’s completely offensive nature opens the practitioner up to their opponents’ attacks.  It looks great in comic books and films, but isn’t employed very often by real people.

Masutatsu Oyama Strikes a Bull

There are however some martial artists that have exhibited their superior techniques and abilities to great effect, and some which go far beyond normal, such as Masutatsu Oyama (1923–1994), founder of Kyokushin Karate.  Oyama is said to have killed 52 bulls with his bare hands and defeated over 300 opponents in Kumite competitions.  His nickname was “Godhand,” and the slogan of his school was “One punch, one kill.”

Martial arts masters of legend were also said to be able to crush the spine of a horse with a single strike using the Iron Palm technique, punch a boulder with their bare hands and move it over 10 meters, or knock someone down without touching them using an invisible “Empty Force.”  All of these stories, true or false, add fuel to the fire of our imaginations and interest in the supernormal.

Conclusion

That’s the end of our little adventure.

Through this article we have learned a great deal about the double axe handle technique.  We now know what it is, where its name comes from, how it’s performed, what it signifies and why it’s used so often in Dragon Ball.

If you have any further questions or ideas, then please leave them in the comments below.

And keep in mind that the book has several chapters devoted specifically to the martial arts and this article is a small sample and extrapolation of what those chapters contain.  If you are looking for more information or in-depth reports on the martial arts of Dragon Ball Z, then it can all be found in The Dao of Dragon Ball.

Post from: The Dao of Dragonball Blog

Hammer of the Gods – Dragon Ball Martial Arts and the Double Axe Handle

Goku with Angel Wings and Halo

Have you noticed divine aspects in Dragon Ball, Dragon Ball Z or GT?  How about similarities between Goku and a certain spiritual teacher?  Or perhaps the way in which good always triumphs over evil?

If you did notice these it’s because they’re in there!  If you didn’t, then read this to learn more.

Here are 9 specific ways in which the divine shows up in Dragon Ball:

1.   Mythically Buddhist Origin’s

Loosely based on Journey to the West, a Chinese tale of pilgrims on a holy quest for the Buddhist sutra’s of India, Dragon Ball is rife with spiritual references of an East Asian perspective.  Sun Wukong (Japanese: Son Goku), The Handsome Monkey King, is the character that Goku is based on, and Sun Wukong himself is most likely based on Hanuman, the Indian deity and warrior.

King Enma, lord of the afterlife, is based on a Chinese and Japanese deity that weighs the amount of virtue and karma on a person’s soul to determine where they should be sent, Heaven or Hell, and we find that same character in Dragon Ball.

There are a multitude of other examples and references to the Buddhist stories that Japanese children like Akira Toriyama (the creator of Dragon Ball) would have been taught while growing up.

2.  Heaven and the Afterlife

Heaven plays a big part in Dragon Ball Z as Goku spends a lot of his time up there!

After sacrificing himself to save his son’s life (and the planet itself) Goku is sent to the afterlife where his soul is judged by King Enma.  The King determines that he is pure hearted enough to ascend up to Heaven, but Kami requests a special favor of the King and asks for Goku to be trained by North Kaio, Lord of the Northern Galaxy.  King Enma agrees and allows Goku to keep his physical body, now tricked out with a super spiffy halo.

3.  Pilgrimage

The Z Warriors, with Goku in particular, travel around the world (and even other star systems) in search of the dragonballs.  They embark on a pilgrimage to find holy relics that contain the power to alter the known world, reverse life and death, grant immortality, provide untold fortune, wealth, or fulfill almost any human desire.

While on this quest they meet many new people, face and overcome countless difficulties and improve themselves with every step.  But after they achieve their goal and summon the dragon, for the most part they do completely unselfish things with them.  The underlying message is that the quest is not about finding the relics… it’s about finding your true self.

4.  Shugyo and Spiritual Ascension

Shugyo is the Japanese word for ‘training,’ but its original usage refers to ‘spiritual training,’ most notably by monks or martial artists on a path of enlightenment.

The concept found in battle manga like Dragon Ball of fight-lose-train-fight-win is endemic to the spiritual path itself, with innumerable failures experienced before success.

The act of shugyo is to physically and spiritually train oneself to overcome an external or internal demon.  You’ve only completed the training when you’ve reached a high enough level to do so, and often times the true battle comes from within, in an ever constant attempt to defeat the self, revealing the true self deeper within.

5.  Good Vs. Evil

Good and evil play an important role in many Shonen battle manga, and Dragon Ball is a perfect example.  Demon’s and the warriors to fight them always seem to spring up out of nowhere, and the dichotomy of good and evil will invariably result with good as the victor; Perhaps not in the short term, but always in the long term.

But these are not absolute values, as previously demonic characters can learn to shed their wicked notions, attachments and behaviors to become a force of good, with plenty of gray area in-between.  Lessons such as right and wrong and that it is wiser to follow a path of righteousness are as clear as day.

6.  Redemption

Redemption is a key principle in Dragon Ball and Dragon Ball Z.  Goku’s opponents are sometimes (though not always) able to find the error of their ways, correct their behavior and go on to lead a better life.

Piccolo is an excellent example.  By interacting with Goku and his family across a period of decades his previously demonic heart becomes soft and compassionate.  The breadth of his compassion expands so far that he ends up saving the earth and is forgiven for his crimes and allowed to ascend into Heaven.

7.  Immortals

Immortals and the quest for immortality are seen a couple of different times in Dragon Ball.  Spiritually enhanced long life has often been a sign of divine beings on earth.

Goku’s first master, Muten Roshi, is an immortal who is already over 300 years old the first time we meet him.  His life force never diminishes even though he becomes outclassed by all of his students.  His spirit, like his love of the ladies, stays ever potent.

8.  Spiritual Warriors

Almost the entire warrior cast of Dragon Ball is a spiritual warrior.  As practitioners of the martial arts, the hero’s such as Goku, Krillin, and Gohan, as well as the villains such as Vegeta, Piccolo, and Frieza employ some type of higher power in achieving their goals.  Whether that’s virtue, karma, sin, or what have you, they use a force that goes beyond normal, and by combining their mind and body with their supernormal factors they become spiritual warriors.  How far they progress on this path is limited only by their own determination and spiritual potential.

9.   God / Kami

God is the guy’s name!  Kami (the Japanese word for God, or Divine) is the title of the guardian of earth, and he watches over the planet and makes sure things stay balanced.

Much like the clockmaker analogy of the Judeo-Christian God, he doesn’t really do too much active work, sort of just keeping an eye on things, but he is always willing to lend a celestial hand when necessary, or call out to higher powers when things escalate beyond his control.

Bonus!:  Supernormal Powers

Supernormal powers are so commonplace in DBZ that the term almost loses all meaning.  Flying through the air, shooting energy beams out of the body and having enough power to destroy entire planets… All par for the course when it comes to the DBZ universe.

The Spirit Bomb (Japanese: Genki Dama) is a great example that comes to mind, where Goku summons a bit of spiritual life force from all beings within his realm of influence and combines it into a gigantic ball of virtue.  He then throws the ball at his intended target and the pure white energy works its magic.

It’s only when the everyday people of society catch witness to these powers that we are reminded that they are anything but normal.

There are several more examples that come to mind.

Have you noticed any other divine aspects that weren’t listed here?  Leave a comment with your thoughts and suggestions!

Post from: The Dao of Dragonball Blog

9 Divine Aspects of Dragon Ball Z