Saluti, and welcome to “Galleria di Dragon Ball.”

The Dragon Ball community is really amazing. Aside from being one of the largest fan bases in the world, it is also filled with a lot of talented artists.

This is because Dragon Ball inspired many people to become artists, whether it be in drawing, painting, digital art or comic book illustration.

Most of us, including myself, began by copying the art of Akira Toriyama. Those who persisted in their artistic training became better and better, eventually reaching the level of fine art, as you’ll see here.

Fine art is a representation of the best that a culture has to offer.

The fine art presented here is an example of the best that Dragon Ball fandom has to offer.

Dragon Ball might appear to be a simple series, but its effect on society has been rather large, and the artists wouldn’t have created these works of art without being inspired in their hearts.

The works are traditional paintings, using acrylics, oils or other natural materials

I have done my best to give credit where it’s due.

As you scroll downward, try to imagine that you are viewing the paintings in a real art gallery.

Please enjoy, and Grazie Mille.

Dragon Ball Oil Paintings

The above painting and the next 10 are by Nacho Molino.

“Freeza Crossing the Namek” by PoisonousFox

“Cell” by Lucas Hartes

Dragon Ball Modern Art

“Kamehameha” by MysteriousSquirrel

“Jeice’s Portrait” by SirCrocodile

Dragon Ball Acrylic Painting

“Battle Preparashyuns” by arumise

“Nouveau Vegeta” by Sara Richards

As You Exit the Gallery

That concludes the “Galleria di Dragon Ball’s” fine art wing.

If there’s enough interest in Dragon Ball art, then I will continue to post more art in different styles, such as watercolor, digital paintings, 3 dimensional art, pencil drawings and alternative art.

Have a favorite? Please let me know in the comments.

Post from: The Dao of Dragonball Blog

Dragon Ball Art – Paintings

In Dragon Ball, Akira Toriyama incorporates spirit possession as a way to propel character development and plot.

This article explores how Toriyama was inspired by ancient belief systems and spirit possession traditions.

What is Spirit Possession?

Wikipedia defines spirit possession as “A paranormal or supernatural event in which it is said that spirits, gods, demons, animas, extraterrestrials, or other disincarnate or extraterrestrial entities take control of a human body, resulting in noticeable changes in health and behavior.”

In eastern Buddhism, Daoism, Korean Shamanism, Shinto and Japanese new age movements, spirit possession can also include the summoning of a spirit into an inanimate object, such as a sword, medallion or statue. In Japan, Shinto priests imbued samurai swords with foreign spirits (called Kami, 神) to increase their battle power or provide otherworldly protection.

In Dragon Ball Z we have many cases of spirits entering or being forced into inanimate objects. For example, using the Mafuba technique to seal a demon in the Denshi Jar; Tapion playing his ocarina to seal Hildegarn in the music box; and Rou Dai Kaioshin being trapped inside the Z Sword for millions of years, only being set free after the blade broke.

But in this article we’re going to focus on the spirit possession that affects people who are controlled by a foreign spirit unwillingly, or willingly ask a foreign spirit to control them in exchange for something else.

The History of Spirit Possession in Asia

Spirit possession is found in many world cultures, including Christianity. But the majority of Dragon Ball’s inspiration stems from East Asian belief systems, including from India, China and Japan.

The Anunka warriors of ancient India purposefully sought spirit possession to gain greater power. They would chant, enter into a trance, and plead foreign spirits to attach themselves to their bodies or take over their minds. In this manner they were said to become super strong in battle, going far beyond the limits of normal men.

The martial arts practices and religions of India were the precursors to many of the Chinese belief systems. They were inherited by the Chinese through the Ksatreya style of martial arts, and Buddhist and Brahmin systems.

Around 475 BC in Northeastern China there was a group known as the Fang Shi (Esoteric Magic Masters, 方士) who practiced shamanistic spirit possession. They were somewhat of a pre Daoist religious group of ascetics, with beliefs in the Five Elements, a Supreme Ultimate (Tai Ji), exorcisms, divination and alchemical immortality.

Primarily consisting of hermits and wanderers, the Fang Shi used magic arts to seek everlasting life, summon demons or spirits, predict the future and gain supernormal powers.

Considered technicians of magic, their practice grew in popularity and even courtroom influence until the government considered it a dangerous cult and outlawed it, ending the practice in approximately 569 AD.

The belief systems and physical practices of the Fang Shi were inherited by the Daoists, whom, in some of their organized forms, would become the literati immortality cults of China. The Daoists attempted to turn ignoble metals into gold, create immortality elixirs, give birth to ephemeral dragons in their own bodies, communicate with spirits in other dimensions and gain everlasting life through physical exercises.

Across centuries the Daoist and Buddhist martial arts became interwoven with the beliefs of the immortality cults, which then became replaced with elite sectarian religions and the continuation of earlier practices, such as shamanistic rituals.

The Fang Shi “magicians” were the precursors to many of the Daoist and Buddhist magical abilities and rituals of common belief. These became the sources of myths and legends which would find their way into novels like Journey to the West and Great Water Margin.

Dragon Ball is directly inspired by these epic stories, and so we also find them in Dragon Ball.

Virtue and Vice

There have been many different cultivation practices throughout history. Some practices teach honesty, compassion and the letting go of desires, while others promote greed, power and the satisfaction of worldly desires. Some are freed by virtue, while others are controlled by vice.

But no matter the principles, at some point a teacher needs to find a disciple.

In ancient China there was a phrase attributed to Daoism that says, “The master looks for a disciple, not the disciple looks for a master.”

It implies that when the time is right, the master looks for a particular quality within a person to see if they would be a good fit to inherit their practice. In the case of the Daoists, what they were looking for was virtue (Chinese: De, 德).

They had to find somebody with high level inborn quality and a large amount of virtue attached to their spirit. With that, the disciple would have an easier time enlightening, and their cultivation practice would meet with success. Without it, the practice would be very difficult and they may fail.

But masters of unrighteous practices sought just the opposite. They looked for disciples with wicked hearts and selfish minds. They wanted people who desired self validation and externalities.

In other words, those with weak hearts; something the Chinese referred to as “e” and the Japanese as Aku (悪).

In addition to the master seeking a disciple, there are sacred possessions and demonic possessions aligned with a person’s level of character.

In religious systems across the world, such as Christianity and Buddhism, it’s taught that exceptionally good people who are aligned with virtue can have their bodies possessed by ‘angelic’ life forms. They are used by heavenly forces to transmit the holy Law, complete important missions or physically receive marks, such as stigmata, as manifest proof of divinity. Their bodies are taken control of, they receive genius inspiration or they are guided along a fortuitous path to do sacred things.

Similarly, those who seek to achieve worldly desires and perform evil acts are essentially inviting things such as foxes, snakes, demons and ghosts, low level spirits, onto themselves. Because their thinking is the same as these creatures, their weak minds are pushed aside and their bodies are possessed.

So let’s take a look at these two different scenarios. One good. One evil.

First the good.

Kami and Shen

In Dragon Ball episode 139, Piccolo has entered the 23^rd Tenkaichi Budokai to fight and kill Goku.

Kami also enters the tournament so that he can confront Piccolo and defeat him. But he does not do so directly. Instead, he tries to surprise Piccolo by possessing the body of a human being as a disguise.

He chooses a man with the ring name of Shen (シェン), called Hero in the FUNimation dub. Shen is a homonym for Shen (神), an originally Chinese word meaning God, Divine, and Holy, but Shen’s name is written in Katakana instead of Kanji.

Shen is a nerdy, skinny middle-aged man who does not seem like the best choice for a martial arts tournament. Kami said in a later episode that he chose Shen because of his good nature.

Yamcha fights against Shen in the semi-finals and they have a conversation.

Shen says, “This is just between you and me, but I’m not really human.”

Yamcha laughs and dismisses the comment. “Don’t tell me you’re some sort of space alien or something.”

“Maybe, maybe not. All I can tell you is that I’ve borrowed this person’s body for a little while. Simply put, I’ve transferred my spirit into this body.”

What’s funny is that Kami actually is a space alien, but this hasn’t been revealed yet in the series.

Shen defeats Yamcha after a dramatic twist, and Goku realizes that Shen and Kami are the same person.

Goku thinks to himself, “Competitor Shen… Shen… Shen Long… Shen! That’s it! That middle aged man is actually Kami-Sama!”

While Shen and Yamcha are recovering from the match, Shen realizes there is blood on his chin. “Oh my, I’ve gone and injured my host body.”

With blood also running down his chin, but a smile on his face, Yamcha says, “I never had a chance of winning against someone who could take a direct hit from my Soukidan.”

Shen was able to survive Yamcha’s most powerful Ki attack, despite the fact that Shen was a weak, untrained, skinny middle-aged man completely unfit for the Tenkaichi Budokai.

Shen seemingly had all of the powers and abilities of Kami. This implies that it’s not the body that matters most; it’s the spirit that controls it.

Piccolo and Kami

In Dragon Ball episode 142, Kami, inside the body of Shen, faces off against Piccolo.

Shen attempts to use the Mafuba (魔封波) technique against Piccolo, sealing him in the jar for eternity.

Piccolo realizes Kami is in control of the body. He screams, “Kami, what are you doing in the Lower Realm?!”

Piccolo figures out how to win, and the Mafuba technique doesn’t work because he reverses it against Kami!

Trapped inside the Mafuba’s wave, Kami screams, “Dammit, it wasn’t supposed to turn out like this. At least let this human body go!”

And then the human body drops away and Kami’s true form appears inside the Mafuba’s spiral.

Piccolo, with great satisfaction, traps him inside the jar.

Shen’s body lay on the battle stage, and Piccolo Daimao holds the Mafuba jar in his hand that contains his former self and counterpart, Kami.

Piccolo’s father, Piccolo Daimao, the Demon King, had once been sealed in the Mafuba jar before, and he grew old and weary while inside. Now Piccolo Daimao Jr. had enacted his revenge.

In Dragon Ball episode 143, Piccolo laughs, “I’ve sealed Kami-sama, who had taken control of his body, inside this!”

Shen fails to get up during the 10 count, and Piccolo wins the match.

The announcer runs over to Shen to see if he’s okay. He says, “Shen-san! Shen-san!”

Shen wakes up, blinking his eyes in total confusion. He looks around, puzzled at what’s going on. The crowd cheers for him because of his performance up to that point of the Semi-Finals.

He asks the Announcer, “Um, this wouldn’t be where they’re holding the Tenkaichi Budokai, would it?”

“Eh? Yes, that’s right. Did you happen to hit your head or something?”

Shen looks around at Piccolo, Goku and the others, and is completely baffled. “Ah, silly me!” Then he embarrassingly runs off the stage.

He says to himself, “How strange. When did I get up there? Did I have a couple drinks or something?”

Then Shen’s son comes out from the crowd. “Daddy! I never knew you were so strong, Daddy!”

Shen had absolutely no recollection of the event, and his conscious mind had been completely repressed by Kami’s presence.

Kami took control of a human’s body and did what he felt was necessary for the greater good of mankind, fulfilling his role as Guardian of earth in a way that is very similar to the role of deities in traditional culture: Indirectly, and through the body of a human.

Now let’s take a look at an evil example of spirit possession in Dragon Ball.

The Majin

Much later in the series, in episode 228 of Dragon Ball Z, a higher level deity named Kaioshin has descended to earth in order to defeat the evil sorcerer, Madoshi Babidi.

Madoshi Babidi has the ability to possess the hearts of wicked men. The more evil their hearts, the easier it is to control them.

The beings Babidi possesses gain superhuman strength. Some are filled with intense anger and lose control of their personalities. They become maniacal slaves that are not only more malicious, but also seemingly invincible and impervious to pain.

In the 25^th Tenkaichi Budokai, two fighters named Spopovich and Yamu willingly allow themselves to be possessed by Babidi in exchange for more power.

Like the superhuman warriors possessed by foreign powers in the ancient legends, they have become fearful, almost unstoppable warriors. They violently fight their way up the tournament ladder.

When Videl (Gohan’s girlfriend) fights back against Spopovich’s endless assault, she kicks him in the head and breaks his neck. But he simply twists his head back into place and continues the fight, beating her to the brink of death.

Majin (魔人) is a label in Dragon Ball given to anybody that is possessed in such a manner. You can tell they are possessed because they have the mark of the Majin “M” on their foreheads or elsewhere on the body.

In colloquial Japanese, Ma (魔) has come to mean magic, or enchanted, while Jin (人) means man, or being, so Majin is commonly translated as “magical being.” In some ways this makes sense, but this is a shallow understanding of the original Kanji.

Likewise, Madoshi (魔道師) is a word that is often translated shallowly as Magician.

Ma (魔) means demon, evil spirit, witch, or describes an evil influence, power, enchantment or ability.

Do (道) is the Japanese pronunciation of Dao. It means the way, path, school, or practice, and is the same Dao from Daoism.

Shi (師) means teacher, master, or expert.

When put together, Madoshi means “Demon Way Master,” or “Master of the Demonic Way.”

So you can see that Madoshi Babidi is much more than a simple magician. He’s a genuine master of the dark arts. Similarly, a Majin is more than just enchanted. They are demons.

The Kanji for Ma (魔) suggests that all beings given this label are the antithesis of upright beings, driven to threaten humanity or overthrow the heavens.

In fact, Madoshi Babidi is the son of Madoshi Bibidi, an evil sorcerer who once did battle against the Kaioshin’s (界王神), the deities of the Dragon Ball cosmos.

In order to fight the gods, Madoshi Bibidi conjured up an evil demon that he named Majin Buu (魔人ブウ).

Buu (ブウ), written in Katakana, is also a homonym for Bu (武), meaning martial arts, warrior, war, or martial. Majin Buu thus essentially means “Demonic Being of War.”

Then why is it written as Buu instead of Bu? Because humorously, their names together are Bibidi, Babidi, Buu. This is the same magic incantation used by the Fairy God Mother in Disney’s Cinderella (1950), and is also called “The Magic Song.” Toriyama used it here as a verbal joke. Wikipedia states that “Most Japanese merchandise spells Buu’s name in the proper “Boo,” just like the song.”

Madoshi Babidi seeks to awaken Majin Buu from the egg-like cocoon he was sealed inside by the surviving Kaioshin’s, ages ago. Like Piccolo Daimao, this great evil had been sealed away.

Realizing the threat this poses to humanity, Kaioshin arrives on earth. One planet out of the countless he oversees.

Kaioshin meets with and convinces Goku, Gohan, and Vegeta to attack Babidi’s ship. He wants to destroy Babidi and his spirit possessed slave, Dabura, the King of Demons, before they can awaken Majin Buu.

Dabura is the King of the Demon Realm (Japanese: Makai, 魔界), a world in an inverse dimension to that of earth, where everything is dark, evil and populated by demons. Babidi is an incredibly powerful sorcerer to have been able to possess Dabura. Toriyama named Dabura after the second half of the magical incantation, “Abracadabra.”

Dabura fights against Gohan and in the midst of battle witnesses a moment of impatience and anger in Vegeta, who tires of their drawn out conflict and is disappointed by Gohan’s relative weakness after the 5 years of peace following the Cell Games.

Dabura immediately withdraws from the battle, saying, “I myself do not need to fight. I’ve found a good warrior [to do so for me].”

Babidi and Vegeta

Vegeta is frustrated and wants to end this stupid adventure so he can finally challenge Goku in a fight. He decides he’s going to blast a hole through Babidi’s spaceship, straight down to the lowest level.

Kaioshin stops him, shouting, “If you do such a thing, Majin Buu will be revived! Majin Buu is a monster who does nothing but create destruction and slaughter again and again. He is quite literally a demonic being, as four of the Kaioshin were no match for him! If Majin Buu is revived, then mankind… no, all living things will be put to death, and the earth will unmistakably be turned into a planet of death.”

Just as Kami sensed the goodness in the heart of Shen, Dabura senses the evil in Vegeta’s heart. He advises Babidi to attempt spirit possession on Vegeta.

Goku and Gohan were untouchable, but Vegeta’s impatience and tolerance hinted at flaws in his character.

Babidi looks at Vegeta through his crystal ball, talking to Dabura. “You’re right, he’s different from the others. It’s just as you said. His heart is filled with wickedness. He hasn’t come here for any just cause at all!”

Babidi casts his spell, saying “We’re going to have you serve us.”

Vegeta’s head is filled with pain. He writhes in agony as Babidi fights for control of his body.

Kaioshin tells Vegeta, “Babidi is attempting to use the evil in your heart! That’s right! Madoshi Babidi can manipulate the evil-hearted at will!”

He advises Vegeta, “Vegeta-san, empty your mind! You must not think of anything!”

Perhaps if Vegeta could, at that moment, empty his mind and become peaceful, there would be nothing for Babidi to latch onto. No attachments. No gaps.

Babidi gleefully continues, “All right, while we’re at it, let’s also draw out his hidden power, beyond his limits!”

Vegeta floats into the air, screams in anguish, and red lightning bolts arc throughout the room. The power of his energy causes a small earthquake in the surrounding cliffs around the ship.

Goku shouts, “What a Ki! I can’t get near it!”

The light recedes. Vegeta falls to the floor, crashing to his knees.

A moment of pause.

Vegeta slowly rises, with a Majin M on his forehead and a wicked grin on his face.

Majin Vegeta

Babidi successfully possessed Vegeta.

He chants an incantation, “Papparapa!” and they are transported to a new battleground: the Tenkaichi Budokai stage. Babidi and Dabura want Vegeta to fight against Goku and Gohan so that they can collect the dispersed energy from their battle and use it to awaken Majin Buu from his slumber.

Babidi tries to control Vegeta, telling him to battle and “even kill the others, if you like.”

“Silence!” Vegeta shouts. “My only objective is Kakkarot! I don’t care about anyone else!”

Babidi is in shock. “What a guy! He still isn’t completely under my control. This is a first.”

After calling Goku out in a challenge, Vegeta fires a Ki blast directly into Goku’s face, which Goku blocks, but he cannot redirect the beam. It flies into the crowd, killing over a hundred people immediately. Then the beam flies through the arena wall, burning through the city for more than a mile, finally erupting in a giant mushroom cloud.

Total death count? According to Babidi, 200 people.

Goku realizes what’s going on. “Vegeta! Don’t tell me you fell under Babidi’s spell on purpose. … Answer me, Vegeta!!”

Vegeta fires another blast into the stadium, killing dozens more. He then grimaces at Goku like a psychopathic madman.

Goku fills himself with rage and transforms into a Super Saiyan.

Goku says, “Vegeta. You let yourself fall under Babidi’s spell and lost your self-control, and did all this in order to get me serious? Am I wrong?”

Vegeta replies, “If I hadn’t done all this, you wouldn’t have fought me! In only one day, you’ll disappear from this world. And yet all this gets in the way!”

Kaioshin rebukes him, “So for that… just for that, you’ve done this foolish thing?”

Vegeta is insulted and shocked. “Foolish thing?! FOOLISH THING, YOU SAY?!!”

He powers up, sending dust everywhere.

“This is everything to me! It does not matter to me what happens with Majin Buu or anything else!”

Pointing at Goku, “He… He surpassed my strength! He is a Saiyan, same as me, yet he outpaced me! Me! The Prince, at the height of his overwhelming power! I… I’ve even had my life saved by him! I cannot forgive him for that! Absolutely not!!”

At the request of Goku they are transported by Babidi to a desert battleground away from civilians. Babidi tries to control Vegeta again, ordering him to kill everyone.

Vegeta’s mind is split in two and he writhes in pain. “Do it! Do them in!” The Majin symbol on his forehead pulses with red light.

“I refuse!”

Babidi orders him to do it once more, and Vegeta’s body spasms in pain.

Vegeta speaks to Babidi, “Like I said, all I want to do is fight Kakkarot. I… I am the proud Prince of the Saiyans! You think I would allow myself to become your serf?! You may control my body and my heart, but at least you will not have your way… with my PRIDE!!”

Vegeta screams in anger, powering up, sending a huge golden aura out of his body, while lines of white serpentine energy course out of him. Mountains collapse as the earth quakes.

Kaioshin is in shock, “Unbelievable! To think there’s a person that could defy Babidi while being controlled by him!”

Goku, almost in disgust, says, “So this is how badly you wanted to settle things between us, Vegeta?”

“I’ve waited. I’ve waited so long, Kakkarot!”

The Pride of a Man

In this scenario we see the extent to which Vegeta would go in order to enact revenge against Goku. He would even allow a foreign being to take control of his body and heart in exchange for more power.

Why? For a chance to feel complete once again. And a chance to restore his pride.

Vegeta explains in the following episodes that he willingly let Babidi possess him so that he could remember the feeling of only caring for himself… the simple freedom and joy that this brings. The satisfaction of being a ruthless, cold hearted warrior, and of being the best.

He had tried Goku’s way… the way of kindness and family. The way of protecting others.

But what did it get him?

In Vegeta’s mind it only brought comfort and weakness. Sentimental rubbish! An unfitting way of life for a warrior!

Most importantly, it did not increase his power and it did not satisfy his ultimate desire.

When Vegeta had the opportunity to let this all go and return to his former self, he took it.

After an intense and exhausting battle, the two warriors were evenly matched.

During a moment when Goku offered his kindness, Vegeta attacked with a sneaky blow from behind, knocking Goku unconscious.

Vegeta betrayed Goku’s trust and won the fight.

But shortly afterward he lost his life against the recently awakened Majin Buu… in the ultimate self sacrifice.

He also lost his soul, and was sent to Hell.

Vegeta’s spirit possession resulted in short term satisfaction from a battle with Goku, and the long term death of millions.

Was it worth the cost?

In Vegeta’s eyes, it was. Satisfying his pride is all that mattered.

Such is the price this man paid to achieve his desire.

Post from: The Dao of Dragonball Blog

Spirit Possession in Dragon Ball

In Japanese martial arts, the Kiai (気合) is commonly thought of as a loud yell that coincides with an attack. But it’s actually a method of breathing, and is so much more than a simple scream.

In Dragon Ball, the Kiai is taken to an extreme. While drawing upon ancient martial arts legends, Akira Toriyama gives a visual appearance to what used to be invisible. He also illustrates what the Kiai could be capable of when used by a supernormal martial artist.

Toriyama’s creation has inspired a lot of people to practice martial arts, and the Kiai is an integral aspect of eastern martial arts, so it’s important to understand.

From super powerful punches to shields of energy, let’s take a deeper look at the Kiai in Dragon Ball.

Understanding the Kiai

To have a better grasp of what the Kiai is in Dragon Ball, we first have to understand what a Kiai is in traditional eastern martial arts.

Different martial arts masters view the Kiai in different ways, and there are those that believe it is a simple exhalation of air, while others consider it a potent weapon in the martial artist’s arsenal.

Wendell E. Wilson of the Shuri-ryu dojo in Tucson, Arizona, wrote in his essay, ‘Kiai’, “The subject of the kiai is complex and profound, involving critical aspects of the body, the mind, and the spirit, having numerous uses and applications. In truth, no one masters or even understands a martial art without mastering the kiai. … ‘The yell’ is not a trivial, expendable, slightly silly bit of melodrama; rather, it is a core concept and an essential skill to be taken very seriously and to be practiced and refined at every opportunity.”

The character for Ki (気), known as Qi in Chinese, refers to the ‘breath,’ ‘air’ or ‘spiritual energy’ of life. The character for ai (合) is a combination of characters, the top part (亼) meaning “to gather or collect,” and the bottom part (口) meaning, “mouth.”

A literal translation of Kiai could be, “to gather Ki together in the mouth,” and with the given context of the martial arts, it could be translated as, “to gather Ki together and project through (or out of) the mouth.”

Despite this literal translation existing, Kiai is often stated as meaning “to harmonize,” in that you harmonize your energy with that of your opponent, whether to subdue them peacefully or manipulate and defeat them.

These characters are also found in the martial art Aikido (合気道), where the Ai and Ki are reversed in order. In Aikido, a Kiai is used to instill a peaceful harmony or subjugation of the opponent through a meeting of energies via movement. The compassionate philosophy of Aikido is actually a rarity in Japanese martial arts and a relatively new concept, so the traditional meaning is still relevant.

In a traditional sense, the uniting effect of the Kiai is found within the individual practitioner as he unites his mind and body with proper timing and execution.

At a higher level, a Kiai is a complete unification of time and space, spiritual energy and power, mental willpower and determination, compressed and directed at a single point. The body’s concentrated power is let out during the Kiai, which can precede, coincide, or follow the moment of impact, depending on the technique or style.

How the Kiai Works

Basic training for the Kiai involves breathing exercises, similar to the Pranayama practices of India. The practitioner breathes from the lower abdominal area, setting the Ki in motion.

The lower abdominal area of the body is referred to as the Hara (腹) in Japanese, and the Dan Tian (丹田) in Chinese martial arts. It is an important part of the human body, and the place where energy is developed and stored.

Practitioners also perform mind intent exercises to strengthen their will and direct their intent.

Once a sufficient amount of Ki had been built up in the practitioner’s body, they would then practice their yells in outdoor environments. Starting from the lower abdomen, below the belly button, the practitioner quickly expels their Ki and breath while directing it with their mind. An objective was to become louder than nearby oceans, or silence the animals of forests and mountains.

Others use silent Kiai’s during meditation as a concentrated expression of will. And the silent Kiai’s are considered the most difficult yet most powerful to use in battle.

That said, keep in mind there are different types of Kiai, and high volume is not a necessity. It is the proper application that is important. Remember that a Kiai is the unification of spirit and body through the mouth. The most important part is the unification. In battle, high level masters may only make a subtle noise, or none at all, yet the Kiai is still fully executed.

The Kiai can also be used defensively, to harden the body and protect internal organs. The sudden tension followed by immediate relaxation reduces the sensation of impact. Trained martial artists can survive falls from great heights, or otherwise deadly blows, by using such techniques with proper timing.

When performed, the sounds expressed can vary depending on whether it is an offensive or defensive technique. Sounds such as, “hah,” “ah,” “ey”, “ay-sah”, “hai”, “toh,” “yah”, “ohs”, “hup” and others can be heard. Both long and short exhalations exist, and can be done before a technique, during, or after. There is no actual meaning to the vocal expression.

Kiai Jutsu

http://www.youtube.com/watch?v=zIXZ4e8x9V0

Actually using and refining the Kiai as a weapon is known as Kiai Jutsu (気合術). Kiai Jutsu can be considered the art of attacking (or healing) through the voice.

This art was considered very esoteric and secretive, taught only to professional warriors or senior students. Through years of dedicated training a practitioner was said to be able to use their own voice as a weapon, like a lion’s roar.

In this form, Kiai-Jutsu was used to knock opponents unconscious or cause mortal harm, without touching the opponent physically. This was known as a “touchless weapon.” They could ring a bell from a distance, stop a punch or kick in mid-strike, knock people over, shock an opponent into paralysis, or even cause birds to fall from their perch. In Japanese, this technique was referred to as “Toate-no-Jutsu” (遠当ての術), meaning “the art of striking from a distance.”

The Kiai Jutsu practitioner would channel the energy from their lower abdomen, and from throughout their body, and out the mouth. The energy wave would be directed at a target via mind intent.

Today, Kiai Jutsu as a “touchless weapon” can be found in dojo’s, but is ridiculed as a scam martial art and highly criticized by skeptics as something promoted by charlatans. Practitioners of the techniques state in their defense that it is because the skeptics, when subject to the Kiai, are not sensitive to Ki, or that martial artists of other practices are not sensitive to the master’s particular energy. This means they do not respond like a normal martial artist would, such as collapsing unconscious, or being pushed and pulled around by the energy. Instead, they suffer long term harm to their organs on a subtle level.

Students who are sensitive to the master’s energy, or profess to be able to use the technique, describe it in various ways: A shockwave, a surge, a type of wind, intense heat, blurred vision and deafness, or an electric buzz. And Veteran martial artists in the United States, who practiced in the 50’s, 60’s and 70’s, have made claims to experiencing such things while in Japan.

But to the skeptics, the practice is debunked as nothing more than psychological manipulation of the master’s students. Or as Mister Satan from Dragon Ball Z would say, “Tricks.”

Therefore, whether or not Kiai Jutsu’s “touchless weapon” is real is subject to personal opinion or belief, hopefully based on experience, rather than conjecture.

There are no known surviving masters of the original art teaching publicly (if alive at all), and the complete style of techniques have been lost and become the source of legends. There are a few schools across the world that still teach Kiai Jutsu’s “touchless weapon,” but they are subject to ridicule by those who seek scientific evidence and proof.

Only the basic aspects of Kiai Jutsu remain in the eastern martial arts world as a whole, and are found in the majority of practices.

The Kiai is an integral part of proper training, and masters of an art have strong Kiai’s, but Kiai Jutsu as a “touchless weapon” is, generally speaking, no longer given credibility, except for those who profess to have experienced it.

There are however those who still teach Kiai Jutsu in tandem with the pressure point art known as Kyusho (急所). In this form it is for medical healing or reviving unconscious martial artists after pressure point manipulation and knockouts while training.

Kiai Jutsu in Dragon Ball

Here is where things get taken to the extreme. The Dragon Ball extreme!

The Kiai Jutsu technique is used by several characters in Dragon Ball, and it shows up in a lot of different ways, growing in magnitude and power as the series continues.

It’s never explicitly shown how the characters in Dragon Ball trained to use the Kiai as a supernormal projection of their Ki. Some of the characters have the ability while others either do not or never display it.

The characters use the Kiai’s in different ways, so let’s review some of them now.

For lack of specific terms, I provided generic terms for each of these technique categories.

Kiai Strike

The most common Kiai is that which accompanies a powerful strike. The proper timing of a Kiai strengthens their attack. This is a regular type of martial arts Kiai.

I can’t think of any of the warrior’s that don’t use this while fighting. One Kiai for just about every punch and kick.

Kiai Aura Blast

The Kiai Aura Blast is very similar to the “touchless weapon” technique. This is “the art of striking from a distance” exemplified.

Goku used the Kiai Aura Blast while fighting on Planet Namek against Jeice and Burter.

The two Ginyu Force members are attacking him simultaneously, one on his left, and the other on his right. Goku quickly enters a martial arts horse stance, crosses his arms, and then Kiai’s while extending both arms out to the side while looking forward.

The result is a gigantic invisible shockwave that sends both opponents flying away. Dust goes everywhere and Jeice and Burter try to recover in mid-air.

This appears to be an omnidirectional Kiai: A transparent aura blast that rapidly radiates outward. This is important to point out because other aura blasts in Dragon Ball have clearly observable Ki that emanates from the practitioner. The one Goku used did not.

Uub also showed this technique at the end of Dragon Ball Z. He was able to do this technique without any training, when Goku made him so furious with rage that he screamed in Goku’s direction.

Kiai Shield

There are a couple examples where we see the Kiai Shield.

The first is when Tenshinhan is fighting his revenge match against Tao Pai Pai, the Crane Hermit’s little brother, at the 23^rd Tenkaichi Budokai.

Tao Pai Pai fires his Super Dodonpa energy beam at Tenshinhan, who defiantly stands in place. Tenshinhan is so angry and disgusted with Tao Pai Pai’s lack of warrior ethics that he chooses to take the beam head on in an action that also represents the moment he surpassed his former instructor.

But instead of Tenshinhan blocking it with his hands or using some other technique, he Kiai’s.

After the dust clears, Tenshinhan is left standing in the ring, completely untouched and unmoved. He then rushes toward Tao Pai Pai and knocks him unconscious with a single blow.

Another time we see the Kiai shield is when Goku is fighting against Nappa during the Saiyan arc. Goku has just arrived to the battlefield, and Nappa attempts to blow him away. Goku stands in place, puffs out his chest while raising his arms up in the air, and Kiai’s.

Nappa’s blast is completely negated before it even touches Goku’s body.

Goku uses this same technique while fighting against Burter and Jeice on Planet Namek, where they are throwing multiple energy balls at him. He Kiai’s and surrounds himself with an invisible shield that blocks all of the projectiles.

And like the Kiai Strike, the Kiai Shield can be used repeatedly during a fight, such as when absorbing blows or suffering a great fall or impact. Martial artists in the real world frequently use a defensive Kiai when taking hits, so it’s highly likely that the Dragon Ball warriors do the same thing.

Kiai Energy Beam

In Dragon Ball, unless a Kiai technique has its own special name, this type of Kiai is generically referred to as a Mouth Blast. In Japanese, this would be Kuchi Kara KiKoHa (口から気功波), which can be translated as “Ki Skill Mouth Wave.”

This is the type of energy technique from the mouth that most people think of when it comes to DBZ.

Many of the “evil” characters in the series have this ability, such as Piccolo Daimao, Piccolo Daimao Jr., Dodoria, Nappa, Recoome, Cell, Majin Buu, Janemba, and the Oozaru that each Saiyan can transform into.

This technique involves collecting the energy of the body into the mouth and projecting it outward as a beam. There are different colored beams for each character, depending on their individual characteristics.

Because the beam is made of high energy matter, it often explodes on impact or penetrates through defenses.

According to western physics, light exhibits characteristics of both particles (rays) and waves. Most of these types of Kiai’s resemble light rays, or beams, rather than waves.

There is the also the unique case where Majin Buu and Gotenks are trapped in the Room of Spirit and Time inside Kami’s Lookout. They both Kiai with such power that it rips a hole through time and space, allowing them to escape their dimensional prison.

Kiai Energy Wave

Similar to the Kiai Energy Beam, the Kiai Energy Wave is a collection of energy projected out of the mouth. But this time it comes out as a destructive wave, instead of a beam.

Theoretically, the Ki mixes with breath and is then projected forward as a high energy material substance.

For example, in the Majin Buu arc, Babidi orders Majin Buu to destroy a city, and he does so with a Kiai Energy Wave. He takes a really huge inhale, and gives a super elongated exhale of pink Ki waves that is so visibly powerful that it levels the entire city, like the shockwave from a nuclear blast.

Recoome also uses the breath variant technique on Planet Namek fighting against Gohan.

These techniques are in many ways similar to Superman’s super breath. The difference is that because these waves are made of high energy matter, rather than air alone, they are far more destructive.

Alternate Kiai’s

There’s also a different type of Kiai Energy Wave where the character breathes fire.

Dabura does this in the Majin Buu arc. He inhales air and then breathes fire at his opponent, as if he were drawing it up from within his body.

And in Dragon Ball GT, when Goku transforms into the towering Golden Oozaru, he shoots red hot fire out of his mouth in a projected stream. This stream of fire is different than the regular Oozaru Kiai Energy Beam.

Lastly, in Dragon Ball Z Movie 13: Wrath of the Dragon, the giant monster Hildegarn uses a similar technique to project a huge stream of flame from its mouth.

Because of their giant nature, in the case of the Oozaru, Golden Oozaru, and Hildegarn, these types of streams can be likened to Godzilla’s radioactive breath, rather than a traditional Kiai. Toriyama was a fan of Godzilla movies and giant monsters as a child, and so it’s easy to see these same characteristics in the monster’s deadly breath.

Ancient and Modern Kiai’s

Can you now see the string that connects the Kiai’s of traditional Japanese martial arts to the Kiai’s in Dragon Ball?

Dragon Ball’s fighting styles and techniques are rooted in eastern martial arts, which are themselves rooted in religions and spirituality.

Some of this may appear unbelievable or unscientific, but to the warriors of the past, such abilities seemed very real, or at least possible.

Even today there are still some martial artists that take the Kiai and its more supernormal aspects to be real because of their own experiential evidence.

Dragon Ball takes these concepts and the possibilities of such powers to an extreme, and then uses them to weave an interesting tale of mighty warriors.

Why don’t the martial artists of today have such abilities?

Maybe it’s impossible.

Or maybe they aren’t training hard enough!

Increase Your Kiai Power

If you are interested in learning more about the Kiai, please see the resources below or conduct your own research.

Better yet, start taking a martial art and find out for yourself whether or not the Kiai is real.

If you decide to walk the path of a warrior, then perhaps this advice will help.

Wendell E. Wilson ended his ‘Kiai’ essay with the following recommendation. “Don’t be shy with your Kiai… it is nothing less than your source of power and your route to victory.”

Further Resources

1. http://mineralogicalrecord.com/wilson/karate.asp
2. http://www.martialartsplanet.com/forums/showthread.php?t=19771
3. http://www.fightingarts.com/reading/article.php?id=158
4. http://rizsmartialartstraining.blogspot.com/2009/04/thoughts-on-ki.html
5. http://www.jigokudojo.org/toate.htm
6. http://www.shotokai.com/shotokaiforum/viewtopic.php?t=184
7. http://shotokai.com/ingles/gallery/tokitsu/itinerary2.html
8. http://www.youtube.com/watch?v=zIXZ4e8x9V0

Post from: The Dao of Dragonball Blog

The Kiai in Dragon Ball

Goku Faces Towards the Light

I recently received a question from a visitor to the main Dao of Dragonball Book site.  He asked “What of Falun Dafa is similar to Dragon Ball?”  This post reveals the relationship between personal cultivation, Goku, and Falun Dafa.

As visitors to the site may know, Dragonball is what actually led me into the martial arts.  I started with Shaolin Gong Fu, progressed into Tai Qi, and then Qi Gong, and eventually Falun Dafa.

As I practice Falun Dafa I am able to gain a higher understanding of the three universal principles of Truth, Compassion, and Forbearance.  Looking through these three principles at Dragonball, and Goku especially, I see a lot to relate to in my own life.

If you look at Goku through this lense, for example, you can see all three principles.

He is a completely True person, and he is very honest and genuine.  His mind is simple and straightforward and he does what he feels is right.

Goku is a very Compassionate person even when he fights his opponents, because he does not fight to win… He fights so that he does not lose.  The only reason he fights at all is to protect those who cannot protect themselves, and to simultaneously raise his level and improve himself.  Training and sparring allow both himself and his training partner to improve, and he places more of the emphasis on his partner, so that in time he will also rise up.  He thinks of others first and is so sensitive and broad minded that he can fight for the salvation of the entire universe and all sentient beings.

He is also a very Forbearing and tolerant person who can go through the most extreme examples of pain and suffering and come out the other side a savior, and he always gives his opponents more chances to redeem themselves.  This tolerance to allow their redemption even while enduring blows is what turns TenShinHan, Piccolo, Vegeta, Majin Buu, and others, into his allies.  He looks past the character flaws and directly into their hearts, and gives them time to turn around and walk an upright path.

Throughout Goku’s life he always takes the road of personal cultivation.  During this process he struggles with his inherent Saiya-jin emotion, compassionate human upbringing, balances his personal aspirations with responsibilities, and fights against external interference.

At each stage of his journey he faces greater and more challenging opponents and trials, and each one causes him to look inward and rise up to meet the challenge.  Goku is able to quickly and consistently improve because he is always looking inward at how to better himself in response to the higher standards suddenly placed on him.

On the other hand, Vegeta is always looking outward.  He constantly strives to defeat Goku, his rival.

When Vegeta pushed harder and harder to attain Super Saiya-jin, in a jealous and competitive response to Goku’s progress, it is noteworthy that no matter what he did he was not able to reach that level.  It is only while on the asteroid, facing life and death, alone, that he gave up his attachment to this pursuit and finally focused inward.  When Vegeta let go, enlightenment followed.  The void within was filled with something greater.  He lost the attachment, and he gained first level enlightenment.

Falun Dafa is a complete cultivation system that helps practitioners focus on looking inward, let go of attachments, correct incorrect notions, and eliminate karma.  Practitioners do so in the midst of society and do not shy away from conflict.  It is an extremely quick way to improve one’s character because it focuses directly on the mind.

As I walked the path of cultivation and watched Dragonball at the same time, I could not help but notice the similarities, and that is where the idea for The Dao of Dragonball originated.

The difference of course is that Falun Dafa is a cultivation system to be practiced by real people, and Dragonball is a cartoon show.  Dragonball cannot be used as true spiritual guidance, only perhaps for reflection upon your own path.  It’s simply that Falun Dafa was so powerful in helping me better understand the show.

Falun Dafa also helps a person better understand East Asian culture, which allowed me to see Goku’s beginning as Son WuKong, and his alterations from an Indian deity, to Buddhist hero, to Japanese pop culture icon.  Furthermore it is a grand awareness of all spiritual cultivation paths, including those of the West.

The Dao of Dragonball is a vehicle for explaning higher level principles and the meaning of life, and it does so through the medium of Dragonball, a pop cultural phenomenon that millions can relate to.

Post from: The Dao of Dragonball Blog

How Does Dragonball Relate to Falun Dafa?